The best Hans Moser’s movies
Today we present the best Hans Moser’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Hans Moser’s movies.
Die Deutschmeister
5.9/10
Young Stanzi who is visiting Vienna helps a young corporal and musician to become famous for his marching song "Die Deutschmeister".
Die Fledermaus
5.7/10
Opera Ball
6.8/10
After the operetta of the same name of Richard Heuberger in 1890-1914 all kinds of situation comic from happy-go-lucky Vienna of the turn of the century, the time of the first cars and the absurd bath costumes: Husbands in the Chambre Separee, her little dizziness and mistake plays, the tumultuous whirl of a grand ball... - A high-spirited comedy at considerable entertainment level.
Viennese Spirit
6.8/10
A musical comedy directed by Willi Forst.
Mariandl
5.7/10
Das Ferienkind
7/10
Mariandl's Homecoming
5.2/10
High School
6.6/10
The love of a young Austrian aristocrat to a circus rider is put on a heavy load test when becomes obvious that the former officer has killed the brother of the young woman, a traitor of the country, in the duel.
Roter Mohn
5.5/10
Burg Theatre
7/10
In this convoluted melodrama, an elderly thespian falls for a rising young starlet. He admits his love for her and then announces that he will retire. The young woman pretends she loves him too, but her real motive is to give her struggling lover, also an aspiring actor, a break.
Liebelei
7.5/10
Vienna in the beginning of the twentieth century. Cavalry Lieutenant Fritz Lobheimer is about to end his affair with Baroness Eggerdorff when he meets the young Christine, the daughter of an opera violinist. Baron Eggerdorff however soon hears of his past misfortune...
13 Stühle
6.9/10
A classical art junk dealer and an almost bankrupt hairdresser who unexpectedly makes an inheritance go hunting behind thirteen chairs from which of a 100,000 DM contains which the rich aunt has hidden there.
The Grouch
6.9/10
No overview found.
Der Millionär
6.5/10
Die Fledermaus
7.4/10
The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!
Opernball
6.4/10
Last Stop
7/10
Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.
Trip Acquaintance
6.7/10
A nervous private investigator, his bumbling boss, a woman in love, 10,000 Reichsmark and two reversed cases. A crime comedy directed by E. W. Emo.
Masquerade in Vienna
7.6/10
After a masked carnival ball, Gerda Harrandt, wife of the surgeon Carl Ludwig Harrandt, allows the fashionable artist Ferdinand von Heidenick to paint a portrait of her wearing only a mask and a muff. This muff however belongs to Anita Keller, in secret the painter's lover but also the fiancée of the court orchestra director Paul Harrandt. The picture is then published in the newspaper. When Paul sees it and asks von Heidenick some questions about the identity of the model, the artist is forced to improvise a story and on the spur of the moment invents a woman called Leopoldine Dur as the alleged model. Leopoldine Dur however turns out to be a real woman whose acquaintance Heidenick makes shortly afterwards.
Eva, the Factory Girl
7/10
A famous racing driver must give up his sport and take over the management of the porcelain factory on incentive of the vigorous grandmother as the last shoot of an old businessman's family. Unrecognized he is regulated as a worker what a love story with a 20-year-old worker arises from, who leads after incidents in the happy end. - After Franz Lehar's operetta produced comedy
