The best Saro Urzì’s romance movies

The script, which was written on a day-to-day basis as the film was being shot, concerns the adventures of a motley crew of swindlers and ne'er-do-wells trying to lay claim to land rich in uranium deposits in Kenya as they wait in a small Italian port to travel aboard an ill-fated tramp steamer en route to Mombasa.

"Bread, Love and Jealousy" (Italian: Pane, Amore e Gelosia), known as "Frisky" in the US, is a 1954 Italian romantic comedy film directed by Luigi Comencini. The relationships between a veteran marshal, his bride-to-be, a rookie and his fiancée are severely tested when the young carabiniere is temporarily sent to a distant town. The film is the second part of the Italian trilogy, preceded by "Bread, Love and Dreams" and followed by "Scandal in Sorrento". It is usually considered one of the most famous examples of Pink neorealism.

Alfredo, a timid young Italian, lusts after and woos the beautiful Maria Rosa. But when he manages to marry her, he discovers life is not nearly so blissful as he expected.

Italian filmmaker Carmine Gallone was still in his "operetta" mode when he helmed 1938's Il Sogno di Butterfly (Dream of the Butterfly) Maria Cebotari plays opera diva Rosa Belloni, currently starring in a production of Puccini's Madama Butterfly. The plot thickens when Rosa's backstage life begins to mirror the travails of the character she is portraying. The climax comes when Harry Peters (Fosco Giachetti), the American father of Rosa's illegitimate child, returns after four years with his new wife in tow, leading inexorably to a doleful ending both on- and offstage. Critics complained about the substandard photography in Il Sogno di Butterfly, but this might have been due to poor laboratory work.