The best Ryoko Shinohara’s movies

Zephyr, now known as Z, rides the seas with only one goal: Destroy all pirates and their dreams at becoming King of Pirates. When Luffy and his crew encounter him at sea, not only are they utterly defeated by the man with an arm made of Seastone, Nami, Robin, and Chopper are turned 10 years younger due to Z's minion Ain. Luffy is so determined to win against him that he does not even notice Z's master plan that could sacrifice thousands of lives.

Momoko is an ordinary girl, living an ordinary life. Ordinary, that is, if you define ordinary as wearing elaborate lolita dresses from the Rococo period in 18th Century France. However, when punk girl and self-styled 'Yanki' Ichiko comes calling, her days as 'ordinary' are most certainly numbered...

The secret warriors of feudal Japan were the Ninja. Sent on impossible missions, the Ninja were trained to work in shadows, gather information and defeat the enemy to build a world of peace. Red Shadow, Blue Shadow and Aska are neophyte ninjas under the tutelage of White Shadow. Their life is a series of perilous missions that entail intrigue, deception and intimidation.

A group of friends from high school days reunite for once more time before one of them dies from cancer.

An appassionato art student and a dispassionate college girl make a vow, saying they would meet each other again in the Florence Cathedral after 10 years.

Natsumi Yukihira (Ryoko Shinohara) receives secret documents of an organization that controls the country from the shadows. Because of this, Natsumi's ex-husband, Kazuo Sato (Teruyuki Kagawa) pays a terrible price. Natsumi goes back to the Investigation #1 of Tokyo Metropolitan Police Department to take on the organization, but Natsumi becomes involved in a new case. She gets closer to the final enemy.

When a devoted detective probes the suspicious death of her father, she uncovers massive corruption and finds herself in grave danger.

Set in a five star Tokyo hotel on New Year's Eve, the film follows the misadventures of various hotel staff and guests in the run-up to midnight. The plot involves numerous characters, the different problems or situations they face in the run-up to midnight, and the ways that these different storylines interact and are resolved. The film is reminiscent of the Hollywood screwball comedies of 1930s and 1940s, and explicitly references the 1932 film Grand Hotel, whose plot also followed the interlinked lives of various characters in a fictional hotel over a short period.

Kaori (Ryoko Shinohara) is a single mother and she raises her high-school age daughter Futaba (Kyoko Yoshine). Her daughter is in a rebellious phase and ignores her mother. Kaori decides to take measures to communicate with her daughter and also get some revenge. Kaori creates messages in her daughter's bento meals.

Defence lawyer Emi is assigned to a particularly unusual case: a man is suspected of murdering his wealthy wife, and his only alibi is a 421-year old ghost, Rokubei. At first Emi is hesitant, but when she pursues her lead she is visited by the ghost herself. And so the fun begins in the courtroom when Prosecutor Osano starts to cross examine…

After detective Natsumi Yukihira brings an end to the police hospital terrorist case, Natsumi is transferred to the Nishimonbetsu Police Station in Hokkaido. Meanwhile, a series of grotesque murders occurs in downtown Tokyo involving nails placed in the body of the victims. The fingerprint of Natsumi's ex-husband, freelancer journalist Kazuo Sato, is found on the the body of a victim and Kazuo is placed on the most wanted list. Soon after, Kazuo finds Natsumi and hands her a USB memory stick. The device contains information on a secret organization within the police department. Kazuo tells Natsumi that the series of murders are warnings and suspects become the next victims. Natsumi is then arrested as a suspect. Tokyo prosecutor Katsuaki Murakami appears at the Nishimonbetsu Police Station to investigate.

The film follows the relationship between a mother and her son. In 1945, the mother played by Sayuri Yoshinaga fled with her two sons from the Russians to Hokkaido. In 1972, her son played by Masato Sakai returns to Japan after finding success in the U.S.

Existential study on a misplaced workers and ex-prisoner who moves through the city and his influence on other characters' lives.

Kaoruko and Kazumasa Harima are a separated couple with two children. They plan to divorce once their daughter, Mizuho, enters elementary school. One day, they receive devastating news of their daughter falling into a coma after a near-drowning accident at a pool. The doctors declare her brain dead with no prospect of recovery and the couple must decide if they should donate her organs to others in need or to wait until her heart stops beating.