The best Mary Miles Minter’s movies
If you love cinema, you will share this ranking of the best Mary Miles Minter’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Mary Miles Minter.
Why Be Good?: Sexuality & Censorship in Early Cinema
6.3/10
Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.
Tillie
7.2/10
Tillie Getz (Minter), the eldest daughter of Jacob Getz (Beery), a brutal, driving father, lives in a Pennsylvania Mennonite village. Her Mennonite aunt leaves a will by the terms of which Tillie will inherit a small fortune if she has joined the Mennonite church by age eighteen. A plot is hatched by the lawyer (Cooper) who drew up the will and an attempt is made to force Tillie into a marriage with Absalom Puntz (Anderson), an undesirable young man, sharing her fortune being its end.
Anne of Green Gables
7.2/10
Anne Shirley, an orphan, is taken into the lives of a generous farmer and his sister. She grows from an adventuresome young lass into a charming and much sought-after young lady.
Judy of Rogues' Harbor
Judy, an orphaned waif, lives with Grandpap Ketchel, a cruel and often brutal man. The sole protector of little Denny, Ketchel's grandson, Judy is forced to accept the attentions of Jim Shuckles, whom she abhors and who has compromised her sister Olive.
The Heart Specialist
6.9/10
Because he believes that romance is dead, the city editor wants to can the "advice to the lovelorn" column. Rosalie Beckwith, the column's author, naturally disagrees with him. The editor suggests that she prove him wrong by seeing if she can find romance within a 40-mile radius of the city.
The Amazing Impostor
Youth's Endearing Charm
Dimples
After the death of her father, a friend hides Dimples' inheritance in a doll, which Dimples carries to her new home at her aunt's boardinghouse. Meanwhile, having just ended his engagement to Eugenia Abbott and now looking for rest and relaxation, the wealthy Robert Stanley also becomes a boarder at the aunt's, and he and Dimples quickly fall in love. Then a stock market panic puts a severe strain on Robert's assets, and he must get a lot of cash in order to avoid a disaster. Dimples finds out, takes the money from the doll, gives it to Robert's broker and, as a result, saves her sweetheart's financial empire. Once again solvent, Robert can let his mind move back to romance, and so he and Dimples start planning their marriage.
Beauty and the Rogue
Humanitarian Roberta induces her father to hire former convict, Bill, as his gardener. When she leaves on vacation, Bill steals her jewelry and eventually sells a brooch to her boyfriend, Richard, who unknowingly gives it to her as a present.
The Ghost of Rosy Taylor
6.6/10
George Periolat plays a dual role in this film, initially as Joseph Sayles a sickly old man who has taken his daughter, Rhoda (played by Mary Miles Minter), overseas after a quarrel with his family. She yearns to return home, but he has disowned his past. After his death, Rhoda ventures to America on her own. She nearly becomes destitute for a lack of money but happens upon some questionable fortune as she takes on the chores of Rosy Taylor after inadvertently finding an envelope with money in it. Rosy had been hired as a housekeeper (thus the money), but has passed away before actually showing up for employment.
Emmy of Stork's Nest
The Gentle Intruder
The Trail of the Lonesome Pine
June Tolliver is a Kentucky mountain girl whose family is feuding with the Falins. But their differences are temporarily put on hold when revenue officer John Hale (Antonio Moreno) comes around. He falls in love with June and sends her to the city to get an education. When she returns and the feud breaks out once again, June tries to become a peacemaker between the two families.
Her Winning Way
Ann Annington (Minter) writes book reviews for a newspaper and when a reporter fails his assignment to get an interview with the noted author Harold Hargrave (Glass), she undertakes to meet the young man. She rents the room next door to his work shop and by impersonating a maid soon wins his good graces.
The Innocence of Lizette
5.4/10
Lizette (Mary Miles Minter) is an orphan girl who is known to be very innocent. One day, the wealthy Henry Fauer (Eugene Forde) adopts her after seeing her selling news papers. She is now raised in his enormous mansion and is introduced to the posh life. Lizette, however, doesn't know how to deal with it and has no idea about acting like a real society woman.
The Little Clown
Two of the five reels survive.
Jenny Be Good
When a young woman's great romance is interrupted by the influence of her lover's parents, she turns to her art as a violinist to console herself. As she is about to achieve her highest triumph, she is suddenly confronted by the return of the man she loves, and she must make a choice.
The Fairy and the Waif
6.8/10
Viola Drayton (Minter) has a fascination for fairies, but real life intervenes when her father, a colonel (W.T. Carleton), is called off to the European War (that's what they called World War I in early 1915). He leaves Viola in the care of the Nevisons (Herbert Wilke and Ina Brookes) and gives them thirty thousand dollars to invest on her behalf. When word arrives that Drayton has been killed in battle, Mr. Nevison takes Viola's money for himself, but he squanders it and his wife has to take in boarders. Viola hates her life at the Nevisons so she runs away and gets a job at a theater playing...a fairy.
