The best Clara Bow’s movies

Two young men, one rich, one middle class, both in love with the same woman, become US Air Corps fighter pilots and, eventually, heroic flying aces during World War I. Devoted best friends, their mutual love of the girl eventually threatens their bond. Meanwhile, a hometown girl who's the lovestruck lifelong next door neighbor of one of them, pines away. Cinema's first ever gay kiss?

This insightful documentary features some of the major and most beautiful actresses to grace the silver screen. It shows how the movie industry changed its depiction of sex and actresses' portrayal of sex from the silent movie era to the present. Classic scenes are shown from the silent movie 'True Heart Susie,' starring Lillian Gish, to 'Love Me Tonight' (1932), blending sex and sophistication, starring Jeanette MacDonald (pre-Nelson Eddy), and to Elizabeth Taylor in 'A Place in the Sun' (1951), plus much , much more.

A flapper shopgirl woos her rich boss with animal magnetism, otherwise known as "it."

Playboy Teddy Ward wants to marry Jeannie King, an artist, but his father wants him to marry Loris Lane, but tells Teddy he can marry whom he pleases if he will make the Mountain Inn a profitable operation. Teddy agrees, and with the support of his friends arranges an ice-boat race with a $10,000 prize to the winner. A problem arises when his father refuses to pay such an amount. Teddy thinks one of his friends will win the race and refuse the prize, but champion racer "Duke" Slade shows up and Teddy knows he will take the money. Some movie stars show up and, while using their own names, are definitely not playing "Self" in this fictional film.

A hula dancer at a carnival sets out to seduce the naive son of the show's manager.

Hugh Carver is an athletic star and a freshman at Prescott College. He falls in love with Cynthia Day, a popular girl who loves to party, and finds that it's impossible to please her and still keep up with his studies and athletic training. Soon the two face some difficult decisions.

Chick Hewes is released from prison and finds work as an accountant. Two years later, Chick's crooked friend, Benny LaMarr, to whom he is indebted for past kindnesses, steals a diamond necklace from the home safe of the district attorney. When the district attorney threatens to accuse the police of inefficiency in crime fighting, Garvey, who is campaigning for the office of police commissioner, promises to catch the thief in twenty-four hours.

Theater usherette Bunny O'Day (Clara Bow) inadvertently becomes hostess of a private gambling den, and gets involved in a romance with a ne'er-do-well gambler.

A young flapper tricks her childhood sweetheart into marrying her. He really loves another woman, but didn't marry her for fear the marriage would end in divorce, like his parents'. Complications ensue.

A Manhattan playboy falls for a mysterious European woman, whom he notices is an exact double for a famous socialite who disappeared at the turn of the century. At first he thinks it's just a coincidence, as the beautiful young woman he's romancing is much younger than the woman who vanished, who would be in her late 50s or early 60s by now. Soon, however, he begins to believe that maybe it's not such a coincidence after all.

Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).

Mayme and sister Janie are salesgirls in Ginsberg's Department Store. Mayme is in love with store clerk Bill, but Janie tries to steal him from her. Hazel, another salesgirl, is Jean Harlow's first credited role.

This 1930 film, a collection of songs and sketches showcasing Paramount Studios' contract stars, credits 11 directors (including Dorothy Arzner, Ernst Lubitsch, Victor Schertzinger and Edmund Goulding). The cast features Clara Bow, Gary Cooper, Fredric March, Jean Arthur, William Powell, Maurice Chevalier, Kay Francis, Buddy Rogers, Jack Oakie, Stuart Erwin and Nancy Carroll.

Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.

A sexy young manicurist living with her older backwoodsman husband in a small Canadian town finds herself attracted to a young, rich and famous divorce lawyer who comes to town on vacation.

John Warriner, facing financial ruin, accepts the proposal of a bootlegger, Benedict, to underwrite the business of illegal wine-selling. His daughter, Angela, takes up with the jazz set and is caught in a raid, at a cafe owned by Benedict. Her former sweetheart, Carl Graham, comes to the rescue and saves her from notoriety, while the family struggles back to its former respectability following Warriner's prison term.

Norma Martin (Clara Bow) is an American movie star in France trying to avoid the attention of men. Going to visit a friend in Southern France, she finds herself "married" to a playboy song writer Ralph Forbes (Larry Charters) she hadn't yet met. Some of his lady friends then show up. Some very good sequences, but also some flat spots. Her "husband's" house is very Hollywood deco and some of the costumes are very good.

A young bareback rider in a circus is in love with a trapeze artist, but he has two problems: he drinks too much and he's fallen under the spell of a "vamp" who's nothing but trouble for him.