The best Saro Urzì’s movies

Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.

Don Camillo is now a bishop, Peppone is now a senator, but their rivalry is as fierce as when they were just a village priest, and a village administrator. Don Camillo learns that Peppone is about to promote the building of a communal house on the place of an old, derelict church, and that spurns the old flame. They descend from Rome onto quiet Brescello, and they will agitate their faithful hosts, christians against communists, using all devious ways. Even Christ makes a cameo appearance, when things are going a trifle too far.

In this Frenco-Italian gangster parody, a shop keeper on his way to an Italian holiday suffers a crash which totals his car. The culprit can only compensate his ruined trip by driving an American friends car from Napels to Bordeaux, but as it happens to be filled with such contraband as stolen money, jewelry and drugs, the involuntary and unwitting companions in crime soon attract all but recreational attention from the "milieu".

In a village of the Po valley where the earth is hard and life miserly, the priest and the communist mayor are always fighting to be the head of the community. If in secret, they admired and liked each other, politics still divided them as it is dividing the country. And when the mayor wants his "People's House"; the priest wants his "Garden City" for the poor. Division exist between the richest and the poorest, the pious and the atheists and even between lovers. But if the people are hard as the country, they are good in the bottom of there heart.

After his battles with the communist mayor Peppone, Don Camillo is sent in exile by his bishop in a remote village. Peppone thought he got the village in his hands. But when the municipality decide to build a dike against the periodic floods, the proprietor of the land refuses. War between the village clans is about to begin. Maybe only the strong hand of the priest could persuade the landlord to change his mind. Will Peppone passed over his pride and send for his enemy?

The script, which was written on a day-to-day basis as the film was being shot, concerns the adventures of a motley crew of swindlers and ne'er-do-wells trying to lay claim to land rich in uranium deposits in Kenya as they wait in a small Italian port to travel aboard an ill-fated tramp steamer en route to Mombasa.

Peppone, hardened mayor in Brescello, the small village on the Po river, aspires to become senator. Neither before or after WWII, where he fought against the Germans and fascists, he never went seriously to school, so he needs (at least) a diploma. Believe it or not, don Camillo helps Peppone to pass the examination (with the forecast of moving to Rome) prompting him the solution of geometry's problem. As implicit reward, Peppone writes a composition about "A man I'll never forget": obviously don Camillo, when Peppone was a resistant in WWII, and don Camillo the young military chaplain. Getting the diploma was the first step. The election campaign just started and the two big parties - Christian-democratic and Communist, forgetful of respective favors, settle down an electoral "war of the words", mean tricks (culminating with the famous horny Peppone/Lucifer) and easy propaganda.

Alfredo, a timid young Italian, lusts after and woos the beautiful Maria Rosa. But when he manages to marry her, he discovers life is not nearly so blissful as he expected.

The village of mayor Peppone and Don Camillo, after much dispute, gets assigned a sister village in Russia. When Peppone and his comrades decide to attend the ceremony on the other side of the iron curtain, Don Camillo wants to join. Peppone is strictly against this but after Don Camillo threatens him to disclose information about an earlier side step the mayor agrees. Don Camillo arranges for false papers: He is now comrade Tarocci. Only Peppone and the other villagers know who he really is. In Russia the agenda includes various cultural events: Ballet, Opera, a fishing competition and various parties...

Modesty Blaise, a secret agent whose hair color, hair style, and mod clothing change at a snap of her fingers is being used by the British government as a decoy in an effort to thwart a diamond heist. She is being set up by the feds but is wise to the plot and calls in sidekick Willie Garvin and a few other friends to outsmart them. Meanwhile, at his island hideaway, Gabriel, the diamond thief has his own plans for Blaise and Garvin.

Pietro Germi directs and stars in this masterpiece example of late Italian neo-realism. The stark tale centers on unfulfilled railroad worker Andrea (Germi). After his daughter's marriage falls apart and his troubled son leaves for good, Andrea turns to booze to numb the pain. Life gets even worse for Andrea when he causes a serious rail accident and crosses picket lines during a strike. Sylva Koscina, Edoardo Nevola and Franco Fantasia co-star.

The film presents the tale of Agnese Ascalone, daughter of prominent miner Vincenzo Ascalone, and takes place in a small town in Sicily. Agnese is seduced by her sister Matilde's fiance, and has a tryst with him for which she confesses and tries to repent, only to be discovered by her mother and father. The film is a dark satire of Sicilian social customs and honor laws, and is very similar to Divorce, Italian Style.

"Bread, Love and Jealousy" (Italian: Pane, Amore e Gelosia), known as "Frisky" in the US, is a 1954 Italian romantic comedy film directed by Luigi Comencini. The relationships between a veteran marshal, his bride-to-be, a rookie and his fiancée are severely tested when the young carabiniere is temporarily sent to a distant town. The film is the second part of the Italian trilogy, preceded by "Bread, Love and Dreams" and followed by "Scandal in Sorrento". It is usually considered one of the most famous examples of Pink neorealism.

A police inspector comes into contact with people of all types and dispositions during a grueling murder investigation.

Serafino, a young and innocent shepherd, inherits a huge fortune. He immediately starts spending the entire sum on presents for his friends, causing the envy of his family.

Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta.