The best Joe Dallesandro’s movies
We present our ranking of the best Joe Dallesandro’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Joe Dallesandro.
The Limey
6.9/10
The Limey follows Wilson, a tough English ex-con who travels to Los Angeles to avenge his daughter's death. Upon arrival, Wilson goes to task battling Valentine and an army of L.A.'s toughest criminals, hoping to find clues and piece together what happened. After surviving a near-death beating, getting thrown from a building and being chased down a dangerous mountain road, the Englishman decides to dole out some bodily harm of his own.
The Cotton Club
6.5/10
Harlem's legendary Cotton Club becomes a hotbed of passion and violence as the lives and loves of entertainers and gangsters collide.
Cry-Baby
6.5/10
A prim and proper schoolgirl goes against her grandmother's wishes when she dates a motorcycle-riding juvenile delinquent.
Guncrazy
5.5/10
California teen Anita Minteer struggles in the face of an absentee mother, her mom's abusive boyfriend, Rooney, and a lack of respect from her classmates. This all changes when a pen-pal school project connects her with convict Howard. Anita secures Howard's parole and violently squares off against Rooney after he rapes her. Soon enough, the gun-crazy teen is on the run with Howard, with his parole officer in pursuit.
Theodore Rex
2.4/10
In an alternate futuristic society, a tough female police detective is paired with a talking dinosaur to find the killer of dinosaurs and other prehistoric animals leading them to a mad scientist bent on creating a new Armageddon.
Sugar Hill
5.8/10
In the Harlem neighborhood of New York City, the Mafia steps in when a drug dealer quits his partner brother to lead a straight life with his girlfriend.
Critical Condition
5.3/10
Eddie is a con artist. When he's framed and comes before a judge, he hopes to get off the hook by climbing insanity—but instead ends up in a hospital for a mental assessment. That night, a storm causes a power failure and, in the ensuing chaos, Eddie is mistaken for a doctor and suddenly finds himself in charge of the hospital.
Killer Nun
5/10
A demented nun sliding through morphine addiction into madness, whilst presiding over a regime of lesbianism, torture and death. Sister Gertrude is the head nurse/nun in a general hospital, whose increasingly psychotic behavior endangers the staff and patients around her.
The Margin
5.2/10
A businessman leaves his country home, and wife and young son for a business trip to Paris. While there he develops a sexual and spiritual bond with a call girl.
Black Moon
6.1/10
There is a war in the world between the men and the women. A young girl tries to escape this reality and comes to a hidden place where a strange unicorn lives with a family: sister, brother, many children and an old woman that never leaves her bed but stays in contact with the world through her radio.
Blood for Dracula
6.1/10
Deathly ill Count Dracula and his slimy underling, Anton, travel to Italy in search of a virgin's blood. They're welcomed at the crumbling estate of indebted Marchese Di Fiore, who's desperate to marry off his daughters to rich suitors. But there, instead of pure women, the count encounters incestuous lesbians with vile blood and Marxist manservant Mario, who's suspicious of the aristocratic Dracula.
Flesh for Frankenstein
5.8/10
Within the decadent walls of the Frankenstein mansion, the Baron and his depraved assistant Otto have discovered the means of creating new life. As the Baron's laboratory begins to fill up with stitched body parts, the Baroness dallies with the randy new manservant and soon the decadent, permissive household is consumed by an outrageous, bizarre, and hilarious orgy of death and dismemberment.
Wild Orchid II: Two Shades of Blue
3.9/10
Blue is a teenage girl who lives with her Jazz playing father Ham. Ham gets very sick and dies, and now Blue must support herself somehow. Elle, the headmistress at a brothel, talks her into living and working at her establishment. She decides to leave the business and lead a normal life. Elle is hellbent to see that she never has one.
Flesh
5.7/10
A heroin junkie works as a prostitute to support his habit and fund an abortion needed by the girlfriend of his lesbian wife. His seedy encounters with delusional and damaged clients, and dates with drag queens and hustlers are heavy on sex, drugs and decadence.
Inside Out
4.8/10
Playboy does to softcore sex films what HBO's Tales from the Crypt did for horror. Contains the stories: "Brush Strokes"; "Shrink Rap"; "Doubletalk"; "The Leda"; "My Secret Moments"; "Life Is For The Taking"; "The Diaries"; "Love The One You're With"; and "My Better Half".
Beefcake
6.7/10
A look at the 1950s muscle men's magazines and the representative industry which were popular supposedly as health and fitness magazines, but were in reality primarily being purchased by the still-underground homosexual community. Chief among the purveyors of this literature was Bob Mizer, who maintained a magazine and developed sexually inexplicit men's films for over 40 years. Aided by his mother, the two maintained a stable of not so innocent studs.
Trash
6.1/10
The movie follows Joe, a heroin addict, throughout his quest to score more drugs. The episodic plot occurs over a single day and centers around Joe's problematic relationship with his on-off, sexually frustrated girlfriend. During the course of the day, Joe overdoses in front of an upper-class couple, attempts to fool Welfare into approving his methadone treatment by having Holly fake a pregnancy, and frustrates the women in his life with his drug-induced impotence.
Eurocrime! The Italian Cop and Gangster Films That Ruled the '70s
7.6/10
A documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime.
Porn to Be Free
6.1/10
Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious authorities and conservative political institutions. They are ironic, happy, crazy. They are dreamers, defenders of definitive communion between body and soul. But they were censored and humiliated. They were mistreated and arrested for demanding loud a new cultural renaissance.
I Love You, I Don't
5.9/10
The petite waitress Johnny works and lives in a truck-stop, where she's lonely and longs for love. She develops a crush on the garbage truck driver Krassky, although her sleazy boss Boris warns her that he's gay.
