The best Kumiko Aso’s romance movies

Nojima Satoshi is a photographer whose job depends on his friend Shingo, a model, who in turn is in a middle of a career crisis. Nojima wants to photograph scenery, but is held back because he feels obligated to stay back with his friend. His neighbor, Nanao, works at a flower shop, has dedicated her life to her job and isn't involved in any romance. They have never met, however, they're aware of each other's presence through the sound each makes in their daily lives through the thin wall. Each character is the story is going through some sort of struggle - either with their identity, their career, or their love life. In a fast-paced society, it feels like there is never enough time to stop and recognize things that are most important in one's life. Through twists and turns, they gradually realize their true desires, and on the road to reach their goals, their paths somehow intersects, in this believable modern-day fairy-tale.

Set in a five star Tokyo hotel on New Year's Eve, the film follows the misadventures of various hotel staff and guests in the run-up to midnight. The plot involves numerous characters, the different problems or situations they face in the run-up to midnight, and the ways that these different storylines interact and are resolved. The film is reminiscent of the Hollywood screwball comedies of 1930s and 1940s, and explicitly references the 1932 film Grand Hotel, whose plot also followed the interlinked lives of various characters in a fictional hotel over a short period.

Set one year after the drama series "Moteki." 31-year-old Yukiyo Fujimoto (Mirai Moriyama) doesn't have money, dreams or a girlfriend. He has left his job at a staffing firm and is attempting to start a new life by working as a writer for a news site. Suddenly, Yukiyo experiences "moteki" - a period when a man becomes suddenly popular with woman. Cute magazine editor Miyuki (Masami Nagasawa), pure and naive office worker Rumiko (Kumiko Aso), beautiful shop assistant Ai (Riisa Naka) and beautiful, but tough co-worker named Motoko (Yoko Maki) all become interested in Yukiyo. He tries to calm down, but is shaken by the interests of these women.

The secret warriors of feudal Japan were the Ninja. Sent on impossible missions, the Ninja were trained to work in shadows, gather information and defeat the enemy to build a world of peace. Red Shadow, Blue Shadow and Aska are neophyte ninjas under the tutelage of White Shadow. Their life is a series of perilous missions that entail intrigue, deception and intimidation.

Yukihiko Nishino is very popular with women, but, in the end, he is always dumped by a woman. Yukihiko seeks out his true love.

Japan, 250 years ago. Soetsu is a moneylender who is killed by the cruel samurai Shinzaemon. His body is dumped in the Kasenega-Fuchi river. According to legend, all who drown in the river will never surface again. 20 Years later, Shinkichi, the handsome son of Shinzaemon, coincidentally meets Toyoshiga, the daughter of Soetsu. They fall in love. It is a doomed love, as the spirit of Soetsu is far from dead

The Seaside Motel is trapped in the mountains, without even enough water to serve their guests 24 hours a day, much less having a view of a body of water of any kind.

A young man named Shamsadin (Mehdi Moradi) receives the title of Hafez, bestowed only on those who memorize the Koran, and is sent to teach it to Nabat (Aso), the overseas-raised daughter of a religious leader. Although they never see each other's faces, feelings of love grow between them as they read the holy book. Unable to contain his feelings for Nabat, Hafez breaks his vows as a holy man by composing a poem to her, and is thrown out of her father's house and forced to relinquish his title. Then Nabat is forced to marry another man. Will the two ever be able to meet again?

Takuji Kameoka is a 37-year-old bachelor whose occupation is a “miscellaneous actor”. His only interest is drinking. One day he falls in love and his boring life begins to change. The film is based on the book “Actor, Takuji Kameoka” by Akito Inui, a five-time nominee for Japan’s most prestigious literary prize, the Akutagawa Prize. Satoko Yokohama, a much-admired up-and-coming newcomer, directs the film and we can immediately tell that she is a special talent, with a unique understanding that flows through to her actors and crew.