The best Gerhard Bienert’s movies

In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.

Victor Hugo's monumental novel Les Miserables has been filmed so often that sometimes it's hard to tell one version from another. One of the best and most faithful adaptations is this 240-minute French production, starring Jean Gabin as the beleaguered Jean Valjean. Arrested for a petty crime, Valjean spends years 20 in the brutal French penal system. Even upon his release, his trail is dogged by relentless Inspector Javert (Bernard Blier). Valjean's efforts to create a new life for himself despite the omnipresence of Javert is meticulously detailed in this film, which utilizes several episodes from the Hugo original that had hitherto never been dramatized. Originally released as a single film, Les Miserables was usually offered as a two parter outside of France.

Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette -- whose job is to entice men -- proves to be more difficult than Rath imagined.

After a detective is assaulted by thugs and placed in an asylum run by Professor Baum, he observes the professor's preoccupation with another patient, the criminal genius Dr. Mabuse the hypnotist. When Mabuse's notes are found to be connected with a rash of recent crimes, Commissioner Lohmann must determine how Mabuse is communicating with the criminals, despite conflicting reports on the doctor's whereabouts, and capture him for good.

Kuhle Wampe takes place in early-1930s Berlin. The film begins with a montage of newspaper headlines describing steadily-rising unemployment figures. This is followed by scenes of a young man looking for work in the city and the family discussing the unpaid back rent. The young man, brother of the protagonist Anni, removes his wristwatch and throws himself from a window out of despair. Shortly thereafter his family is evicted from their apartment. Now homeless, the family moves into a garden colony of sorts with the name “Kuhle Wampe.”

Released three days after Adolf Hitler became Reichskanzler, it was the first film to have its screening in Nazi Germany. It became a symbol of the new times touted by the Nazi regime. The title (literally "morning-red") is the German term for the reddish coloring of the east sky about a half hour before the sunrise. On patrol Captain Liers and his submarine crew sink an important British ship, but while returning to harbour, they're lured into a trap by a British vessel disguised as a neutral Danish one. They sink it after it attacks them without warning, but while they prepare to rescue survivors, a British destroyer sinks the sub. On the sea bed 60 feet down, with all but the bridge flooded, the 10 surviving crew have only 8 rescue devices. Liers orders the crew to use them, but they disobey - either all escape or nobody does.

When Dr. Schmith's proposal for international research on infant mortality is rejected, he decides to leave East Germany and strikes a deal with an escape agency that promises him a leading position at a children's hospital in West Germany. But then the decision is reversed: the project is approved and his international colleagues want Dr. Schmith to head the GDR section. Moreover, he falls in love with his new colleague, Katharina. Schmith initially tries to ignore the arrangements he made with the escape agency, but they blackmail him. Things soon turn deadly...

Franz Biberkopf has served four years in prison. His return to normal life is not successful.

To take a revenge on countess Laura, who slapped him at his proposal, the Governor of the occupied Poland gets her fall in love with a poor student, and exposes him during wedding banquet.

The young and rebellious Werther is passionately, but hopelessly, in love with Lotte. Although he knows that she is married to somebody who can offer her a secure future, Werther tries to be near her. Lotte cannot decide between these two men. She eventually rejects Werther, who does not survive her decision.

Ohm Krüger (English: Uncle Krüger) is a 1941 German biographical film directed by Hans Steinhoff and starring Emil Jannings, Lucie Höflich and Werner Hinz. It was one of a series of propaganda films produced in Nazi Germany attacking the British. The film depicts the life of the South African politician Paul Kruger and his eventual defeat by the British during the Boer War. It was the first film to be awarded the 'Film of the Nation' award. It was re-released in 1944