The best Theodor Loos’s movies
If you love cinema, you will share this ranking of the best Theodor Loos’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Theodor Loos.
Metropolis
8.3/10
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
M
8.3/10
In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.
Titanic
6.2/10
This little-known German film retells the true story of the British ocean liner that met a tragic fate. Ernst Fritz Fürbringer plays the president of the White Star Line, who unwisely pressed the Titanic's captain (Otto Wernicke) to make the swiftest possible crossing to New York. Interestingly, director Herbert Selpin was arrested by the Gestapo during this film's production, and German censors banned the film for its scenes of panic and terror.
Die Nibelungen: Siegfried
8.1/10
Siegfried, son of King Siegmund of Xanten, travels to Worms, capital of the Burgundian kingdom, to ask King Gunther for the hand of his sister, the beautiful Kriemhild.
Jew Süss
5/10
Produced by Terra Film at the behest of Joseph Goebbels, this costume melodrama was wildly successful in its day. A conniving, ambitious Jewish businessman, Süß Oppenheimer, snares a post as treasurer to the Duke of Wurttemburg by showering the corrupt duke with treasure and promises of even greater riches. Swayed by his silver-tongued treasurer, the Duke all but scuttles the constitution and alienates the assembly by lifting the local ban on Jews in Stuttgart. As Oppenheimer's schemes grow more elaborate and his actions more brazen, the dukedom nearly erupts into civil war.
Die Nibelungen: Kriemhild's Revenge
7.9/10
When Kriemhild, thirsty for revenge, marries to Etzel, king of the Huns, she invites King Gunther and his court to visit them, intending to finally take the life of the man responsible of her disgrace.
The Testament of Dr. Mabuse
7.9/10
After a detective is assaulted by thugs and placed in an asylum run by Professor Baum, he observes the professor's preoccupation with another patient, the criminal genius Dr. Mabuse the hypnotist. When Mabuse's notes are found to be connected with a rash of recent crimes, Commissioner Lohmann must determine how Mabuse is communicating with the criminals, despite conflicting reports on the doctor's whereabouts, and capture him for good.
Final Accord
6.7/10
A young, impoverished German woman named Hanna gives her infant up for adoption and emigrates to American to live with her husband. When her husband commits suicide, Hanna returns to Germany and works her way into becoming the live-in maid and nurse to her child being raised by an orchestra conductor and his wife.
White Slaves
6.1/10
Russia, 1917. Revolution is in the air. The Sevastopol anchors In Saint Petersburg. The sailors are thirsty for women and celebration. The ship becomes a dancehall. Bloodbath, pillage and kidnapping follows. A Nazi/Germany propaganda film.
Ariane
6.8/10
Ariane was Hungarian director Paul Czinner's first talking picture. Starring in the title role is Czinner's charming wife, Elizabeth Bergner, likewise making her talkie debut. Young, naive Ariane sets herself for an emotional fall when she falls in love with Konstantin (Rudolf Forster), a much older and very married businessman. For his part, Konstantin regards the girl as just another harmless fling -- until he realizes a shade too late that he's really in love with her after all. Filmed in German, Ariane was simultaneously lensed in an English-language version, The Loves of Ariane.
Manon Lescaut
6.1/10
A French adventurer fights to save a woman in the life of prostitution.
Nachtgestalten
6.1/10
"Night people". Thomas Bezug, the richest man in the world, is a solitary, domineering and cruel cripple, who hardly can move on his crutches. He dwells a fanatical love for his son, whom he holds like a monkey in a cage. His servants are defaced dwarfs. His secretary is trying to steal Bezugs assets. These are the night people.
The Dismissal
7.5/10
German chancellor Otto von Bismarck promises the dying emperor Wilhelm I. to be loyal to his grandson. But the gap between young Kaiser Wilhelm II. and old Bismarck is rapidly widening. It soon appears that an era is coming to an end.
Der Maulkorb
7.5/10
Parkstrasse 13
7.1/10
The beautiful Evelyne Schratt, who has many admirerers, and whose two husbands both died under mysterious circumstances, is giving a reception. When one of her admirers is found stabbed to death in a room upstairs, the police detains everyone in the house and begins an interrogation (oh goody: does dinner come with this mystery theatre, too?). Evelyne admits, that the murdered man tried to blackmail about some information he had about the death of the two husbands.
The Artificial Man
5.9/10
Part of the artificial-creature series encompassing Der Golem (1914 and 1920), Alraune (1918, 1928, 1930) and Metropolis (1926), 'Homunculus' was the most popular serial in Germany during World War I even influencing the dress of fashionable Berlin. Foenss, a Danish star, is the perfect creature manufactured in a laboratory by Kuehne. Having discovered his origins, that he has no 'soul' and is incapable of love, he revenges himself on mankind, instigating revolutions and becoming a monstrous but beautiful tyrant, relentlessly pursued by his creator-father who seeks to rectify his mistake.
Homunculus
6.7/10
A group of scientists, led by a Professor Ortmann, produce a living human child using scientific processes - a "homunculus." This creature is human in every way, except that he cannot experience love.
Giorgio Moroder's Metropolis
In 1984, Academy Award winning composter Giorgio Moroder introduced Fritz Lang’s science fiction epic Metropolis to a new generation of moviegoers. Working in collaboration with film archives around the world, he supervised a special reconstruction of the film, with color tinting, fewer inter-titles, and newly restored footage. A pioneer in the field of digital music, Moroder backed this special edition with a throbbing new score, punctuated with pop songs from some of the biggest stars of the early MTV era: Freddie Mercury, Pat Benatar, Adam Ant, Bonnie Tyler, Loverboy and other.
In the Employ of the Secret Service
8.3/10
During WWI a German agent receives an order to find out when the Russian army will carry out its expected attack against the German lines.
Eight Girls in a Boat
6.2/10
Eight Girls concerns an all-female rowing team with its own club-house. One of the team announces she pregnant and finds herself torn between men (father and fiancé) who want the child aborted and the women who want her to keep it and bring it up at the club. The men win but it's the women you remember, especially the magnificent Hanna, team leader and determined adversary of the world of fathers.
