The best János Derzsi’s movies
Today we present the best János Derzsi’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best János Derzsi’s movies.
Control
7.6/10
A tale about a strange young man, Bulcsú, his fellow inspectors, who are all without exception likeable characters, a rival ticket inspection team, and racing along the tracks... And a tale about love.
Satantango
8.2/10
Inhabitants of a small village in Hungary deal with the effects of the fall of Communism. The town's source of revenue, a factory, has closed, and the locals, who include a doctor and three couples, await a cash payment offered in the wake of the shuttering. Irimias, a villager thought to be dead, returns and, unbeknownst to the locals, is a police informant. In a scheme, he persuades the villagers to form a commune with him.
Werckmeister Harmonies
8/10
This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather — without snow. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see — as the outcome of their wait — the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighboring settlings, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs — the appearance of the foreigners, the extreme frost — disturbs the order of the small town. Ambitious personages of the story feel they can take advantage of this situation. The tension growing to the unbearable is brought to explosion by the figure of the Prince, who is pretending facelessness. Even his mere appearance is enough to break loose destructive emotions...
The Turin Horse
7.7/10
A monumental windstorm and an abused horse's refusal to work or eat signal the beginning of the end for a poor farmer and his daughter.
White God
6.8/10
Favoring pedigree dogs, a new regulation puts a severe tax on mixed breeds. Owners dump their dogs and shelters become overcrowded. 13-year-old Lili fights desperately to protect her pet Hagen, but her father eventually sets the dog free on the streets. Hagen and his master search desperately for each other until Lili loses faith. Struggling to survive, homeless Hagen realizes that not everyone is a dog’s best friend. Hagen joins a gang of stray dogs, but is soon captured and sent to the pound. With little hope inside there, the dogs will seize an opportunity to escape and revolt against mankind. Their revenge will be merciless. Lili may be the only one who can halt this unexpected war between man and dog.
The Man from London
7/10
A switchman at a seaside railway witnesses a murder but does not report it after he finds a suitcase full of money at the scene of the crime.
Autumn Almanac
7.2/10
In this dense setting, the inhabitants of a large, claustrophobic apartment reveal their darkest secrets, fears, obsessions and hostilities.
Twilight
7.3/10
In this grim story, three murders of young girls are committed in a similar manner, and their bodies are all found in the woods. The only suspect, a young man assumed to be a paedophile, commits suicide during the investigation. A policeman becomes obsessed with solving the mystery of this serial killer and he continues to investigate even after he has been taken off the case.
Laurin
6.3/10
In a small port town at the end of the 19th century children are disappearing. A mysterious man in black who stalks the town may be Death itself. And nine-year-old Laurin is suffering terrifying dreams and hallucinations of a man carrying a sack and frightened children calling for help from behind closed windows.
Hasutasok
3.8/10
Passion
7.4/10
György Fehèr’s aim was to “make a film which is similar to the last salvaged print of a long lost film”. The passions he investigates are centred on primeval fears and cravings and a sense of inescapable doom. Shot in powerful black and white with excellent central performances.
A sommelier
Abel Nagy works as a sommelier in the restaurant. He recommends and pairs wine with the food ordered. This time guests put him to the test.
The Bridgeman
4.7/10
This epic story takes place between 1820 and 1860 during the Habsburg Monarchy, and portrays the life one of the greatest Hungarian aristocrats - Count Széchenyi - who was born with extra-ordinary mental and spiritual talents. In the years following the fall of Napoleon the young count Széchenyi irresponsibly seduces his brother's wife, and the consequent scandal ruins his career as an army officer. After the sudden death of his humiliated lover Count Széchenyi drastically changes his character from that of a shallow young man into a responsible nobleman seeking to conquer his fate by creating great achievements in his remaining life.
Tabló
5.3/10
Karcsi, a Roma policeman, lives with Eva, a Swede. One day he is called to the scene of the murder of a wealthy trafficker named Schulter. He begins to investigate the crime, interrogate neighbours and suspects, and untangle a complex situation - one that he, himself, complicates even further. For he is a gypsy, who despite being adopted and raised by "regular" Hungarians, has his nose rubbed in his minority status every day. The film, which is based on the novel by Ákos Kertész, is a shrewd genre work full of dusky humour and surreal situations. Tabló follows a vivid succession of strange images that eventually lead to the emergence of the central story about a charismatic police officer on a tireless quest for the truth, though he must fight against virtually everyone and is just as fallible as the next person. Tabló makes a statement on the issue of race and racism - or, indeed, relations between any minority and majority.
Csudafilm
3.2/10
Father's Acre
5.2/10
Love makes a bad relationship between father and son all the more rancorous in this drama from Hungarian director Viktor Oszkar Nagy. A convict (Janos Derzsi) returns home after a long stretch in prison to a less than enthusiastic welcome; his son (Tamas Ravasz), now in his late teens, was left to fend for himself and tend the family farm on his own after his dad went away, and the youngster blames his father for his mother's untimely death. The father wants to mend his relationship with his son, but the young man makes no secret of his contempt for his dad, and only grudgingly allows him back on the farm.
Macbeth
6.4/10
A Hungarian TV version of the play shot in just two takes.
Heart Tremors
6.5/10
The general practitioner Balla and his wife abandoning her higher education begin their common life in the small mountain village in the hope of quick enrichment and return to the capital. Despite Éva and Emma, the two school mistresses longing for love and Demeter, the dove-keeper obsessed with a desire for flight life is boring in the country.
Narcissus and Psyche
7.3/10
Narcisus and Psyche is based on a novel by Sandor Weores which was adapted by Vilmos Csaplar and director Gabor Body for a feature-length film. Borrowing the character of Psyche from mythology and placing her in Europe in the 19th century, the authors give her a "modern" life. She is an attractive young woman - and remains so throughout the film, in spite of one hardship after another. Psyche is libidinous, and her prurient interests shock her staid contemporaries.
Glamour
5/10
The tumultuous history of Hungary through the twentieth century is viewed through the saga of the Hungarian-Jewish, furniture-manufacturing family, the Vendels. After taking over the once successful, but now failing, family business in the 1930s, the family patriarch's dashing elder son decides that the family needs an infusion of new blood. A matchmaker presents him with a photo of a pretty German nursery school teacher. When the two meet, they instantly fall in love, but because Hungary has an alliance with Germany, and the Third Reich prohibits marriage between Gentiles and Jews, the couple must hide their union. Their marriage ultimately stands as a dark foreshadowing of rougher times to come as troubles ensue with the advent of World War II, when the family, its employees and servants must retreat to the basement, where the shop emerges increasingly as a refuge in a world growing more violent and less tolerant.
