The best Yukichi Iwata’s movies
Today we present the best Yukichi Iwata’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Yukichi Iwata’s movies.
Men vs. Women
5.8/10
A musical film made for the inauguration of Shochiku's Ofuna Studio, with an all-star cast of the era.
A Mother Should Be Loved
6.5/10
The film tells of the strained relationship between a mother and her two sons after the death of the family patriarch.
New Woman Question and Answer
Jie (Michiko Kuwano) attended a women's university with the financial support of her geisha sister Oha (Hiroko Kawasaki) and became a lawyer. The aim. Michiko (Kuniko Miyake), one of the seven best friends from the same women's college, is getting married. The man she's marrying is her sister's lover.
Our Neighbor, Miss Yae
7/10
Keitaro is a law student and Yaeko s a high school girl. They are neighbors, and their friendship is starting to develop into something more romantic. Then, Yaeko's sister Kyouko has a breakup with her husband and returns home. Kyouko is clearly interested in Keitaro and Yae becomes anxious.
The Loyal 47 Ronin
6.9/10
This 1932 adaptation is the earliest sound version of the ever-popular and much-filmed Chushingura story of the loyal 47 retainers who avenged their feudal lord after he was obliged to commit hara-kiri due to the machinations of a villainous courtier. As the first sound version of the classic narrative, the film was something of an event, and employed a stellar cast, who give a roster of memorable performances. Director Teinosuke Kinugasa was primarily a specialist in jidai-geki (period films), such as the internationally celebrated Gate of Hell (Jigokumon, 1953), and although he is now most famous as the maker of the avant-garde silent films A Page of Madness (Kurutta ichipeji, 1926) and Crossroads (Jujiro, 1928), Chushingura is in fact more typical of his output than those experimental works. The film ranked third in that year’s Kinema Junpo critics’ poll, and Joseph Anderson and Donald Richie noted that 'not only the sound but the quick cutting was admired by many critics.
Poppy
6.4/10
Based on Soseki Natsume’s 1908 novel of the same title, Poppy is an ornately complicated story of desire and ambition. Fujio is beautiful, talented, well-heeled, and engaged to Munechika, a rising young diplomat. She has promised him a gold watch, a family heirloom, as an emblem of their engagement. But she falls in love with Ono, a student employed to tutor her in English, who is attracted by her beauty and wealth. Ono is himself bound by an engagement to Sayoko, the daughter of his mentor, Professor Inoue. The self-centered Fujio is ready to forsake everything for Ono, but he is prevailed upon to go ahead with his marriage to Sayoko. Fujio then offers the watch to Munechika who, perceiving Fujio’s true feelings, hurls the watch into the sea.
Seven Seas: Virginity Chapter
6.5/10
The film is a lengthy work interweaving characters from different backgrounds and social strata in a narrative centered around the experiences of its heroine, Yumie Sone. Over two hours long, Seven Seas was released theatrically in two parts, with the first part entitled "Virginity Chapter" coming out in December 1931, while the second part, "Chastity Chapter," followed in March 1932. Near the beginning of the narrative, at a garden party given by the wealthy Yagibashi family in Tokyo, Yumie meets Takehiko, the Yagibashis' playboy son and the brother of Yumie's fiancé, Yuzuru. Yumie, a young middle-class woman, lives with her ailing father, a retired ministry official, an older sister, and a younger sister still a child (played by a very young Hideko Takamine). Takehiko, who has just returned from a trip to Europe, is attracted to Yumie and contrives to have her stay overnight at his family's mansion where he takes advantage of her.
A Hero of Tokyo
6.8/10
The story focuses on the widower Nemoto, ostensibly a businessman, who has one son, Kanichi, the hero of the title. Nemoto remarries; his new wife is a widow with a son and daughter of her own. However, Nemoto’s business turns out to be out a shady scam, and he disappears, leaving his wife to raise the three children alone. In order to support the family, she is obliged to become a bar hostess. She conceals this shameful employment from the children, but the truth comes out years later, after her daughter is rejected by her husband’s family when they investigate her background.
