The best Sadao Abe’s movies

Alien pods come to Earth and, naturally, start taking over Human Hosts. One such pod only manages to take over one human's, Shin Izumi, right arm. Together they grow and co-exist, all the while the other aliens are making meals of other humans; Shin feels he must put a stop to it all, but his alien, Migi, doesn't see why.

Alien pods come to Earth and, naturally, start taking over Human Hosts. One such pod only manages to take over one human's, Shin Izumi, right arm. Together they grow and co-exist, all the while the other aliens are making meals of other humans; Shin feels he must put a stop to it all, but his alien, Migi, doesn't see why.

Shuhei is leading a tough life. His alcoholic mother Akiko can only hook up with bad guys and order Shuhei to go get money from his disapproving grandparents instead of going to school. Except raising the little half-sister, his rock-bottom life seems to have no end.

On a cold Monday morning, a group of counselors clock in at an old-fashioned social services office. Their task is to interview the recently deceased, record their personal details, then, over the course of the week, assist them in choosing a single memory to keep for eternity.

Momoko is an ordinary girl, living an ordinary life. Ordinary, that is, if you define ordinary as wearing elaborate lolita dresses from the Rococo period in 18th Century France. However, when punk girl and self-styled 'Yanki' Ichiko comes calling, her days as 'ordinary' are most certainly numbered...

Inhabitants of a small Japanese town become possessed by spirals, called uzumaki.

A young boy with a troubled home life becomes "chosen," and he stumbles into the middle of a great war of yōkai (a class of mythological creatures), where he meets a group of friendly yōkai who become his companions through his journey. Now he must fight to protect his friends and free the world of the yōkai from oppression. The yōkai originate in Japanese folklore and range from the cute and silly to the disturbing.

In the year 1716 a mysterious epidemic stickens men in the country of Japan, dropping the population of men to 1/4th of its prior state. With the drastic reduction of men, the gender roles have become reversed in Japan. Woman become the dominant members of society and males are sought out for the ability to produce children. A young man named Unoshin Mizuno (Kazunari Ninomiya) hopes to marry childhood sweetheart Onobu (Maki Horikita), but due to class differences realizes this is almost impossible. To raise his social status and also save his poor family, Unoshin Mizuno enters the Ohoku (inner chambers of the Shugun's castle) and attempts to vie among 3,000 other men for the affection of the female shogun. What Unoshin Mizuno quickly learns about the Ohoku is that the men there are all beautiful, but highly ambitious and conniving. In this environment, the 7th shogun Tokugawa passes away and the new shogun Yoshimune Tokugawa (Kou Shibasaki) takes the thrown and enters the Ohoku.

Akinori Kimura (Sadao Abe) and his wife Mieko (Miho Kanno) opens an apple orchard in their hometown of Hirosaki in Aomori Prefecture. Due to Meiko's allergic reaction to pesticides, Akinori Kimura has to grow his apples without the aid of chemicals. Because of this challenge, his family endures hardships and suffers severe financial difficulties. Akinori Kimura even contemplates suicide. A miracle then happens...

A scientist taints his mother's scientific experiment with his own drug that transforms pain into a pleasurable experience. Unfortunately for the three women involved in the experiment, the drug works a little bit too well.

An unstable young woman pines for the ex-boyfriend who nearly beat her to death – and who has mysteriously disappeared – in this gripping tale of lust, devotion, and redemption.

Gan and his girlfriend Ai are mild-mannered toy shop owners by day but, when evil lurks, they transform into superheroes Yatterman 1 & 2. With the help of a dog-shaped robot, Yatterwoof, they take on the Doronbow gang, lead by the sexy Lady Doronjo. Together, they must stop the evil gang from finding the four magical skull pieces that will allow them to control the world!

A gothic lolita merges with a teddy bear to fight zombies and save the world.

Natsumi Yukihira (Ryoko Shinohara) receives secret documents of an organization that controls the country from the shadows. Because of this, Natsumi's ex-husband, Kazuo Sato (Teruyuki Kagawa) pays a terrible price. Natsumi goes back to the Investigation #1 of Tokyo Metropolitan Police Department to take on the organization, but Natsumi becomes involved in a new case. She gets closer to the final enemy.

When a devoted detective probes the suspicious death of her father, she uncovers massive corruption and finds herself in grave danger.

There once was a hospital where patients and even doctors & nurses were all weird. Above all, Onuki, a patient who built up his company all by himself from scratch, is a super cranky old man. One day, he meets up a girl called Paco, who cannot retain memory beyond one day due to a car accident. She is reading the same picture book everyday. Onuki starts bonding with Paco after some incident, and begins to doubt his way of living. He starts wanting to do something for Paco with his remaining life, and comes up with a brilliant idea. This pleases Paco, but their fate is?

Based on renowned Japanese writer Natsume Soseki's same-titled short story collection, Ten Nights of Dreams brings ten fantastical dream sequences to film with great visual and psychological panache. Representing the combined efforts of eleven directors, this outstanding anthology delves into the surreal subconscious with ten madly imaginative, reality-subverting visions that range from wonderfully wacky to nightmarishly unsettling.

In 1944, the American military lands on the shores of Saipan. Refusing to commit suicide with his superiors or be forced into camps for prisoners of war, Captain Oba Sakae leads a group of his men and other similarly minded local residents into the mountains. Even after hearing reports of the Japanese military's surrender, Oba dismisses the reports as propaganda and continues to launch guerilla attacks against the American soldiers, earning him the nickname "The Fox". Soon, even the American commander who's charged with the task of capturing Oba comes to admire his persistent enemy.