The best Vittorio Gassman’s comedy movies
If you love cinema, you will share this ranking of the best Vittorio Gassman’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Vittorio Gassman.
Il Sorpasso
8.2/10
Roberto, a shy law student in Rome, meets Bruno, a forty-year-old exuberant, capricious man, who takes him for a drive through the Roman and Tuscany countries in the summer. When their journey starts to blend into their daily lives though, the pair’s newfound friendship is tested.
The Great War
8.1/10
Italy, 1916. Oreste Jacovacci and Giovanni Busacca are called, as all the Italian youths, to serve the army in the WWI. They both try in every way to avoid serving the army.
1001 Nights
5.4/10
Sheherazade has been married to a ruler who wants many wives, but only one at a time. Consequently, as soon as he has bedded them, he has them put to death. In most retellings, the girl staves off this unfortunate conclusion by putting off the connubial event for a thousand and one nights, telling irresistible stories instead. In this one, she gets hold of a magic lamp.
The Nude Bomb
5.1/10
When KAOS develops a bomb that can dissolve all clothing, Maxwell Smart is brought in to foil the evil plot.
For Love and Gold
7.7/10
A group of rogues steal a scroll granting its bearer the property of the land of Aurocastro in Apulia (south of Italy). They elect a shaggy knight, Brancaleone from Norcia, as their leader, and decide to get possession of this supposedly wealthy land. Many adventures will occurr during the journey.
The Tiger and the Pussycat
6.3/10
Comedy-drama about a middle-aged Italian businessman Vittorio Gassman who is married to Eleanor Parker and is innocently introduced one day to a schoolgirl with pigtails named Carolina. Years later, that young schoolgirl has become a vivacious young woman (Ann-Margret), and she pursues him, luring him into an on-again-off-again romantic tryst where she pulls the strings and holds all the cards.
Big Deal on Madonna Street
7.9/10
Best friends Peppe and Mario are thieves, but they're not very good at it. Still, Peppe thinks that he's finally devised a master heist that will make them rich. With the help of some fellow criminals, he plans to dig a tunnel from a rented apartment to the pawnshop next door, where they can rob the safe. But his plan is far from foolproof, and the fact that no one in the group has any experience digging tunnels proves to be the least of their problems.
We All Loved Each Other So Much
8/10
Three partisans bound by a strong friendship return home after the war, but the clash with everyday reality puts a strain on their bond.
The Dinner
6.9/10
An evening at an Italian restaurant. Hosted by tolerant and relaxed Flora, various parties of middle-class people come in -- large and small, young and old, regulars and tourists, married and single -- to dine, converse, argue, celebrate, make confessions; to overhear other people's discussions, to interrupt them, to sing, listen to music, and enjoy life. The camera, just like the people, moves constantly from table to table, into the kitchen and the back room to observe the staff's petty jealousies and frustrations -- until two hours later it's time for everybody to go home.
Brancaleone at the Crusades
7.3/10
After saving an infant of royal blood, knight Brancaleone forms a new army and sets out to return the baby to his father: a prince fighting in the Crusades.
A Wedding
7/10
Muffin's wedding to Dino Corelli is to be a big affair. Except the ageing priest isn't too sure of the ceremony, only the families actually turn up as the Corelli Italian connection is suspect, security guards watch the gifts rather over-zealously, and Dino's grandma expires in bed just as the reception starts. Could be quite an occasion.
The Last Judgment
6.6/10
The Last Judgement (Italian: Il giudizio universale) is a 1961 commedia all'italiana film by Italian director Vittorio De Sica. It was coproduced with France. It has an all-star Italian and international cast, including Americans Jack Palance, Ernest Borgnine; Greek Melina Mercouri and French Fernandel, Anouk Aimée and Lino Ventura. The film was a huge flop, massacred by critics and audiences when it was released. It was filmed in black and white, but the last sequence, the dance at theatre, is in color.
Tempest
6.4/10
A sobering mid-life crisis fuels dissatisfaction in Philip Dimitrius, to the extent where the successful architect trades his marriage and career in for a spiritual exile on a remote Greek island where he hopes to conjure meaning into his life - trying the patience of his new girlfriend and angst-ridden teenage daughter.
La Cambiale
6.6/10
Ghosts, Italian Style
5.5/10
Pasquale and Maria, husband and wife, live in a palace supposedly haunted by ghosts and pay no rent. When Pasquale finds some food in the cupboard he thinks the ghosts are at work.
I'm Photogenic
6.2/10
Antonio Barozzi moves from Lago Maggiore to Rome to become an actor. He does not realize his agent and acting coach are only manipulating him to further their own careers.
Fiasco in Milan
7/10
The usual gang of robbers in engaged by a thief from Milan to steal a suitcase full of money, but troubles will menace the success of the operation.
Life Is a Bed of Roses
6.2/10
In this whimsical fable, Resnais deftly interweaves three story lines: the creation of an early-20th-century utopia; romantic high jinks at a school conference; and a fantasy sparked by F/X pioneer Georges Méliès.
Dear Father
6.2/10
In Caro papá, Dino Risi is telling the story of the decadent lifestyle, and dysfunctional family, of a wealthy businessman (played to perfection by Risi's favorite leading man, Vittorio Gassman). Risi paints his portrait against a backdrop of an Italy where the new permissiveness has run rampant, traditional socio-cultural values have been usurped by consumerism, and the streets have become an open battleground for politically extremist groups (the '70s were dubbed "The Years of Lead" due to the great number of terrorist acts, and politically motivated assassinations).
In the Name of the Italian People
7.5/10
An obscure Italian magistrate suspects that a well-known industrialist commited murder, and decides to investigate him, and bring him to court, whatever it takes. But - will the magistrate have it in him to go against impossible odds, in the name of the Italian people he represents?
