The best Aud Egede-Nissen’s movies
We present our ranking of the best Aud Egede-Nissen’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Aud Egede-Nissen.
Dr. Mabuse, the Gambler
7.8/10
Dr. Mabuse and his organization of criminals are in the process of completing their latest scheme, a theft of information that will allow Mabuse to make huge profits on the stock exchange. Afterwards, Mabuse disguises himself and attends the Folies Bergères show, where Cara Carozza, the main attraction of the show, passes him information on Mabuse's next intended victim, the young millionaire Edgar Hull. Mabuse then uses psychic manipulation to lure Hull into a card game where he loses heavily. When Police Commissioner von Wenk begins an investigation of this mysterious crime spree, he has little to go on, and he needs to find someone who can help him.
Anna Boleyn
6.5/10
The story of the ill-fated second wife of the English king Henry VIII, whose marriage to the Henry led to momentous political and religious turmoil in England.
Phantom
6.7/10
Lorenz Lubota is a city clerk with no direction in life. One day on his way to work he is run over by a woman driving a chariot and he is immediately infatuated with her.
In the Slums of Berlin
7/10
It was not just the children who were treated badly by the wealthy Weimar republic. Robert Kramer is released from prison but struggles to adjust to civilian life. His father disowns him out, his wife has left him for another man. There is no work. He eventually arrives in a shelter for the homeless, and seeks salvation through Emma, a prostitute.
The Street
6.8/10
The movie follows two distinct plot lines until the two eventually merge: the first is that of the bored middle-aged man seeking a departure from monotony in his life; the second is that of the blind man and the little boy, his grandson, who are interdependent. None of the characters have been given names and are therefore referred to only by description. The city is an expressionistic nightmare, a dangerous and chaotic place.
Sumurun
6/10
The favorite slave girl of a tyrannical sheik falls in love with a cloth merchant. Meanwhile, a hunchback clown suffers unrequited love for a traveling dancer who wants to join the harem.
Der König der Mittelstürmer
5.1/10
König der Mittelstürmer / King of the Centre Forwards refers with the name of its hero to the German soccer legend of the twenties: Tull Harder, star of the Hamburger Sport Verein (HSV). But the story itself is completely fictitious: The son of a trade company's director falls in love with the daughter of a big American oil magnat. But she suspects him to be only interested in her money. So she buys his father's company to take revenge on him. The son's true love is soccer, and from the very first moment the soccer fever is present throughout the film. It starts with pictures of a soccer game and even an apple or a crumpled up paper must serve as substitute for a ball. Whereas Die elf Teufel promotes soccer as "the sport of the century", König der Mittelstürmer shows the hero's father who still has to be convinced from its importance. He hates soccer and blames everybody to be "soccer crazy".
Carlos und Elisabeth
6.6/10
The Artificial Man
5.9/10
Part of the artificial-creature series encompassing Der Golem (1914 and 1920), Alraune (1918, 1928, 1930) and Metropolis (1926), 'Homunculus' was the most popular serial in Germany during World War I even influencing the dress of fashionable Berlin. Foenss, a Danish star, is the perfect creature manufactured in a laboratory by Kuehne. Having discovered his origins, that he has no 'soul' and is incapable of love, he revenges himself on mankind, instigating revolutions and becoming a monstrous but beautiful tyrant, relentlessly pursued by his creator-father who seeks to rectify his mistake.
The Mysterious Book
6.8/10
No overview found.
The Phantom of the Opera
7.1/10
Das Phantom der Oper was a 1916 silent film. The film, also known as Das Gespenst im Opernhaus, is notable for being the first film adaptation of the 1910 novel The Phantom of the Opera by Gaston Leroux. The film is now believed to be a lost film. No copies, photographs or even a poster of the film remain. All that is known is that it was made in Germany in autumn 1915, directed by Ernst Matray, starring Nils Chrisander as the Phantom and Aud Egede-Nissen as Christine, and Raul played by director Ernst Matray.[1]
The Whirlwind of Passion
6.6/10
Blanche Benton is out on her morning ride with horse and carriage, when an automobile shows up and scares the horse. The driver in the car manages to intervene and takes Blanche to her home.
The Revenge of the Homunculus
6.4/10
No overview found.
The Love Tragedy of the Homunculus
6.6/10
No overview found.
Pietro der Korsar
5.6/10
The Destruction of Mankind
6.7/10
No overview found.
Die Lieblingsfrau des Maharadscha
The Maharaja of Odhapur goes on a trip to Europe and meet the young dancer Ellen Esmond. In her London accommodation, the Savoy Hotel, the Indian prince can prove to be a gallant gentleman and protect Ellen from an intrusive theatrical agent. The Maharaja asks the artist to entertain his guests the following evening with her dancing skills, including England's representatives in India. The maharaja is thrilled with both the person Ellen and her dance performances. His brother Bhima, who was always in the shadow of the Maharajah, drinks excessively and also is also magically attracted to Ellen Esmond.
Die lachende Seele
Das Floß der Toten
Film by Carl Boese.
Das Geheimnis der Mumie
