The best Howard Freeman’s movies
Today we present the best Howard Freeman’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Howard Freeman’s movies.
The Killers
7.7/10
Two hit men walk into a diner asking for a man called "the Swede". When the killers find the Swede, he's expecting them and doesn't put up a fight. Since the Swede had a life insurance policy, an investigator, on a hunch, decides to look into the murder. As the Swede's past is laid bare, it comes to light that he was in love with a beautiful woman who may have lured him into pulling off a bank robbery overseen by another man.
Scaramouche
7.5/10
In 18th-century France, a young man masquerades as an actor to avenge his friend's murder.
Letter from an Unknown Woman
7.9/10
A pianist about to flee from a duel receives a letter from a woman he cannot remember. As she tells the story of her lifelong love for him, he is forced to reinterpret his own past.
The Blue Dahlia
7.1/10
Soon after a veteran's return from war his cheating wife is found dead. He evades police in an attempt to find the real murderer.
Madame Curie
7.2/10
Poor physics student Marie is studying at the Sorbonne in 1890s Paris. One of the few women studying in her field, Marie encounters skepticism concerning her abilities, but is eventually offered a research placement in Pierre Curie's lab. The scientists soon fall in love and embark on a shared quest to extract, from a particular type of rock, a new chemical element they have named radium. However, their research puts them on the brink of professional failure.
Summer Holiday
5.7/10
Danville, Connecticut at the turn of the century. Young Richard Miller lives in a middle-class neighborhood with his family. He is in love with the girl next-door, Muriel, but her father isn't too happy with their puppy-love, since Richard always share his revolutionary ideas with her.
Slightly Dangerous
6.7/10
Small-town soda-jerk Peggy Evans quits her dead-end job and moves to New York where she invents a new identity.
California
6.1/10
"Wicked" Lily Bishop joins a wagon train to California, led by Michael Fabian and Johnny Trumbo, but news of the Gold Rush scatters the train. When Johnny and Michael finally arrive, Lily is rich from her saloon and storekeeper (former slaver) Pharaoh Coffin is bleeding the miners dry. But worse troubles are ahead: California is inching toward statehood, and certain people want to make it their private empire.
Dear Brigitte
6.3/10
Professor Leaf, an absent-minded poet with a prejudice against the sciences, is forced to face the fact that his son is a math prodigy with little artistic talent of his own.
The Snake Pit
7.6/10
Virginia Cunningham is confused upon finding herself in a mental hospital, with no memory of her arrival at the institution. Tormented by delusions and unable to even recognize her husband, Robert, she is treated by Dr. Mark Kik, who is determined to get to the root of her mental illness. As her treatment progresses, flashbacks depict events in Virginia's life that may have contributed to her instability.
Abilene Town
6.2/10
Marshall Dan Mitchell, who is the law in Abilene, has the job of keeping peace between two groups. For a long time, the town had been divided, with the cattlemen and cowboys having one end of town to themselves, while townspeople occupied the other end. Mitchell liked it this way, it made things easier for him, and kept problems from arising between the two factions. However…
Cry of the City
7.2/10
Petty crook and cop-killer Martin Rome, in bad shape from wounds in the hospital prison ward, still refuses to help slimy lawyer Niles clear his client by confessing to another crime. Police Lt. Candella must check Niles' allegation; a friend of the Rome family, he walks a tightrope between sentiment and cynicism. When Martin fears Candella will implicate his girlfriend Teena, he'll do anything to protect her. How many others will he drag down to disaster with him?
Lost Angel
7.1/10
Alpha's been raised along scientific principles, and will make Mike Regan a great human interest story for his paper. But when his interview prompts Alpha to run away from the institute and ask him to show her some magic, Mike gets more responsibility than he bargained for. Especially since another story of his, one involving gangsters, has also come home to roost.
The Turning Point
6.8/10
Special prosecutor John Conroy hopes to combat organized crime in his city, and appoints his cop father Matt as chief investigator. John doesn't understand why Matt is reluctant, but cynical reporter Jerry McKibbon thinks he knows: he's seen Matt with mob lieutenant Harrigan. Jerry's friendship with John is tested by the question of what to do about Matt, and by his attraction to John's girl Amanda. Meanwhile, the threatened racketeers adopt increasingly violent means of defense.
Here Comes the Groom
6.3/10
Foreign correspondent Pete Garvey has 5 days to win back his former fiancée, or he'll lose the orphans he adopted.
The Long Night
6.5/10
City police surround a building attempting to capture a suspected murder. The suspect knows there is no escape but refuses to give in.
Secret Command
6.3/10
Secret Command features Pat O'Brien as a onetime foreign correspondent in the wartime employ of the FBI. Under an assumed name, O'BRIEN goes to work at a shipyard, intending to keep both eyes open for potential saboteurs. To maintain the cover, O'BRIEN is given a "wife" (Carole Landis) and two children. When O'BRIEN's brother Chester Morris shows up, he can't comprehend the charade and nearly spills the beans to the Nazi spies O'BRIEN hopes to trap. Based on the short story The Saboteurs by John and Ward Hawkins, Secret Command offers a graying but still feisty Pat O'Brien doing what he does best.
House of Horrors
6.1/10
An unsuccessful sculptor saves a madman named "The Creeper" from drowning. Seeing an opportunity for revenge, he tricks the psycho into murdering his critics.
Margin for Error
5.8/10
Margin for Error is a 1943 American drama film directed by Otto Preminger. The screenplay by Lillie Hayward and Samuel Fuller is based on the 1939 play of the same title by Clare Boothe Luce.
Perfect Strangers
6/10
Separated from their normal lives, jurors Terry Scott and David Campbell start to fall in love. Romance at a murder trial with a pair of jurors who are the only ones who think that the woman in the dock is innocent.
