The best Viva’s movies
If you love cinema, you will share this ranking of the best Viva’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Viva.
Paris, Texas
8.1/10
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.
Flash Gordon
6.5/10
A football player and his mates travel to the planet Mongo and find themselves fighting the tyranny of Ming the Merciless to save Earth.
Forbidden Zone
6.5/10
A mysterious door in the basement of the Hercules house leads to the Sixth Dimension by way of a gigantic set of intestine. When Frenchy slips through the door, King Fausto falls in love with her. The jealous Queen Doris takes Frenchy prisoner, and it is up to the Hercules family and friend Squeezit Henderson to rescue her.
Midnight Cowboy
7.8/10
Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida.
Cisco Pike
6.5/10
A down on his luck former drug dealer is forced by a corrupt LAPD policeman to sell 100 kilos of confiscated marijuana in one weekend.
The Man Without a Face
6.7/10
Justin McLeod is a former teacher who lives as a recluse on the edge of town after his face is disfigured from an automobile accident ten years earlier, in which a boy was incinerated—and for which he was convicted of involuntary manslaughter.
Lions Love
5.9/10
Three actors in Hollywood live and love together. A director comes from New York to make a movie about actors and Hollywood.
Nico Icon
7.2/10
A look into the many lives of Christa Päffgen, otherwise known as Nico; from cutie German mädchen to the first of the supermodels, to glamorous diva of the Velvet Underground, to cult item, junkie and hag. Many faces for the same woman, whom, you realize, just couldn't bring herself to care enough to live.
Necropolis
5.5/10
A surreal and disturbing distillation of Western Civilization, Necropolis is the unhinged vision of Italian director Franco Brocani. Pierre Clémenti is Attila the Hun, naked and on horseback, while Warhol superstar Viva is a drunken and abusive Countess Bathory. A pop pastiche for the psychedelic generation, Necropolis features a soundtrack by Gavin Bryars.
Play It Again, Sam
7.6/10
A mild mannered film critic is dumped by his wife and his ego is crushed. His hero persona is the tough guy played by Humphrey Bogart in many of his movies and the apparition of Bogart begins showing up to give him advice. With the encouragement of his two married friends, he actually tries dating again, with less than satisfactory results, until he relaxes.
Be Pretty and Shut Up!
6.9/10
The film is a series of interviews with various well-known film actresses, including Jenny Agutter, Maria Schneider, and Jane Fonda. The title, which is borrowed from a 1958 film with the same name by Marc Allegret, refers to the sense the actresses have of what is expected of them by the film industry.
Ciao! Manhattan
5.6/10
The very sad tale of socialite & Warhol muse Edie Sedgwick (1943-1971) who effectively plays herself in a film that follows her life in a large part from the time she left Warhol's 'factory' and what the life of excess drugs did to her sanity. Edie was such a beautiful fragile girl - who finally got her head together and got married (her wedding day video is edited into the end of the movie) but it was too late, her husband woke up on a morning in November 1971, only weeks after filming wrapped, and found her dead beside him. She had died in her sleep from overdosing on her medication she was 28.
Lonesome Cowboys
5.2/10
Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.
The State of Things
6.9/10
On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's The Day the World Ended (1956) . The producer is nowhere to be found and director Munro attempts to find him in hopes of being able to finish the film.
Cleopatra
7.2/10
Cleopatra situates itself in the same relationship to Hollywood as the Warhol/Morrisey films of the period. It corresponds to Joseph Mankiewicz's 1963 Cleopatra, starring Elizabeth Taylor and Richard Burton which Auder's cast watched and used as the starting point for scene by scene improvisation Auder drew his cast from Warhol's ensemble – including not only Viva and Louis Waldon, but also Taylor Mead, Ondine, Andrea Feldman, Gerard Melanga and others.
Tub Girls
7/10
"Tub Girls" features Warhol superstar Viva lying in a bathtub with different people of both sexes, including Brigid Berlin (as Brigid Polk), who appeared fully clothed in the tub.
Langlois
6.6/10
Documentary portrait of Henri Langlois, co-founder of the Cinémathèque Française.
Positano
7.2/10
Andy Warhol
6.6/10
The first major profile of the American Pop Art cult leader after his death in 1987 covers the whole of his life and work through interviews, clips from his films, and conversations with his family and superstar friends. Andy Warhol, the son of poor Czech immigrants, grew up in the industrial slums of Pittsburgh while dreaming of Hollywood stars. He went on to become a star himself.
The Feature
6.3/10
The Feature does not reconcile fact and fiction; instead, it blurs the definitions seemingly represented by the film’s two clearly demarcated registers: that of the archival footage and that of the new, theatrical material. In his guise as “Michel Auder,” living a fulsome and extravagant life, replete with beautiful women and a rock-cut pool overlooking Los Angeles, the art world is revealed as a sham, and his character exhibits a repulsive narcissism. And yet, when caught in quiet moments, something poignant emerges—a glimmer of truth that rebels against the entire endeavour. Or maybe, that’s what makes The Feature.
