The best Masahiko Tsugawa’s movies
If you love cinema, you will share this ranking of the best Masahiko Tsugawa’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Masahiko Tsugawa.
Temptation of Angel
6.1/10
A story of the everyday life of a couple living together, ordinary but full of warmth and love. Starring Miura and Yamaguchi's first movie since making public of their romance--their real-life story on the screen.
Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack
7/10
Godzilla has become a distant memory for Japan when the destruction of a US submarine raises alarms for Admiral Tachibana. His estranged daughter Yuri investigates the legend of the guardian monsters, who must rise to protect Japan against the vengeful spirits within Godzilla that seek to destroy both the nation and its people for the suffering they inflicted in the Pacific conflict.
Death Note
7.5/10
Light Yagami finds the "Death Note," a notebook with the power to kill, and decides to create a Utopia by killing the world's criminals, and soon the world's greatest detective, "L," is hired to find the mysterious murderer. An all out battle between the two greatest minds on earth begins and the winner will control the world.
Battle Royale II: Requiem
4.6/10
It's three years after the events of the original Battle Royale, and Shuya Nanahara is now an internationally-known terrorist determined to bring down the government. His terrorist group, Wild Seven, stages an attack that levels several buildings in Tokyo on Christmas Day, killing 8000 people. In order for the government to study the benefits of "teamwork", the new students work in pairs, with their collars electronically linked so that if one of them is killed, the other dies as well. They must kill Nanahara in three days - or die.
The Boy and the Beast
7.6/10
Kyuta, a boy living in Shibuya, and Kumatetsu, a lonesome beast from Jutengai, an imaginary world. One day, Kyuta forays into the imaginary world and, as he's looking for his way back, meets Kumatetsu who becomes his spirit guide. That encounter leads them to many adventures.
Gamera 3: Revenge of Iris
7.1/10
With the Gyaos re-emerging, Gamera's ties to humanity have been severed with his bond to Asagi broken. Nagamine and Asagi investigate while an orphaned girl named Ayana discovers a new creature she names Iris. Nagamine and Asagi must reach Ayana before she takes her revenge on Gamera, who she blames for the death of her family.
Death Note: The Last Name
7.2/10
In the second installment of the Death Note film franchise, Light Yagami meets a second Kira and faithful follower Misa Amane and her Shinigami named Rem. Light attempts to defeat L along with Teru Mikami (a Kira follower) and Kiyomi Takada (another Kira follower) but in the end will Light win? or will a Shinigami named Ryuk make all the difference in Light's victory or his ultimate death?
The Rape
7.3/10
Yahagi Michiko is accosted and raped walking home one evening. From there she maneuvers the logistics of the police, hospital, and criminal justice system while balancing her home life including romantic relationships.
Tampopo
7.9/10
A pair of truck drivers happen onto a decrepit roadside fast food stop selling ramen noodles. The widowed owner, Tampopo, begs them to help her turn her establishment into a paragon of the "art of noodle soup making".
Sansho the Bailiff
8.4/10
In medieval Japan a compassionate governor is sent into exile. His wife and children try to join him, but are separated, and the children grow up amid suffering and oppression.
0.5 mm
7.3/10
Sawa, a home helper for a middle class family with an elderly infirm grandfather, is forced to stretch her morals to keep her job. As a result, she finds herself broke and out on the street. She survives her first night by striking up an ambiguous friendship with a kindly old man, gaining access to a portion of the immense wealth held by Japan's aging population. She continues with similar encounters, and while these begin as scams or revenge on rampant sexism, they ultimately become vulnerable intergenerational exchanges.
Pride
5.8/10
Based on the International Military Tribunal for the Far East of 1946–48, depicts Japanese prime minister Hideki Tojo (played by Masahiko Tsugawa) as a family man who fought to defend Japan and Asia from western colonialism but was ultimately hanged by a vengeful United States.
Second Chance
A man survives a double suicide attempt, while his girlfriend does not.
Crazed Fruit
7.3/10
Two brothers compete for the amorous favors of a young woman during a seaside summer of gambling, boating, and drinking.
Tomorrow's Sun
6/10
A playful short film made in the style of a trailer for a fictional feature film that seems to be a spoof of films that were popular in Japan at the time.
Contemporary Tales of Chivalry 4
7/10
Fierce war breaks out when Shujiro’s rival clan attempts to sabotage his lucrative construction business.
AIBOU: The Movie
5.4/10
A former TV presenter is murdered. On the same day, two police officers from the Metropolitan police Special Mission Task Force, Sugishita Ukyo (Yutaka Mizutani) and Kameyama Kaoru (Yasufumi Terawaki), are guarding a female Diet member, Katayama Hinako (Yoshino Kimura). The pair identifies explosives and saves her life. From the clues left at the scene, Sugishita builds up his case and finds a connection between the murder of the TV presenter and the attempted murder of the Diet member. During a painstaking investigation, the savage murder case of a young overseas volunteer five years earlier emerges in the background, and the pair prevents indiscriminate murder at the Tokyo Big City Marathon event by suppressing the perpetrator.
Suite Dreams
7/10
Set in a five star Tokyo hotel on New Year's Eve, the film follows the misadventures of various hotel staff and guests in the run-up to midnight. The plot involves numerous characters, the different problems or situations they face in the run-up to midnight, and the ways that these different storylines interact and are resolved. The film is reminiscent of the Hollywood screwball comedies of 1930s and 1940s, and explicitly references the 1932 film Grand Hotel, whose plot also followed the interlinked lives of various characters in a fictional hotel over a short period.
A Taxing Woman's Return
6.7/10
Ryoko Itakura returns as the government tax agent willing to tackle the toughest cases. This time she takes on a fanatical but lucrative religious cult run by a vile lecher.
The Funeral
7.2/10
At the beginning of the film the father-in-law of the protagonist dies unexpectedly of a heart attack. The remainder of the film is episodic, moving from one incident to another over the course of the three-day funeral, which is held (as is customary) in the home. These incidents contrast old ways and new ways, young and old, ritual ceremony and true feelings, often comically, but sometimes with real poignancy.
