The best Edda Ferronao’s movies

The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

Roberto, a shy law student in Rome, meets Bruno, a forty-year-old exuberant, capricious man, who takes him for a drive through the Roman and Tuscany countries in the summer. When their journey starts to blend into their daily lives though, the pair’s newfound friendship is tested.

Four middle-aged friends in Florence organize together idle pranks (called zingarate, "gypsy shenanigans") in a continuous attempt to prolong childhood during their adult life.

Professor Sinigaglia (Marcello Mastroianni) is the title character in this darkly comedic Italian drama about mistreated factory workers in the city of Turin. Toiling away in appalling conditions in a textile mill, these employees have no one to stand up for them until Sinigaglia puts his academic career on the line by helping them to start a strike. Although the teacher comes under scrutiny by unsympathetic authorities, he maintains his dedication to the workers' cause.

An obscure Italian magistrate suspects that a well-known industrialist commited murder, and decides to investigate him, and bring him to court, whatever it takes. But - will the magistrate have it in him to go against impossible odds, in the name of the Italian people he represents?

The Magnificent Cuckold is about a hat tycoon who is ecstatically, if not hungrily, in love with his youthful wife. It is all blissful, that is, until our man, middle-aged and somewhat of a square among his blasé, upper-class friends to whom cuckoldry is a common practice, is seduced by one of them. At this point doubts and suspicions, like conscience, begin to plague him. If he could succumb to extramarital confections, why not his gorgeous mate? Quickly his love for his spouse degenerates beyond obsessive, into the realm of maniacal. He becomes madly concerned that his wife is cheating on him --even though she is not being unfaithful. When he looks at her it becomes obvious to him that she is a very attractive woman. And, all the men around her must be dying to be with her. Gnawed by jealously, he will imagine variations on nabbing her and her lover in flagrante delicto.

Emma Bovary is bored by her country doctor husband and gives in to the affections of several rich suitors as well as the temptation of living beyond her husband's means.

Italy, 1916. Oreste Jacovacci and Giovanni Busacca are called, as all the Italian youths, to serve the army in the WWI. They both try in every way to avoid serving the army.

An unemployed man gets a job as traffic policeman but the traffic in the big city creates innumerous problems for the poor guy.

Enrico Mattei helped change Italy’s future, first as freedom-fighter against the Nazis, then as an investor in methane gas through a public company, A.G.I.P., and ultimately as the head of ENI, a state body formed for the development of oil resources. On October 27, 1962, he died when his private airplane crashed during a flight to Milan. Officially, it is declared an accident, but many journalists explore other plausible reasons for Mattei's untimely death.

Niccolò Vivaldi is a cello player and he plays in Arena di Verona Orchestra. But he is not the first and neither the second cello. He is frustrated. Nobody can remember his face, nor his name. Niccolò is married to Costanza, who is really beautiful and he takes some pictures of her naked. Later he shows the pictures to a friend and so he feels better. He starts to write a comic opera called "Il merlo maschio" only to discover later he had written Rossini's "La gazza ladra". To maintain his self-esteem he can only show his wife...

March on Rome (Italian: La marcia su Roma) is a 1962 comedy film by Dino Risi with Vittorio Gassman and Ugo Tognazzi, aimed at describing the March on Rome of Benito Mussolini's black shirts from the point of view of two newly recruited, naïve black shirts

On their wedding night, a newlywed couple find themselves menaced by a bloodthirsty vampire.

Vittorio Gassman stars as different characters in each of the nine episodes of this unusual Italian comedy. Playing everything from a practical joker to a prisoner, he comments upon romance, love and women in general.

When Marino goes to Rome for an event, he certainly does not imagine meeting Marisa, who will become the love of his life. But once love is found, it is a matter of spreading it and here the difficulties begin: first the father who opposes it; then, after the death of his father, the gossips who make Marino believe that Marisa was a little good, so much so that Marisa runs away. Repentant, Marino searches in vain and then, almost by accident, finds her again, Mrs. Ciceri. But love admits no obstacles, not even that of a deaf and dumb husband.