The best Dragan Bjelogrlić’s movies

A story about Petar Maraš, a Belgrade criminal in his late twenties, whose one reckless move causes an avalanche of events that will greatly affect the lives of those around him.

The spirit of a comatose teenage girl possesses the body of a newcomer to her girls' boarding school in order to enact bloody revenge against the elitist, lingerie-clad coeds responsible for her condition.

In the opening stages of the Bosnian War, a small group of Serbian soldiers are trapped in a tunnel by a Muslim force.

This film follows two Belgrade youths on their rise to gangster legends in a decaying society.

Belgrade, 1999. Producer Sergei and his film crew are in a disastrous situation - the film they're making is under threat - there's no money, the crew are dissatisfied - and NATO bombing is just around the corner. Then a member of the State Security Service (Mileta) comes looking for American co-producer Harvey. Anxious and worried, in the midst of the bombing that's begun, Sergei hides Harvey from what he thinks is awaiting him - arrest. During the night, he thinks up a plan. He announces the start of filming on a new, patriotic film - in which the main role will be played by Harvey. The plan works - the State supports the film and Mileta, as the State's representative, joins the crew. However, the underlying conflict between Mileta and Sergei explodes during the first screening. Mileta accuses them of being artists, and not being patriots.

The movie is based on the true story about a group of children, barely teenagers, who joined Yugoslav Partizans after losing their families in WW2. At first, Partizans want to get rid of them, but later they are joining combat ranks. Among them, Bosko Buha would become a legend because of his skill in destroying enemy bunkers.

This story about two maternal half-brothers, a Croat and a Serb. Although they never met, and both lose their loved ones in ethnic clashes, there is a bond between them. Filmed in 1988, it prophetically forsees the war that would engulf former Yugoslavia three years later.

In 1985, four middle-aged Yugoslav emigres return to Belgrade for the funeral of Mariana, their beautiful compatriot. They called her Esther, for Esther Williams, she was the coxswain for their four-man rowing team, and they each loved her. They'd last seen her in 1953, when they rowed her across the Adriatic, pregnant, to join her exiled father in Italy. In flashbacks we learn the story of their youthful baptism into sex, smoking, rock and roll (Hey Ba-ba-re-bop), Hollywood and Swedish films, blue jeans on the black market, and their rivalry with Ristic, the Communist Party youth leader for whom they had instant antipathy.

Seventeen year old Natasha, a daughter of a murdered police inspector, tries to discover her father's killers.

Sky Hook (Serbian: Nebeska udica) is a 2000 Yugoslavian film directed by Ljubiša Samardžić. It was Yugoslavia's submission to the 73rd Academy Awards for the Academy Award for Best Foreign Language Film, but was not accepted as a nominee.

The story takes place in Nis, towards the end of the nineteenth century, during the calm down of the stormy historic events which led to final liberation of southern Serbian parts from Turkish occupation. The comedy is about celebrating traditional saint's day feast, organized by Ivko and how his guests test the Serbian hospitality.

Movie about secret relations between Yugoslavian, Serbian and Croatian secret police during last 50 years. Here in Balkans truth and lies are so much mixed and it lasts so long that no one knows the difference. That is why this fictitious story looks so true.

Belgrade, the summer of 1991. Yugoslavia is falling apart. Gavran can't get a driving licence because he is color blind. He is a rural Bosnian introvert obsessed with trucks. So, as soon as he is released from prison, he steals a truck to go on a joyride. Suzana, a city girl, discovers she is pregnant, but until she's due for an abortion, she decides to go to Dubrovnik. She hitchikes and Gavran almost runs her over. She is unhurt, but she blackmails him to take her to Dubrovnik. Two people from different worlds, equally removed from the real one. For him she is the first woman he can talk to; for her he is just another idiot to add to the long list of them that she has so far compiled. But the pressure of danger and the intimations of war force them together. The world about them has become so absurd that they seem to each other the only sober people left.

Dear Video is a black epistolary comedy which stars some of the finest actors from the former Yugoslavia. The film is constructed around the video 'correspondence' between two branches of a family, one living in Germany and pursuing 'modern' life and the other one living in a little village in Yugoslavia clinging to tradition. Through the home video 'letters' sent back and forth, petty jealousies, love liaisons and financial squabbles drive the family to the brink of war, a situation that reflects the collapsing state of affairs in what was then Yugoslavia.