The best Mae West’s movies

The bold Tira works as dancing beauty and lion tamer at a fair. Out of an urgent need of money, she agrees to a risky new number: she'll put her head into the lion's mouth! With this attraction, the circus makes it to New York and Tira can pursue her dearest occupation— flirting with rich men and accepting expensive presents.

New York singer and nightclub owner Lady Lou has more men friends than you can imagine. One of them is a vicious criminal who’s escaped and is on the way to see “his” girl, not realising she hasn’t exactly been faithful in his absence. Help is at hand in the form of young Captain Cummings, a local temperance league leader.

Myron Breckinridge flies to Europe to get a sex-change operation and is transformed into the beautiful Myra. She travels to Hollywood, meets up with her rich Uncle Buck and, claiming to be Myron's widow, demands money. Instead, Buck gives Myra a job in his acting school. There, Myra meets aspiring actor Rusty and his girlfriend, Mary Ann. With Myra as catalyst, the trio begin to outrageously expand their sexual horizons.

This insightful documentary features some of the major and most beautiful actresses to grace the silver screen. It shows how the movie industry changed its depiction of sex and actresses' portrayal of sex from the silent movie era to the present. Classic scenes are shown from the silent movie 'True Heart Susie,' starring Lillian Gish, to 'Love Me Tonight' (1932), blending sex and sophistication, starring Jeanette MacDonald (pre-Nelson Eddy), and to Elizabeth Taylor in 'A Place in the Sun' (1951), plus much , much more.

While on her way by stagecoach to visit relatives out west, Flower Belle Lee is held up by a masked bandit who also takes the coach's shipment of gold. When he abducts Flower Belle and they arrive in town, Flower Belle is suspected of being in collusion with the bandit.

Cleo Borden grew up in a saloon, loves the men—and the men love her—but her aspirations lead her to enter into a contract to marry a wealthy man. When he dies and leaves her all of his fortune, she soon learns that although she has money, she is not yet a lady, so she embarks on a journey to become one. She has no desire to change herself, but the man she sets her sights on does—so she obliges.

A former boxer purchases a classy speakeasy and falls in love with a wealthy society girl.

Marlo Manners is enjoying her honeymoon with Sir Michael Barrington, husband number 6. As luck would have it, an international conference is taking place in the same hotel and the Russian delegate (one of Marlo's former husbands) is threatening to derail the negotiations unless he can have one more fling with his ex. Adding to the complications is a tape Marlo has made detailing all of her affairs and scandals, which her manager is desperately trying (and failing) to destroy.

A San Francisco singer flees Chinatown on murder charges and poses as a missionary in Alaska.

Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.

Cabaret entertainer Ruby Carter shifts her operations to New Orleans and becomes exceedingly popular with the local men.

Period music, film clips and newsreel footage combined into a visual exploration of the American entertainment industry during the Great Depression.

Mavis Arden (Mae West) is a sensational movie star. Her following spans the world and her personal appearance tours prove her popularity. On her way home from one such appearance, Arden's car breaks down. She orders her publicity man (Warren William) to find her a place to stay, suspicious that he planned the break down to keep her away from a man. However, she soon finds herself mooning over an attractive repairman in town (Randolph Scott) and listening to his ideas about inventing equipment for film.

After an absence of three years, Mae West returned to the screen in the musical comedy The Heat's On. La West is cast as Fay Lawrence, a famous Broadway actress who is loved intensely by her producer Tony Ferris (William Gaxton). Rival producer Forrest Stanton (Alan Dinehart) steals Fay away from Ferris by convincing her that she's been blacklisted from Broadway by blue-nosed moralist Hannah Bainbridge (Almira Sessions). Meanwhile, Hannah's puckish brother Hubert (Victor Moore) syphons money from his sister's "clean up show business" committee to produce a musical show for his actress niece Janey (Mary Roche). Somehow, all these characters converge for a spectacular closing production number spotlighting the formidable Fay. Part of the reason for the failure of The Heat's On is the fact that Mae West didn't write her own dialogue, as was usually her custom. The film performed so poorly that it would be 27 years before West would again appear on the Big Screen.