The best Umberto Spadaro’s crime movies

Umberto Spadaro

Umberto Spadaro

08/11/1904- 12/10/1981
Today we present the best Umberto Spadaro’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Umberto Spadaro’s movies.

In the Name of the Law

In the Name of the Law
7.6/10
  • Genre: CrimeDrama
  • Release: 13/03/1949
  • Character: L'avvocato Faraglia
A young, by-the-book judge is appointed to a Sicilian village controlled by corrupt leaders and the mafia.

The Wide Blue Road

The Wide Blue Road
6.9/10
  • Genre: CrimeDramaRomance
  • Release: 22/11/1957
  • Character: Gaspare Puggioni, 1st Coast Guard Officer
Squarciò, a fisherman, lives with his family on a small island off the Dalmatian coast of Italy. Like his fellow villagers, Squarciò struggles against harsh living conditions, a scarcity of fish in nearby waters and exploitation by the local wholesaler. But while the other fishermen continue to use nets, he goes out to the open sea to fish illegally with bombs. But Squarciò borrows money, loses his boat, and in a moment of supreme desperation, has to bomb directly off-shore, causing the hatred and rejection of his fellow fishermen. Trying to save his family, Squarciò and his young sons sail their new boat out beyond the local waters and bomb-fish again. But this time, the sea exacts a terrible toll…

The Big Family

The Big Family
7.1/10
Two mafia bosses, Don Antonio Marchesi and Don Peppino Scalise, battle over building contracts in Palermo.

Appointment for Murder

Appointment for Murder
6/10

A Woman Has Killed

A Woman Has Killed
6.8/10
In 1951, two years after the “scandal” of the Fiamma che non si spegne, Cottafavi got the opportunity to work on a film with a small production company, Novissima Film. With little means, a number of technical and financial problems and working Sundays with the pieces of film given to him bit by bit, Cottafavi shot Una donna ha ucciso, a minor film that marked his comeback to directing. (Gianni Rondolino)

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