The best Pahadi Sanyal’s movies

Vandana and Arun fall in love the instant they meet. On a trip to a Shiv temple, they get married in an impromptu ceremony in front of God. A chance rainshower strands them at a remote hotel where Vandana gets pregnant. With their legal marriage just around the corner, they don't worry about the consequences of their actions, but unfortunately, Arun dies in a plane crash. Vandana chooses to have the child, Suraj, and as she promised to Arun, wants to raise him to be an Air Force pilot. Fate is cruel to Vandana, however, and the child is adopted by a wealthy family. Vandana becomes a nursemaid to stay close to Suraj. A family member tries to molest her, and in the ensuing fight, Suraj comes to protect her and kills the perpetrator. Vandana chooses a jail sentence to save Suraj, but in the course of her sentence, loses the family--and with it: Suraj. Now what will Vandana do? To find out, watch Aradhana. Written by bollykm

A story about a young man, who had to quit his studies as a doctor due to difficult circumstances, coming back and saving a young lady by performing a very difficult surgery.

Entering an apartment block in search of a drink of water, a naive peasant finds himself mistaken for a thief and is chased by the residents. Whilst evading capture, he inadvertently exposes the venality and dishonesty of the building's middle class occupants.

The simple-minded Rajat (Barua) loves neighbour Jayanti (Menaka Devi). He is advised on how to court her by his streetsmart cousin Bishwanath (Sanyal) and Bishwanath's friend Samir (Bannerjee). Bishwanath and Samir try to get Rajat's miserly guardian Bagalcharan (Choudhury) to loan them money so that Samir can make a 'European-style art film'. The guardian is admitted to the clinic of a doctor Gajanan where he falls into the clutches of two professional crooks Natoraj (Indu Mukherjee) and Supta (Molina Devi). Supta wants Rajat and they try to kidnap her...

Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute.

Rani Rashmoni is a Bengali Movie by kali Prasad Ghosh

Played out in real time, several complex family dramas intersect in the landscape of the Himalayan foothills, allowing the Bengali auteur to examine the class and generational differences of postcolonial India while celebrating the hopes of a society in transition.

Pranbir goes to war where he meets his doppelganger, Rateshwar, who eventually dies in combat. Pranbir decides to visit Rateshwar's family to inform them about his death but the family mistake him for Rateshwar.

A writer meets five widows on a train to Puri. As the six lives begin to intertwine, the theme of the taboos of widowhood emerge; but so, too, does a philosophy of life and hope for the future. The performers collectively won Best Actress at India's National Film Awards in 1964.

A film by Mrinal Sen.

An amnesiac after a train accident, Alok Mukherjee (Uttam Kumar) is rescued on escaping from the asylum where he is admitted by doctor Roma Banerjee (Suchitra Sen) who takes him to her father's (Pahadi Sanyal) country house in a village called Palaspur. There, while treating him she falls for him and he for her. They marry but a second accident makes him recall his life as a rich businessman in Calcutta and forget the memories spent with Roma. Roma follows him to Calcutta and meets him there but he doesn't recognise her. He hires her as governess to his niece instead. Roma keeps trying to simulate Alok's memory but is looked at suspiciously by Lata, Alok's fiancee in Calcutta who thinks Roma is snatching Alok away from her and who complains to Alok's mother. The latter has Roma kicked out. Alok realizing she is from Palaspur and that is where he got back his memory goes there and regains his memory of times spent with Roma there. All's well that end well.

Mahakavi Girish Chandra is a 1957 movie by Modhu Bose

A living human being's funny adventure in hell. The film focuses on the Hindi mythology of the God of Death and how his messengers snatches the life of any living being who has supposedly completed his days on the Earth. The story focuses on the mistake of two messengers who mistakenly pronounce a man dead even before he was supposed to be. Knowing of this goof-up, the god of death gets scared as no living person is supposed to enter 'Hell". Nevertheless, due to the good deeds performed by this human being while he was alive, he is given permission to travel to Heaven where he begins searching for his wife who had passed away sometime back.

Sarbari and Saibal are both successful doctors and in love. However, Saibal comes from an affluent family, while Sarbari has to provide for her poverty stricken family, including her invalid father.

Bipasha and Dibyendu are in love, and the two decide to marry. However, on their wedding night upon receiving a letter, Dibyendu leaves Bipasha before the ceremony to locate his birth parents.

Archana (Suchitra Sen) falls in love with Sukhendu (Soumitra Chatterjee), a serious University Lecturer, much to the chargin her snobbish and interfering mother (Chhaya Devi) for whom Sukhendu is just not good enough for her daughter or their family. Archana however, is adamant and with the approval of her father (Pahadi Sanyal) gets married to Sukhendu. The mother continues to interfere in the marriage constantly reminding her son-in-law of his poverty. Suffering from divided loyalties, Archana's problems are aggravated when Sukhendu insists she sever all ties with her mother. Archana separates from Sukhendu and stays independently completing her studies. When she finally accepts her wifely duties and returns home it is too late as Sukhendu has resigned and gone abroad.