The best Tokuji Kobayashi’s movies
If you love cinema, you will share this ranking of the best Tokuji Kobayashi’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Tokuji Kobayashi.
Equinox Flower
7.8/10
Later in his career, Ozu started becoming increasingly sympathetic with the younger generation, a shift that was cemented in Equinox Flower, his gorgeously detailed first color film, about an old-fashioned father and his newfangled daughter.
Twenty-Four Eyes
8/10
Schoolteacher Hisako Oishi struggles to imbue her students with a positive view of the world despite the fact that war is looming.
One Wonderful Sunday
7.2/10
Yuzo and his fiancée Masako spend their Sunday afternoon together, trying to have a good time on just thirty-five yen. They manage to have many small adventures, especially because Masako's optimism and belief in dreams is able to lift Yuzo from his realistic despair.
Premonition
6.2/10
While stopped at a roadside phone booth for transmitting his work through Internet to the university, Professor Hideki Satomi finds a scrap of newspaper with the picture of his five year old daughter Nana in the obituary. He sees his wife Ayaka trying to release their daughter from the seatbelt, when a truck hits his car killing Nana. Three years later, Hideki is divorced from Ayaka, who is researching paranormal people who claim to have read an evil newspaper anticipating the future. Still trying to believe in Hideki, she finds that there are people cursed to foresee the future but without the power to save the victims. When Hideki changes the future saving Ayaka, he becomes trapped in hell and he has to make a choice for his own destiny.
Apart From You
7.1/10
For Apart from You, Mikio Naruse turned his camera on the lives of working women, which he would continue to do throughout his long career. In this gently devastating drama, a critical breakthrough for the director, he contrasts the life of an aging geisha, whose angry teenage son is ashamed of her profession, with that of her youthful counterpart, a lovely young girl resentful of her family for forcing her into a life of ignominy.
The River Fuefuki
7.1/10
In a time of continuous civil wars ravaging the fields of feudal Japan, the eldest son of a very poor peasant family, living alongside the bridge over the Fuefuki river, decides to serve a warlord to escape his miserable condition, being soon followed by his younger brothers. Although not all the men of the family take this tragic path of death, women of the family will be doomed to endure the pain of loss during the next five generations.
Maria of the Ant Village
Alongside Tokyo's Sumida River is a ragpickers' settlement known as Ant Village. One night, a young Catholic girl, Satoko Kitahara, who has been baptized under the name of Maria, comes to offer her services. However, Ant Village is not just an ordinary vagrants' community but a fine autonomous organization, and as the municipal authorities have long been demanding that the people of Ant Village leave the site, Satoko is utilized to publicize the Village and win public sympathy. While being utilized in this manner, Satoko is nevertheless glad to be able to help the people of Ant Village, especially the children, and when the summer vacation comes she decides to take the children on an excursion to Hakone. To raise funds for this purpose she becomes a rag-picker herself.
Snow-Flake
7.5/10
The Lights of Asakusa
6.7/10
Pre-war Asakusa was a riotous district of cabarets, dance-halls and brothels - a striking backdrop for Shimazu's story of innocence and experience. Pretty, young Reiko is the new dancer in an infamous theatre troupe, and her fellow performers try to protect her virtue in a land of vice. Meanwhile, an ageing actor wants to be a hero off stage as well as on, and the troupe matriarch Marie has to keep them all together.
Stakeout
7.1/10
Two detectives begin a stakeout based on the slim chance of catching a murderer whom they suspect will try to reunite with an old flame.
A Japanese Tragedy
7.4/10
At the close of the war in Japan, a widowed mother makes every possible sacrifice to bring up her ungrateful son and daughter who are unimpressed with their poor standard of living at home. They gradually reject her in search of the material comforts that working as a maid cannot provide. The mother's despair becomes interminable.
Men vs. Women
5.8/10
A musical film made for the inauguration of Shochiku's Ofuna Studio, with an all-star cast of the era.
Happiness of Us Alone
8/10
The story is of two people. One is deaf, the other deaf and mute. They marry after meeting at a school reunion, and the film follows their trials and tribulations ... and joys.
The Spy Has Not Died Yet
Family Meeting
A melodrama about a businessman's relations with the three women in his life.
The Dancing Girl of Izu
6.8/10
"The Dancing Girl of Izu" tells of the story between a young male student who is touring the Izu Peninsula and a family of traveling dancers he meets there, including their youngest girl. The student finds the naïve girl attractive even though he eventually has to part with the family after spending memorable time together.
The Neighbor's Wife and Mine
6.2/10
A playwright moves to a rural neighborhood to avoid the distractions of the city, but he discovers there are plenty of ways to get sidetracked in his new home, too.
The Rose on His Arm
6.6/10
Ignoring the protests of his working-class mother, a young man becomes wrapped up in the world of delinquents and yakuza.
Elegy
7.9/10
Wataru Naohiko who has the prosecutor general as his father became a young composer and its symphony "saint" invoked the world echoed. But his disciple Uchiyama and his best friend prosecutor Daisuke Toki accused his music as a sesame of pause-only technique, not a truly heart-hungry art.
So Goes My Love
6.6/10
Shigeo is an aspiring writer living with his girl friend Minako and hoping for success and a better tomorrow every day. Both live on what Minako earns from working in a café. Shigeo is not happy with the situation and neither is his family who do not approve of Minako. Especially his uncle tries to convince him to leave Minako, even using his influence behind the scenes. Things start to change when Shigeo's sister pays the young couple a visit, being the first member of Shigeo's family to actually get to know Minako in person.
