The best Victoire Du Bois’s movies

In 1980s Italy, a relationship begins between seventeen-year-old teenage Elio and the older adult man hired as his father's research assistant.

The Manzoni family, a notorious mafia clan, is relocated to Normandy, France under the witness protection program, where fitting in soon becomes challenging as their old habits die hard.

An adaptation of Milena Agus' eponymous novel set after WWII, "Mal de Pierres" ("Mal di Pietre") spans 20 years, following the destiny of a passionate, free-spirited woman who is in a loveless marriage and falls for another man.

A submarine crew, a feared pack of forest bandits, a famous surgeon, and a battalion of child soldiers all get more than they bargained for as they wend their way toward progressive ideas on life and love.

A story of Naoufel, a young man who is in love with Gabrielle. In another part of town, a severed hand escapes from a dissection lab, determined to find its body again.

October 1941. Eighteen months into France’s occupation by German troops, young Communist members of the Resistance shoot dead an officer of the German Army. In retaliation, Hitler demands the deaths of 150 Frenchmen, as 'retribution'. The targets are to be mostly young men believed to share the assassins’ political convictions. Most of these men are taken from an internment camp for opponents of the occupation; a 35-year-old French rural administrator is ordered to select the victims. Although the parish priest appeals to their conscience and moral sensibilities, both the German military and their French helpers slavishly follow their orders.

Seances, co-created with the National Film Board of Canada, presents a wholly new way of experiencing film narrative. By dynamically generating a series of film sequences in unique configurations, potentially hundreds of thousands of new stories are conjured by code. Each will exist only in the moment—no pausing, scrubbing, or sharing—offering the audience one chance to see the generated film. This project, co-created by the ever imaginative Guy Maddin, is a visual discourse on the impact of loss within film. All the sequences pay homage to lost silent films from the early day of cinema. Seances is nostalgic but it is also frequently hilarious. Part of the joy and sadness of Seances is that many possible narratives are created but they can be only viewed once before they disappear forever.

Anna is 16, and lives with her young mother, Rebecca. It is the end of another summer defined by her mom’s flings and conquests, but during which Anna begins to discover her own sensuality. As Anna learns she is pregnant, her mother sees herself in her daughter, at the same age, facing the same choices. And if Anna’s decision implies a rupture in her relationship with Rebecca, she will find support where she least expects it.