The best Jacques Nolot’s movies

When André, 85, has a stroke, Emmanuelle hurries to her father’s bedside. Sick and half-paralyzed in his hospital bed, he asks Emmanuelle to help him end his life. But how can you honor such a request when it’s your own father?

In the 16th century in the Cévennes, a horse dealer by the name of Michael Kohlhaas leads a happy and prosperous family life. When a lord treats him unjustly, this pious, upstanding man raises an army and puts the country to fire and sword in order to have his rights restored.

A submarine crew, a feared pack of forest bandits, a famous surgeon, and a battalion of child soldiers all get more than they bargained for as they wend their way toward progressive ideas on life and love.

Nina, young girl from the provinces discovering the capital, meets people by chance, and carries out apprenticeship of the theatre and love. Paulot first of all, reassuring figure of an ordinary man, solid as a rock. Then Quentin, a fallen actor tormented by a past drama, violent as lightning. Finally, Scrutzler, an inflexible and exhausted director who chooses Nina, throws her on the stage. A revelation is born through these three meetings. But, it is with herself that Nina has an appointment.

As the Algerian War draws to a close, a teenager with a girlfriend starts feeling homosexual urges for two of his classmates: a country boy, and a French-Algerian intellectual.

The film tells the tale of a widowed film director who is in the middle of making a film about an atypical diplomat inspired by his brother. While he has started a new life with Sylvia, he still mourns the death of a former lover, Carlotta, who passed away 20 years earlier; then Carlotta returns from the dead, causing Sylvia to run away.

In spring 1976, a 19-year-old beauty, her German-born mother, and her crippled father move to the town of a firefighter nicknamed Pin-Pon. Everyone notices the provocative Eliane. She singles out Pin-Pon and soon is crying on his shoulder (she's myopic and hates her reputation as a dunce and as easy); she moves in with him, knits baby clothes, and plans their wedding. Is this love or some kind of plot? She asks Pin-Pon's mother and aunt about the piano in the barn: who delivered it on a November night in 1955? Why does she want to know, and what does it have to do with her mother's sorrows, her father's injury, this quick marriage, and the last name on her birth certificate?

Old woman Berthe leaves her house to live in her daugter Emilie's one. Emilie and her brother Antoine have fallen out three years ago and have not seen each other since, but Emilie invites him for Christmas. Memories will come up, and will be depicted both Berthe's destiny and the strange relationship between Emilie and Antoine.

While being transferred to another prison, two convicts - Stéphane Carella and Paul Brandon - effect a miraculous escape. They are pursued across the Verdon Gorge before arriving at an isolated farmhouse whose owner, Laura, offers them sanctuary. Since the death of her husband, Laura has longed to get her own back on the police and she agrees to help Carella and Brandon in their scheme to rob a casino in Nice. After a shoot out with the casino’s owners, Carella realises that not everything is what it seems. Brandon is not what he appears...

Artemisia Gentileschi (1593-1653) was one of the first well-known female painters. The movie tells the story of her youth, when she was guided and protected by her father, the painter Orazio Gentileschi. Her professional curiosity about the male anatomy, forbidden for her eyes, led her to the knowledge of sexual pleasure. But she was also well known because in 1612 she had to appear in a courtroom because her teacher, Agostino Tassi, was suspected of raping her. She tried to protect him, but was put in the thumb screws...

In the summer of 1979, gay porn producer Anne sets out to film her most ambitious film yet, but her actors are picked off, one by one, by a mysterious killer.

Manu arrives in Paris, in the early days of AIDS, at the beginning of the 1980s. He strikes up a friendship with Adrien, a wealthy doctor in his early fifties, who introduces him to Sarah and Mehdi, a young couple.

When her husband goes missing at the beach, a female professor begins to mentally disintegrate as her denial of his disappearance becomes delusional.

During an interview, Max Baumstein (Piccoli), respected chairman of a humanitarian organisation, shoots the Paraguayan ambassador dead, in cold blood. Tried for first-degree murder, he explains himself: the ambassador was a former Nazi official, responsible for the extermination of his family.

In a Parisian porn theater, a cashier, a 50-year-old man and a young projectionist are drawn into a complex love affair.

An affluent, middle-aged couple's uneventful lives are forever changed when they move into an isolated house in the country and befriend an odd, younger couple.

Robinson, appropriately named as we will soon discover, is on vacation in Biarritz with his wife. What follows is the story behind the loss of his arm, a story that becomes increasingly bizarre and eventually apocalyptic, leading us down a narrative path of labyrinthine complexity. The resulting film is an extraordinary feat of imagination and daring, set against the backdrop of a world on the verge of destruction.

Three aging and failed comedians, Georges Cox, Victor Vialat and Eddie Carpentier, hit the road again with a lousy production of a lousy play, of course under the worst possible conditions.

Gina, an American flight attendant, falls in with a Parisian bartender on a layover only to find herself tangled in a web of deception, delusion and unrequited amour fou.