The best Srđan Todorović’s comedy movies

Black marketeers Marko and Blacky manufacture and sell weapons to the Communist resistance in WWII Belgrade, living the good life along the way. Marko's surreal duplicity propels him up the ranks of the Communist Party, and he eventually abandons Blacky and steals his girlfriend. After a lengthy stay in a below-ground shelter, the couple reemerges during the Yugoslavian Civil War of the 1990s as Marko realizes that the situation is ripe for exploitation.

Matko is a small time hustler, living by the Danube with his 17-year-old son Zare. After a failed business deal he owes money to the much more successful gangster Dadan. Dadan has a sister, Afrodita, that he desperately wants to see get married so they strike a deal: Zare is to marry her.

The basic plot revolves around drug dealer Limeni and two men, Lemi and Kiza, who are trying to transport their dead grandfather for burial, until their car breaks down and they end up struggling to get him home onboard a train. This is when these two plots intersect and all hell breaks loose.

An ex-soldier storms a supermarket and takes all the cashiers captive because one of them insulted his grandmother.

The act of a woman with a broken nose, who suddenly jumps out of a taxi and throws herself off the bridge in Belgrade, connects the lives of three witnesses.

Angel and the devil fight for the soul of a Belgrade playboy who made a young girl pregnant.

Pasha, a Serbian womanizer and entertainer, owns a luxurious hotel in Belgrade. He lives carelessly until one day he accidentally breaks a mafia kingpin’s new collectable that is worth a few million. To cover the debt the mafia kingpin makes Pasha marry his daughter. While the girl is preparing to marry the charming hotelier, Pasha by chance meets his Russian love Dasha, who he has not seen for four years. Their love is about to flare up in the romantic atmosphere of the ancient city… if not for the future father-in-law, a real husband, a blind grandad, and a friend with no money.

A football team from Belgrade, former Republic of Yugoslavia gets a chance to go to the First World Football Championship, but things get complicated along the way.

Belgrade, the summer of 1991. Yugoslavia is falling apart. Gavran can't get a driving licence because he is color blind. He is a rural Bosnian introvert obsessed with trucks. So, as soon as he is released from prison, he steals a truck to go on a joyride. Suzana, a city girl, discovers she is pregnant, but until she's due for an abortion, she decides to go to Dubrovnik. She hitchikes and Gavran almost runs her over. She is unhurt, but she blackmails him to take her to Dubrovnik. Two people from different worlds, equally removed from the real one. For him she is the first woman he can talk to; for her he is just another idiot to add to the long list of them that she has so far compiled. But the pressure of danger and the intimations of war force them together. The world about them has become so absurd that they seem to each other the only sober people left.

We Are Not Angels III is a Serbian film. In 1973 during a Youth Work Action, budding musician Borko Pavić (Nikola Pejaković) is disappointed to find out that the majority of his fellow young workers prefer to dance kolo to folkish harmonica sounds rather than listening to him play his acoustic guitar. Heartbroken and depressed he confides in his best friend that he read that in America the young people make the devil appear by playing the music backwards who then makes them rich and famous. He becomes the mega popular rock'n'roll superstar Dorijan. Cut to 30+ years later Dorijan is still a debauched, coke-snorting, and alcoholic superstar, except that he's now playing turbo folk instead of rock'n'roll. He lives with a silicone trophy girlfriend Smokvica and his best friend from childhood is his business manager. Despite still having his women, fame, and fortune, Dorijan is unhappy about having to resort to playing a musical style he hates in order to have all that.

Three stories about the impact of three God's miracles in the medieval sense that happen to the film's heroes living in a post-communist society that, after half a century of atheism, re-learns about Christianity.

In this sequel of "We Are Not Angels", a highly successful Yugoslavian comedy, a former playboy must cope with his daughter's adolescence, as well as numerous boys that keep knocking at her doors. A worried father thinks she may get in type of troubles he used to cause when he was just the age of her wooers.

In a rented apartment in Belgrade lives Srećko, who always plays the same combination of lotteries in the hope to win a premium one day. Local seller of lottery tickets, Višnja, is In him the love him. One evening, Srecko gets premium worth of several million euros. Helpless Srećko looses his ticket and his memory. However, the winning lottery paper, by unfortunate circumstances, reaches the hands of Žile and Sale, the owner of the local cafes. Unprepared to manage this money, they go to the Greek island Corfu in the hopes that will inspired them for a business. Two suspicious Belgrade "businessman" fallow them to Corfu to steal them the ticket.

Belgrade, 1999. Producer Sergei and his film crew are in a disastrous situation - the film they're making is under threat - there's no money, the crew are dissatisfied - and NATO bombing is just around the corner. Then a member of the State Security Service (Mileta) comes looking for American co-producer Harvey. Anxious and worried, in the midst of the bombing that's begun, Sergei hides Harvey from what he thinks is awaiting him - arrest. During the night, he thinks up a plan. He announces the start of filming on a new, patriotic film - in which the main role will be played by Harvey. The plan works - the State supports the film and Mileta, as the State's representative, joins the crew. However, the underlying conflict between Mileta and Sergei explodes during the first screening. Mileta accuses them of being artists, and not being patriots.

The story takes place in Nis, towards the end of the nineteenth century, during the calm down of the stormy historic events which led to final liberation of southern Serbian parts from Turkish occupation. The comedy is about celebrating traditional saint's day feast, organized by Ivko and how his guests test the Serbian hospitality.

After she lost her husband and her job, Mrs. J is sitting in her living room with a gun in her hand.

Usually it is us who choose the dog, but sometimes the dog chooses us. By choosing one dog, Aleksandra, Jovana and Marija come into conflict with a criminal gang led by Sergej, a ruthless dealer. Aleksandra's American ID and her fiancee's FBI pass lead the criminals to mistake this for an international operation, and since the local cops are corrupt, the three girls are left with no choice but to take matters in their own hands.