The best Slimane Dazi’s movies
If you love cinema, you will share this ranking of the best Slimane Dazi’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Slimane Dazi.
A Prophet
7.8/10
Sentenced to six years in prison, Malik El Djebena is alone in the world and can neither read nor write. On his arrival at the prison, he seems younger and more brittle than the others detained there. At once he falls under the sway of a group of Corsicans who enforce their rule in the prison. As the 'missions' go by, he toughens himself and wins the confidence of the Corsican group.
Only Lovers Left Alive
7.2/10
A depressed musician reunites with his lover in the desolate streets of Detroit. Though their romance has endured several centuries, it is tested by the arrival of her capricious and unpredictable younger sister.
Simple Passion
5.4/10
A man and a woman are brought together by chance for several months. He is younger than she is, married, Russian, officially a diplomat stationed in Paris. She is a beautiful teacher and researcher, with her feet firmly on the ground. The film follows the evolution of their love, from the beginning to end.
The Angel
6.7/10
True story of Ashraf Marwan, who was President Nasser's son-in-law and special adviser and confidant to his successor Anwar Sadat - while simultaneously Israeli Intelligence's most precious asset of the 20th century. Based on NYT bestselling book 'The Angel: The Egyptian Spy Who Saved Israel' by Uri Bar-Joseph.
The Forbidden Room
6.1/10
A submarine crew, a feared pack of forest bandits, a famous surgeon, and a battalion of child soldiers all get more than they bargained for as they wend their way toward progressive ideas on life and love.
Last Call for Nowhere
5.7/10
French border cop José Fernandez has just one last extradition to do before his long-awaited promotion to the crime bureau. But his detainee Akim, victim of a judiciary glitch, is outraged to find himself saddled with the identity of a potential terrorist and put on a flight back to Kabul, where he has never even set foot before! What starts as a routine trip for Fernandez and his skirt-chasing partner Guy goes haywire when their plane is grounded in Malta, forcing them to bunk up with Akim, who will stop at nothing to avoid extradition!
Sweetness in the Belly
5.6/10
Orphaned in Africa as a child, Lilly escapes to England as a refugee, fleeing civil war in Ethiopia. Lost in this cold new world, Lilly embraces the immigrant community in London, attempting to reunite people with their scattered families. But as her friend Amina discovers, Lilly's mission isn't purely selfless: a passionate lost love affair is revealed.
Exit Plan
5.1/10
Insurance broker Max's life is about one thing - keeping his walnut brain tumour in check. He eats properly, exercises and lives properly, but all of this self-consciousness makes him more and more depressed. When he realises that his beloved wife plans to leave him, he decides to take his own life.
The Nile Hilton Incident
6.8/10
Cairo, 2011. A police officer investigates the murder of a woman in a luxurious hotel in the days leading up to the Egyptian revolution.
Orchestra Class
6.5/10
A violinist looks to inspire his students at a challenging music school.
96 heures
5.6/10
Carré is the boss of the BRB (Brigade for the Repression of Banditry). 3 years earlier, he arrested a big mobster, Kancel. Today, thanks to an extraction, Kancel kidnaps the cop. He has 96 hours to elicit a single information: know who gave him.
Wolf
7.3/10
A young boxer is making a name for himself inside the ring. Outside the ring, he is sucked into a world of crime. He becomes increasingly entangled in his own ambition.
Chouf
6.3/10
Chouf: It means “look” in Arabic, but it is also the name of the watchmen in the drug cartels of Marseille. Sofiane is 20. A brilliant student, he comes back to spend his holiday in the Marseille ghetto where he was born. His brother, a dealer, gets shot before his eyes. Sofiane gives up on his studies and gets involved in the drug network, ready to avenge him. He quickly rises to the top and becomes the boss’s right hand. Trapped by the system, Sofiane is dragged into a spiral of violence…
Your Mother Should Know
6/10
A young photographer moves back in with his mother and has to adjust to his old hometown. Things get more challenging when she appoints him as her dating coach in order to spend more time together.
The Tower
7.1/10
Eleven-year-old Wardi’s great-grandfather leaves behind a will suggesting looking to the past to find the future. Searching the house, Wardi finds out about her Palestinian homeland from family memories.
Rabat
7.1/10
Three friends drive from Holland to Morocco to deliver a taxi to a family friend, but the trip turns out more complicated than expected.
Welcome to Norway!
6/10
A couple decide to open a home for refuges in the remote cold mountains of Norway.
Force
4.3/10
Following a series of unsolved robberies, the authorities decide to give carte blanche to commander Clara Damico to neutralize a particularly organized gang. Manual Makarov, a well-known figure in organized crime, is currently serving a sentence of twelve years in prison. Commander Damico promises him freedom in exchange for his cooperation. He refuses. There is no other solution, she is obliged to compel him by force.
Vénéneuses
6.2/10
An aging gangster (Jean-Pierre Mocky) escapes from prison and is taken in by a very beautiful blonde who asks him to kill her uncle (Richard Bohringer) because he guards her money but prevents her from using it. She asks the gangster to kill him and that way she won't turn the gangster in - she knows he's escaped. The gangster prepares to kill the uncle, except that he realizes he's a very good guy. He becomes friends with the uncle. He won't kill him and will simulate the murder.
Seances
7.4/10
Seances, co-created with the National Film Board of Canada, presents a wholly new way of experiencing film narrative. By dynamically generating a series of film sequences in unique configurations, potentially hundreds of thousands of new stories are conjured by code. Each will exist only in the moment—no pausing, scrubbing, or sharing—offering the audience one chance to see the generated film. This project, co-created by the ever imaginative Guy Maddin, is a visual discourse on the impact of loss within film. All the sequences pay homage to lost silent films from the early day of cinema. Seances is nostalgic but it is also frequently hilarious. Part of the joy and sadness of Seances is that many possible narratives are created but they can be only viewed once before they disappear forever.
