The best Milorad Mandić’s movies

In the opening stages of the Bosnian War, a small group of Serbian soldiers are trapped in a tunnel by a Muslim force.

"THE TRAP" is a modern film noir reflecting the true face of Serbian (Eastern European) 'society in transition.' It's a story that could happen to you. It is a film about an ordinary man, who is forced to choose between life and death of his own child.

The basic plot revolves around drug dealer Limeni and two men, Lemi and Kiza, who are trying to transport their dead grandfather for burial, until their car breaks down and they end up struggling to get him home onboard a train. This is when these two plots intersect and all hell breaks loose.

This film follows two Belgrade youths on their rise to gangster legends in a decaying society.

Mihajlo, an introvert piano teacher starts romance with a pretty careerist who teaches modeling at the university in Belgrade where they both work. His feelings are awakened after a long period, but this relationship makes him see the flashbacks, as well as yet unseen images that remind him of his troubled childhood - as if he experienced this already. When their university wins a contest to hold public TV performance, Mihailo fails to play the piano on the decisive night and she dumps him. The boiling point is about to come.

Igor Gordić was an Olympic champion in shooting, but now he is a junky without money and in debts to mafia. Saša is his younger brother and he is getting ready for the next World Championship. Since he's not getting enough terms to practice indoors, he has decided to go out and find himself a target to practice on.

Ringeraja is a movie about two brothers, Ringe and Raja. One of them is a criminal, while the other one is a graduate student - two different worlds. The criminal is trying to please his girlfriend's father, so he asks his brother to switch roles. He is going to pretend to be a student, and the real student has to act like a criminal.

Belgrade, the summer of 1991. Yugoslavia is falling apart. Gavran can't get a driving licence because he is color blind. He is a rural Bosnian introvert obsessed with trucks. So, as soon as he is released from prison, he steals a truck to go on a joyride. Suzana, a city girl, discovers she is pregnant, but until she's due for an abortion, she decides to go to Dubrovnik. She hitchikes and Gavran almost runs her over. She is unhurt, but she blackmails him to take her to Dubrovnik. Two people from different worlds, equally removed from the real one. For him she is the first woman he can talk to; for her he is just another idiot to add to the long list of them that she has so far compiled. But the pressure of danger and the intimations of war force them together. The world about them has become so absurd that they seem to each other the only sober people left.

We Are Not Angels III is a Serbian film. In 1973 during a Youth Work Action, budding musician Borko Pavić (Nikola Pejaković) is disappointed to find out that the majority of his fellow young workers prefer to dance kolo to folkish harmonica sounds rather than listening to him play his acoustic guitar. Heartbroken and depressed he confides in his best friend that he read that in America the young people make the devil appear by playing the music backwards who then makes them rich and famous. He becomes the mega popular rock'n'roll superstar Dorijan. Cut to 30+ years later Dorijan is still a debauched, coke-snorting, and alcoholic superstar, except that he's now playing turbo folk instead of rock'n'roll. He lives with a silicone trophy girlfriend Smokvica and his best friend from childhood is his business manager. Despite still having his women, fame, and fortune, Dorijan is unhappy about having to resort to playing a musical style he hates in order to have all that.

Belgrade, 1999. Producer Sergei and his film crew are in a disastrous situation - the film they're making is under threat - there's no money, the crew are dissatisfied - and NATO bombing is just around the corner. Then a member of the State Security Service (Mileta) comes looking for American co-producer Harvey. Anxious and worried, in the midst of the bombing that's begun, Sergei hides Harvey from what he thinks is awaiting him - arrest. During the night, he thinks up a plan. He announces the start of filming on a new, patriotic film - in which the main role will be played by Harvey. The plan works - the State supports the film and Mileta, as the State's representative, joins the crew. However, the underlying conflict between Mileta and Sergei explodes during the first screening. Mileta accuses them of being artists, and not being patriots.

The story takes place in Nis, towards the end of the nineteenth century, during the calm down of the stormy historic events which led to final liberation of southern Serbian parts from Turkish occupation. The comedy is about celebrating traditional saint's day feast, organized by Ivko and how his guests test the Serbian hospitality.

A story about an ordinary man searching for the fulfillment of dreams and emotions. Well-known Belgrade dentist lives in long and happy marriage. As a fulfilled and happy man, he despises all his friends who are struggling with the "backward puberty syndrome" - as he called sensitive age where men are desperate to stay young. But he has no idea that he will be hit by the "mid-life crisis" and suddenly "strike" love, which, he thought, become immune. In order to overcome the emotional and erotic temptation, it seems everything to be changed, in the true sense of the word.

During 1941 in Belgrade, two well-known thieves try to carry out the biggest robbery of Nazi authorities ever.

This story about two maternal half-brothers, a Croat and a Serb. Although they never met, and both lose their loved ones in ethnic clashes, there is a bond between them. Filmed in 1988, it prophetically forsees the war that would engulf former Yugoslavia three years later.