The best Zoltán Mucsi’s drama movies
Today we present the best Zoltán Mucsi’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Zoltán Mucsi’s movies.
Tinker Tailor Soldier Spy
7/10
In the bleak days of the Cold War, espionage veteran George Smiley is forced from semi-retirement to uncover a Soviet mole within his former colleagues at the heart of MI6.
Kills on Wheels
7.1/10
Two physically handicapped youngsters make friends with a paralysed hitman and are commissioned by a local mafia boss. They have little to lose although things are never as they first appear. The boundaries between fantasy and reality blur as the unlikely heroes stumble from one close encounter to the next and we gain an unusual insight into their lives on the periphery of society.
Dear Emma, Sweet Böbe
7.1/10
The story shows Emma's and Böbe's fight for survival, for keeping their position in society which they achieved with hard work in the previous regime. They don't want to lose their place and become village girls again.
Junk Movie
6.9/10
It is 1989, the year of the demise of socialism in eastern Europe. Nevertheless, the one theme of Junk Movie does not refer to this historical moment of high ideals, quite the contrary, the wild, burlesque of a motif-mozaic seems merely to stick it’s tongue out at the arrogant players of politics who have their heads stuck in the clouds. The film rudely points out the mystery and unapproachability surrounding the every-day existence of politics. The scene is a greasy, falling-down block of a pub called the Gólya and its immediate surroundings.
The Lord's Lantern in Budapest
6.7/10
In the Kerepesi Street cemetery, three grave diggers contemplate the fate of the world, then they step out of this role and in a sequence of episodes they play the typical figures of contemporary Hungarian reality, the fat cat, the swashbuckler, the victim, underworld chieftains, and present little absurd dramas of love, marriage, friendship, public order and legal safety. The author and the film director walk among them all the time, contemplating, laughing at their plays. The stories starting from the graveyard and returning there warn of the inevitability of death. The author and the director (Gyula Hernádi and Miklós Jancsó) wisely make friends with death.
Premier
6.8/10
Fast and Loose
Margó and Ildi are good friends. Margó lives with her simple, conservative parents, her fiancé is a roadie, her lover has been in prison for two years. Ildi was a pupil of a reformatory school, she buried an Araba husband already and her Rumanian partner is living in Paris. She lives together with a Yugoslavian man in a rented flat. Both are models at the Scholl for Fine Arts, attend an evening school and earn their money by selling their bodies. The lover of Margó, Attila is suddenly released. Margó and Ildi want to get rid of him, but Attila does not let them do that...
Just Drop Dead!
4.7/10
Drop dead please! Following the sudden death of a mysterious engine driver in his sixties, the Wife, the Lover, her illegitimate Daughter and an increasing number of shady characters from his spurious past want to know the true identity of the man they loved. They are dying to know which of them was really loved by him, and where he has hidden the fantastic fruit of his double life. In their deadly struggle, our heroes find themselves in the center of a satirical crime comedy, the sinful roots of which stretch back to the eighties, the closing decade of the socialist era.
Tabló
5.3/10
Karcsi, a Roma policeman, lives with Eva, a Swede. One day he is called to the scene of the murder of a wealthy trafficker named Schulter. He begins to investigate the crime, interrogate neighbours and suspects, and untangle a complex situation - one that he, himself, complicates even further. For he is a gypsy, who despite being adopted and raised by "regular" Hungarians, has his nose rubbed in his minority status every day. The film, which is based on the novel by Ákos Kertész, is a shrewd genre work full of dusky humour and surreal situations. Tabló follows a vivid succession of strange images that eventually lead to the emergence of the central story about a charismatic police officer on a tireless quest for the truth, though he must fight against virtually everyone and is just as fallible as the next person. Tabló makes a statement on the issue of race and racism - or, indeed, relations between any minority and majority.
