The best Jerome Cowan’s movies

A private detective takes on a case that involves him with three eccentric criminals, a beautiful liar, and their quest for a priceless statuette.

Kris Kringle, seemingly the embodiment of Santa Claus, is asked to portray the jolly old fellow at Macy's following his performance in the Thanksgiving Day parade. His portrayal is so complete that many begin to question if he truly is Santa Claus, while others question his sanity.

Boozy, brassy Apple Annie, a beggar with a basket of apples, is as much a part of downtown New York as old Broadway itself. Bootlegger Dave the Dude is a sucker for her apples -- he thinks they bring him luck. But Dave and girlfriend Queenie Martin need a lot more than luck when it turns out that Annie is in a jam and only they can help: Annie's daughter Louise, who has lived all her life in a Spanish convent, is coming to America with a Count and his son. The count's son wants to marry Louise, who thinks her mother is part of New York society. It's up to Dave and Queenie and their cronies to turn Annie into a lady and convince the Count and his son that they are hobnobbing with New York's elite.

Given a pardon from jail, Roy Earle gets back into the swing of things as he robs a swanky resort.

In 1858 France, Bernadette, an adolescent peasant girl, has a vision of "a beautiful lady" in the city dump. She never claims it to be anything other than this, but the townspeople all assume it to be the virgin Mary. The pompous government officials think she is nuts, and do their best to suppress the girl and her followers, and the church wants nothing to do with the whole matter. But as Bernadette attracts wider and wider attention, the phenomenon overtakes everyone in the the town, and transforms their lives.

Based partially on the story of Bonnie and Clyde, Eddie Taylor is an ex-convict who cannot get a break after being released from prison. When he is framed for murder, Taylor is forced to flee with his wife Joan Graham and baby. While escaping prison after being sentenced to death, Taylor becomes a real murderer, condemning himself and Joan to a life of crime and death on the road.

A beautiful but vain woman who rejects the love of her older husband must face the loss of her youth and beauty.

An uncompromising, visionary architect struggles to maintain his integrity and individualism despite personal, professional and economic pressures to conform to popular standards.

Ballet star Petrov arranges to cross the Atlantic aboard the same ship as the dancer and musical star he's fallen for but barely knows. By the time the ocean liner reaches New York, a little white lie has churned through the rumour mill and turned into a hot gossip item—that the two celebrities are secretly married.

An eccentric millionaire and his grandchildren are embroiled in the plights of some forest gnomes who are searching for the rest of their tribe. While helping them, the millionaire is suspected of being crazy because he's seeing gnomes! He's committed, and the niece and nephew and the gnomes have to find him and free him.

Days after Sandra and Pete elope, they discover their consummated union isn't valid since, unbeknownst to them, Sandra's divorce isn't yet final. They decide to not stay together, but, by then, Sandra is pregnant. She doesn't learn that fact until after Pete marries his former fiancee Maggie. Pete, unaware of the baby, flies to South America on business. While there, a flight he is on goes missing and all onboard are presumed dead. Maggie persuades Sandra to let her adopt the baby, so she can raise it as Pete's legitimate child. Months later Pete - alive after all - returns. Sandra and Maggie contend for him and the baby.

Legendary trumpeter Art Hazzard teaches young Rick Martin everything he knows about playing, so Rick becomes a star musician, but a troubled marriage and the desire to play pure jazz instead of commercial swing songs cause him problems.

A hoodlum (Corey Allen) plots to seduce a lonely housewife (Kate Manx) and turn her over to his virginal friend (Warren Oates).

In the colonial era, island native Terangi (Jon Hall) spends a blissful honeymoon with his bride, Marama (Dorothy Lamour). Soon after, however, their relationship is torn asunder when Terangi is sent to prison for punching a prejudiced white man. Prominent members of the community -- including the governor's wife, Mme. De Laage (Mary Astor), petition the governor for clemency, but he refuses to budge. However, all pretense of law and order are soon shattered by an incoming tropical storm.

Two dumb soda jerks dream of writing radio mysteries. When they try to pitch an idea at a radio station, they end up in the middle of a real murder when the station owner is killed during a broadcast.

A woman uncovers deadly secrets when she visits her late husband's family.

When heiress Jean Courtland attempts suicide, her fiancée Elliott Carson probes her relationship to John Triton. In flashback, we see how stage mentalist Triton starts having terrifying flashes of true precognition. His partner, Whitney Courtland, uses Triton's talent to make money; but Triton's inability to prevent what he foresees, causes him to break up the act and become a hermit. Years later, Triton has new visions and desperately tries to prevent tragedies in the Courtland family. Can his warnings succeed against suspicion, unbelief, and inexorable fate?

A young Navy sailor has one night to find out why a woman was killed and he ended up with a bag of money after a drinking blackout.

Land, a family, a future. They're "dreams, fried up, short order" for Blayde Hollister (Gary Cooper). Rightly or wrongly, this ex-Confederate from Georgia has waged his own war to settle past injustices. Now he's a wanted man. And he can feel the law closing in on him. Posing as a Boston dandy, he comes to the boom town with a gun and a plan: to smoke out the notorious Marlow brothers (including Steve Cochran and Raymond Massey), then give 'em a whiff of gunsmoke. Director Stuart Heisler (Along Came Jones) keeps the pace flowing like the local saloon's liquor. Max Steiner's score gallops like a hell-for-leather posse and screenwriter John Twist fires scene after scene with lines like "you'll get your pockets picked in a graveyard". Dallas, here we come!

When James met Penelope at a club, it took all of three weeks before they were married. But after the marriage, other women became attracted to James and he kept getting promoted, which took him away from Penelope. So Penelope puts on a disguise and robs her husband's bank. Her psychiatrist, Greg, believes that this condition is caused by James being over worked and under romantic with Penelope. She also tells Greg that she robs the business associates of James. But Greg is in love with Penelope - in fact everyone likes her. The problem is when she confesses to her crimes, no one believes her.