The best Hedwig Bleibtreu’s movies
If you love cinema, you will share this ranking of the best Hedwig Bleibtreu’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Hedwig Bleibtreu.
The Third Man
8.1/10
In postwar Vienna, Austria, Holly Martins, a writer of pulp Westerns, arrives penniless as a guest of his childhood chum Harry Lime, only to learn he has died. Martins develops a conspiracy theory after learning of a "third man" present at the time of Harry's death, running into interference from British officer Major Calloway, and falling head-over-heels for Harry's grief-stricken lover, Anna.
Viennese Spirit
6.8/10
A musical comedy directed by Willi Forst.
Frauen sind keine Engel
6.8/10
Frauen sind keine Engel" was made on a moderate budget and has generally found not as much attention as that which has been rightfully accorded to his 'Viennese trilogy' made at about the same time. Please don't expect the outward splendour of some other Forst films, even though script, acting and direction leave nothing to be desired. However, like many of Forst's more important films this one not only provides great entertainment, but is also a thorough examination of the relation of fiction/art and reality.
13 Stühle
6.9/10
A classical art junk dealer and an almost bankrupt hairdresser who unexpectedly makes an inheritance go hunting behind thirteen chairs from which of a 100,000 DM contains which the rich aunt has hidden there.
Maria Ilona
7.1/10
Dreimal Hochzeit
Hotel Sacher
6.5/10
Vienna is celebrating New Year’s Eve 1913/14. It is the year, which will see the outbreak of the First World War. In Hotel Sacher, the mood is excellent; and although the political atmosphere is charged, there’s an undercurrent of hate and intolerance in the air. It is with this background that Nadja, a Russian spy, meets the Austrian civil servant Stefan. He loves her, but comes under suspicion of being an agent because of this love.
Pygmalion
6.6/10
Love Whispers
To escape dreary country life, a count travels to Italy with a friend every year. Instead of the alleged purchase of horses, the reason he gives to his mother as to why he needs to travel to Italy, he spends his time chasing after the ladies.
The Angel with the Trumpet
7.7/10
A long time-span of Austrian history (from the late 19th century to the years after world war II) is reflected in the ups and downs of a family of piano-makers in Vienna.
Wunschkonzert
6/10
German propaganda film spinning a story around the popular radio broadcast "Wunschkonzert".
Ein Mann für meine Frau
7/10
Robert and Dagmar have been married for seven years. And as we know, this is not just a lucky number in marriage. So even at the couple. Deflation with them and Robert also has very quickly found a new love - the young Manon . But instead of that Dagmar responded irritably, it represents only one condition: Robert to get her a new man. The search for his own successor is not so easy and way oppressed Him more Manon, who is afraid that he might return to his wife. But then Dagmar makes the proposal to go alone with Manon in a spa town and go there to look.
The Mistress of the World Part 1, The Girlfriend of the Yellow Man
5.7/10
Maud Gregaards travels to China in search of a fabled treasure said to have belonged to the Queen of Sheba. Once there, she is taken captive by an evil man and nearly killed in the belief she is a witch.
Vienna Girls
7.1/10
Begun in Austria in 1944/45, finished and released in 1949, this is a biography of the minor Austrian composer Carl Michael Ziehrer, who overcomes hypersensitivity in competitive situations which leads initially to failures in both career and romance.
The Prince of Arcadia
7.2/10
Both the King and his son have been deposed by popular demand. The now Prinz of Arkadia certainly enjoys his new role, which without much changing his lifestyle leaves him free to concentrate on his main interest -women. Including an actress who once wrote a mocking song about him -a song that he likes to sing.
Ein Madel der Strasse
6.1/10
The street urchin Scampolo (which means, "A Nothing"), who sleeps at night in a telephone booth and earns a little money running errands for a laundry, falls in love with a despondent, out-of-work bank manager in Depression-torn Germany, and thereby becomes a woman in the eyes of other men.
The Girl Irene
6.9/10
A woman (Lil Dagover) who has lost her husband falls in love again, but is bitterly opposed by her daughters especially the title figure who can't stand the thought of seeing her mother going into a relationship with another man. Those who want to see if Schünzel can pull of drama as easily as he does comedy should give it a try.
Meine Tochter lebt in Wien
7.3/10
Wiener G’schichten
6.7/10
