The best Fred Liewehr’s movies
If you love cinema, you will share this ranking of the best Fred Liewehr’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Fred Liewehr.
The Story of Vickie
6.4/10
Vickie, short for Victoria, is crowned Queen of England and as such needs to learn the responsibilities of her new post.
Vienna Girls
7.1/10
Begun in Austria in 1944/45, finished and released in 1949, this is a biography of the minor Austrian composer Carl Michael Ziehrer, who overcomes hypersensitivity in competitive situations which leads initially to failures in both career and romance.
Tante Frieda - Neue Lausbubengeschichten
5.6/10
The 13-year-old Ludwig is to have for every joke. At boarding school he cuts his stern teacher, Captain a. D. Semmelmaier, during the nap from the beard. The angry pedagogue then sends the spoiled flail back to his beloved Bavarian village. The long-suffering mother persuades the rector to resume her reforming boy at the Latin school. Everything seems to be working out for the better, but the upcoming marriage of his sister Ännchen with the Berlin beer brewer Karl Schultheiss presents Ludwig with new challenges.
Viennese Spirit
6.8/10
A musical comedy directed by Willi Forst.
Trees Are Blooming in Vienna
6.1/10
Maria Theresia
6.2/10
Wenn Ludwig ins Manöver zieht
4.5/10
Gustav Adolfs Page
5.9/10
The Angel with the Trumpet
7.7/10
A long time-span of Austrian history (from the late 19th century to the years after world war II) is reflected in the ups and downs of a family of piano-makers in Vienna.
Embezzled Heaven
6.7/10
Onkel Filser - Allerneueste Lausbubengeschichten
6.3/10
Das Licht der Liebe
6.1/10
Hilfe, meine Braut klaut
5.9/10
Much Ado About Nothing
An der Donau, wenn der Wein blüht
5.5/10
The Land of Smiles
6.1/10
Lehar's The Land of Smiles touches the heart as it provides unforgetable melodies from start to finish. There are no weak links in the cast. Too often, we think of operetta as musical fluff, tired cliches, and obligatory dance scenes when things start slowing down. Not so in this classic operetta. We feel the pain of loss suffered by the two main characters, who make their roles natural and believable. There is more to this work than "Yours Is My Heart Alone." There is dramatic consistency and people you find yourself caring about as much as the music, the costumes, and the colorful sets.
Hochzeitsnacht im Paradies
5.3/10
Kind der Donau
4.6/10
