The best Tulsi Chakraborty’s movies
If you love cinema, you will share this ranking of the best Tulsi Chakraborty’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Tulsi Chakraborty.
Pather Panchali
8.2/10
Impoverished priest Harihar Ray, dreaming of a better life for himself and his family, leaves his rural Bengal village in search of work. Alone, his wife, Sarbojaya, looks after her rebellious daughter, Durga, and her young son, Apu, as well as Harihar's elderly aunt Indir. The children enjoy the small pleasures of their difficult life, while their parents suffer the daily indignities heaped upon them.
Parosh Pathar
7.6/10
An underpaid middle-aged clerk finds a stone that changes iron to gold on touch.
The Return of Little Master
7.9/10
The plot revolves with Raicharan's tragic life. He is the obedient servant of local zamindar and takes care of zamindar's son whom he addresses as Khokababu. One day the little son dies in an accident in river flood and he is blamed for the same. In a delusional state, Raicharan starts believing his own infant to be his much loved khokababu and brought him up only to return him to his master.
Anjangarh
When a local mining company has the audacity to provide its workers a fair wage for a fair day's work, and lets its workers unionize, the kingdom's villainous potentate is less than pleased. After considerable pressure, the company agrees to blame unrest in the region on a blameless worker collective. (Synopsis by Jonathon Crow at AllMovie)
Jomalaye Jibanta Manush
7.7/10
A living human being's funny adventure in hell. The film focuses on the Hindi mythology of the God of Death and how his messengers snatches the life of any living being who has supposedly completed his days on the Earth. The story focuses on the mistake of two messengers who mistakenly pronounce a man dead even before he was supposed to be. Knowing of this goof-up, the god of death gets scared as no living person is supposed to enter 'Hell". Nevertheless, due to the good deeds performed by this human being while he was alive, he is given permission to travel to Heaven where he begins searching for his wife who had passed away sometime back.
Abak Prithibi
8/10
Arjun is a very lonely person. He doesn't know what life is. Every day for him is a struggle. So he becomes a criminal. Jail is a safe custody for him because food is always available in jail. So he tries to return to the place, but all his efforts gone in vain, then he travels to a place and meets a father. He is the principal of a missionary residential school. In that place Arjun meets Miss Chaterjee, a teacher. At first she doesn't like him, but shortly she started to realise Arjun's quality. Arjun is an also a very good singer, but again for his bad reputation police catches him and send him to the jail. In court some students actually support him and thus all the misunderstanding solved and the truth prevails.
Saugandh
A father worries for his younger son and asks his elder son to promise that he will do everthing in his power to ensure Arun does not go astray, educates himself and becomes an independent man. However, fate has other plans. When Arun commits an unthinkable crime, his brother fulfills the promise made to their father and shields his younger sibling from all harm.
Bipasha
7.7/10
Bipasha and Dibyendu are in love, and the two decide to marry. However, on their wedding night upon receiving a letter, Dibyendu leaves Bipasha before the ceremony to locate his birth parents.
Seven Steps
8.3/10
During WWII an army doctor is brought a drunken Anglo-Indian woman, whom he'd once loved, for treatment.
Ajantrik
7.5/10
Bimal is a taxi-driver in a small provincial town. He lives alone, his taxi (an old 1920 Chevrolet jalopy which he named Jagaddal) is his only companion and, although very battered, it is the apple of Bimal's eye.
Jadubhatta
1954 Bengali film directed by Nihen Lahiri
My Sister
7.4/10
Set against the backdrop of WW II in Calcutta, "Meri Bahen" is the story of a schoolteacher and his young sister. The film followed his rise to fame as a singer and the changes in his relationships following a bomb-raid.
Abhoyer Biye
6.7/10
When Abhoy gets engaged to Sabitri she starts to ridicule him as he is old fashioned and socially awkward. Will situations change for Abhoy?
One Night
7.6/10
This film revolves with miscommunication and misunderstanding of two couples and their family which cause series of laughter. Sushavan Dutta and his wife, Anita, were invited at their relative Digbijay babu's house. While in journey Anita misses train and Sushavan has to journey with another lady Santana. Santana is the wife of famous political leader Shailesh. At night they take shelter as husband and wife in Gosaiji's hotel, Harimatar Panthashala because Gosaiji allows married couples only. Santana carries a puppy with her, which run away from the garden of the hotel and Sushovan has to chase it at night. When Anita's mother comes to know that Sushavan is untraced, she becomes angry and make chaotic situation.
Shesh Paryanta
The gloomy life of a young boy gets filled with joy when a new family moves into his neighbourhood. As the young boy sees the new girl, who becomes his new neighbour, he immediately falls in love. But things do not go easy for him as she lives with her uncle who has a very suspicious wife.
Sabar Uparey
8/10
Shankar was a young lawyer in pursuit of making it big in the professional world. However his world is turned upside down when he comes to know that his father, who knew went missing, was in real spending his lifetime in the jail as he was incorrectly accused of murdering a lady named Hemangini. His mother urges him to reinvestigate into the case and save his father. He goes to Kishnanagar in search of the people and the evidences which would help him to prove his father’s innocence. He meets Rita, an young and charming lady who assists him. They fall in love. Shankar faces a lot of roadblocks while trying to collect clues most of them which were imposed by the actual murderer. However he solves the mystery in the end and his father is thus, released from prison.
Garmil
Niren Lahiri directs this social-minded melodrama about the complicated relationship between a traditional Hindu family headed by Madhab Thakur (Choudhury) and their progressive next-door neighbor Mukherjee (Chhabi Biswas). Thakur's daughter, Malati (Sheila Haldar), and Mukherjee's son, Robi (Robin Majumdar), run a school teaching traditional Hindu values which they hope will become a countrywide franchise. Their planned nuptials are impeded when Malati's older sister is forced to marry a Brahmin against her will, resulting in a full-scale revolt in both households. Eventually, the rift is settled, the hero and heroine marry, and a sort of Hindu-laden modernity reigns in the two families.
Chheley Kaar
8.9/10
Jogin, a poor school teacher, had brought up an orphan Tomato as his nephew. But now suffering from the deadly tubercolosis, he decided to gamble with luck to see if a better home could be found for Tomato.
Jawab
8.5/10
Manoj is from the aristocratic class but has some sort retrograde amnesia; he belongs to the upper-class but is also an outsider, something that enables the possibilities of movement across the class-lines for him. This trope is essential for Barua to articulate the criticism of the indolent upper class in the film. Thus Manoj is both an object of criticism and ridicule while also being one of the critics.
To Want And To Receive
7.7/10
Rajat, a young man, meets Manju, a rich girl whose father is looking for her. Though Rajat initially slyly tells her father her whereabouts, he lands up falling in love with her.
