The best Yasushi Fuchikami’s movies

A former American G.I. joins a yakuza family after his release from prison in post-World War II Osaka.

Kenshin has settled into his new life with Kaoru and his other friends when he is approached with a request from the Meiji government. Makoto Shishio, a former assassin like Kenshin, was betrayed, set on fire and left for dead. He survived, and is now in Kyoto, plotting with his gathered warriors to overthrow the new government. Against Kaoru's wishes, Kenshin reluctantly agrees to go to Kyoto and help keep his country from falling back into civil war.

Japan around 1860: popular courtesan Asagiri will be freed soon from her service, yet she cannot imagine any other existence. Until one day at a local festival, Asagiri meets the young artisan Hanjiro by chance – an encounter that changes her destiny. With a strong performance by leading actress Yumi ADACHI and exquisite camerawork and production design, A COURTESAN WITH FLOWERED SKIN succeeds in recalling the golden age of Japanese erotic film.

When older man Tsukakoshi asks Unokichi to paint it is of his mistress, the geisha Fumiko. Tsukakoshi loves the feet and legs part of Fumiko's anatomy. The fetishism gives the art student a commission to put his talent to use.

Mitsuo Ichikawa receives a phone call from Mitsuo Ichikawa. Their names are pronounced the same, but spelled differently using kanji. They also graduated from the same high school. Back in their high school days, Mitsuo Ichikawa was like a subordinate to Mitsuo Ichikawa. Mitsuo Ichikawa is now a hoodlum and tells the other Mitsuo that he killed a woman. They become accomplices and build a new relationship.

Private detective Kogoro (Kouta Kusano) receives a request from Naoko (Yuki Mamiya). She is the daughter of a family that runs a large hosital. Naoko wants private detective Kogoro to investigate her fiance Endo (Yasushi Fuchikami) and whether he is having an affair with university student Teruko (Noriko Kijima).

A singular deadpan comedy, The Passion tells a story of a young woman raised in a convent named Frances-ko (Mayuko Iwasa), after Saint Francesco. Distressed by not knowing about love and sex, she calls out for a sign from above, but instead hears a voice from below. A human-faced growth speaks to her from between her legs, constantly berating her, calling out "Woman, you are worthless!" Mr. Koga, as she names it, continues the verbal abuse, yet Frances-ko somehow adapts, forming an adversarial yet symbiotic relationship. This bizarre film, based on Kaoruko Himeno's acclaimed 1997 novel of the same name, is skillfully directed by Ryoko Yoshida, lensed by veteran cinematographer Akiko Ashizawa, grounded by Iwasa's show-stopping performance and enlivened by the hilarious Kanji Furutachi, who lends his voice to the chauvinistic Koga. The soundtrack boasts an unmissable eclectic score by legendary experimental musician and composer Otomo Yoshihide.

Struggling manga author Satoru Fujinuma is beset by his fear to express himself. However, he has a supernatural ability of being forced to prevent deaths and catastrophes by being sent back in time before the incident occurred, repeating time until the accident is prevented. One day, he gets involved in an accident that has him framed as a murderer. Desperate to save the victim, he sends himself back in time only to find himself as a grade-schooler one month before fellow classmate Kayo Hinazuki went missing. Satoru now embarks on a new quest: to save Kayo and solve the mystery behind her disappearance.

Seven men and women, consisting of three couples who are reluctant companions and one single man, play in the game with the secret that their relationship and friendship will collapse. Japanese remake of the Italian movie "Perfetti sconosciuti".

Maki Eda (Haruna Kawaguchi) works for an advertising agency at a large company. She is a single and doesn't have good luck with men. She also isn't very good at cooking and likes eating junk food. One day, she meets Nagisa Katayama (Kento Hayashi). He is an art teacher and a vegetarian. Unlike Maki, Nagisa cooks very well. The two people then happen to live together. Maki realizes that she is in love with Nagisa, but Nagisa is gay. Through his cooking, they solve their own problems and become important to each other.

Due to the economic recession, the orchestra is shut down. The members hear later that the orchestra will be reformed. Only some of the members, who have not yet been rehired, gather for the orchestra. For the first time since they disbanded the orchestra plays together, but they sound horrible. At that time, the conductor Tetsusaburo Tendou appears in front of them.

Takashi Omura (Hiroshi Tanahashi) was once a popular professional wrestler, but he isn't popular anymore. He now wears a cockroach mask and wrestles as a villain. He is married to Shiori (Yoshino Kimura) and they have an elementary school aged son named Shota (Kokoro Terada). Takashi and Shiori have not yet told their son what Takashi does for a living. One day, Shota finds out that Takashi is a professional wrestler and a villain with a cockroach mask. Shota is shocked and tells a lie to his classmate that his dad is a popular professional wrestler.

Protagonist Katsutoshi leaves town after a fight at work, and seeks refuge at a salon run by Seikichi, his Tokyo-based old friend, called "Tokyo Playboy Club." Meanwhile Eriko, the girlfriend of a waiter at the salon, finds herself forced to work there as a hostess after he gets into a bit of trouble. Then one day Katsutoshi brawls with a lowly neighborhood gangster, beating him to a pulp. The incident causes him, Seikichi, and Eriko to become embroiled in an even graver situation....

The university student Sota falls in love with a girl at the library at first sight. However, she was born deaf. Determined not to give up, Sota starts learning sign language and they fall in love. Will they be able to overcome the fact that they live in different worlds?