The best Mary Currier’s romance movies

Kitty Foyle, a hard-working white-collar girl from a Philadelphia, Pennsylvania low, middle-class family, meets and falls in love with young socialite Wyn Strafford but his family is against her.

Rip Smith's opinion-poll business is a failure...until he discovers that the small town of Grandview is statistically identical to the entire country. He and his assistants go there to run polls cheaply and easily, in total secrecy (it would be fatal to let the townsfolk get self-conscious). And of course, civic crusader Mary Peterman must be kept from changing things too much. But romantic involvement with Mary complicates life for Rip; then suddenly everything changes.

A flighty heiress discovers inner strength when she develops a brain tumor.

A happily married woman sees a psychoanalyst and develops doubts about her husband.

An unknowing orphan idolizes the horse thief/mail robber who has shot his father.

Boring businessman Larry Wilson recovers from amnesia and discovers he's really a con man...and loves his soon-to-be-ex wife.

A beautiful female doctor visits her small hometown on her way back to Chicago. Her overworked uncle, who is the town's doctor, wants her to stay and help him, and he and a macho test pilot who's fallen for her come up with a plan that involves the pilot faking an illness and being treated by her, with her uncle's "help".

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.

An ex-convict on his way to make his fortune in a gold mine in Arizona has his trip interrupted when the residents of a small Mexican village believe him to be a sacred religious figure.

The Unwritten Code is an offbeat, better-than-average Columbia wartime "B" picture. Though Ann Savage and Tom Neal are top-billed, the central character is supporting-actor Roland Varno. He plays a Nazi spy who sneaks into the U.S., hoping to release hundreds of German prisoners. He fails, but not until plenty of bullets have been spent. The most interesting aspect of The Unwritten Code is the casting of Savage and Neal as the "good" characters: in 1945, these two cult favorites would play the decidedly unsavory protagonists of the film noir classic Detour.