The best Yasushi Fuchikami’s fantasy movies

Yasushi Fuchikami

Yasushi Fuchikami

30/04/1984 (40 años)
If you love cinema, you will share this ranking of the best Yasushi Fuchikami’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Yasushi Fuchikami.

Rurouni Kenshin Part II: Kyoto Inferno

Rurouni Kenshin Part II: Kyoto Inferno
7.5/10
Kenshin has settled into his new life with Kaoru and his other friends when he is approached with a request from the Meiji government. Makoto Shishio, a former assassin like Kenshin, was betrayed, set on fire and left for dead. He survived, and is now in Kyoto, plotting with his gathered warriors to overthrow the new government. Against Kaoru's wishes, Kenshin reluctantly agrees to go to Kyoto and help keep his country from falling back into civil war.

Erased

Erased
6.4/10
Struggling manga author Satoru Fujinuma is beset by his fear to express himself. However, he has a supernatural ability of being forced to prevent deaths and catastrophes by being sent back in time before the incident occurred, repeating time until the accident is prevented. One day, he gets involved in an accident that has him framed as a murderer. Desperate to save the victim, he sends himself back in time only to find himself as a grade-schooler one month before fellow classmate Kayo Hinazuki went missing. Satoru now embarks on a new quest: to save Kayo and solve the mystery behind her disappearance.

Passion

Passion
5.1/10
A singular deadpan comedy, The Passion tells a story of a young woman raised in a convent named Frances-ko (Mayuko Iwasa), after Saint Francesco. Distressed by not knowing about love and sex, she calls out for a sign from above, but instead hears a voice from below. A human-faced growth speaks to her from between her legs, constantly berating her, calling out "Woman, you are worthless!" Mr. Koga, as she names it, continues the verbal abuse, yet Frances-ko somehow adapts, forming an adversarial yet symbiotic relationship. This bizarre film, based on Kaoruko Himeno's acclaimed 1997 novel of the same name, is skillfully directed by Ryoko Yoshida, lensed by veteran cinematographer Akiko Ashizawa, grounded by Iwasa's show-stopping performance and enlivened by the hilarious Kanji Furutachi, who lends his voice to the chauvinistic Koga. The soundtrack boasts an unmissable eclectic score by legendary experimental musician and composer Otomo Yoshihide.

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