The best Checco Rissone’s movies

A working man's livelihood is threatened when someone steals his bicycle.

Francesca and Walter are two-bit criminals in Northern Italy, and, in an effort to avoid the police, Francesca joins a group of women rice workers. She meets the voluptuous peasant rice worker, Silvana, and the soon-to-be-discharged soldier, Marco. Walter follows her to the rice fields, and the four characters become involved in a complex plot involving robbery, love, and murder.

Once upon a time an old woman discovers a baby in her cabbage patch. She brings up the child and, when she dies, the boy, Toto, enters an orphanage. Toto leaves the orphanage a happy young man, and looks for work in post-war Milan. He ends up with the homeless and organizes them to build a shanty town in a vacant lot. The squatters discover oil in the land and Toto sees a vision of the old woman who gives him a magic dove that will grant him anything he wishes.

Best-selling author Tyvian Jones has a life of leisure in Venice, Italy, until he has a chance encounter with sultry Frenchwoman Eva Olivier. He falls for her instantly, despite already having wedding plans with Francesca Ferrara. Winning Eva's affection proves elusive; she's more interested in money than in love. But Tyvian remain steadfast in his obsession, going after Eva with a fervor that threatens to destroy his life.

"Bread, Love and Jealousy" (Italian: Pane, Amore e Gelosia), known as "Frisky" in the US, is a 1954 Italian romantic comedy film directed by Luigi Comencini. The relationships between a veteran marshal, his bride-to-be, a rookie and his fiancée are severely tested when the young carabiniere is temporarily sent to a distant town. The film is the second part of the Italian trilogy, preceded by "Bread, Love and Dreams" and followed by "Scandal in Sorrento". It is usually considered one of the most famous examples of Pink neorealism.

Marshal Antonio Carotenuto is sent to a remote Italian mountain village named Sagliena. He's anxious to marry, and selects young Gina Lollobrigida as his bride; but she is already in love with his shy subordinate Roberto Risso. Mistaking her headstrong behavior as promiscuity, Carotenuto makes advances towards her, but she spurns him. Forsaking the girl to the arms of Risso, the Marshal decides to settle for village midwife Marisa Merlini. Things become more complicated when Annarella, the midwife, starts demonstrating her love to Antonio. She is hiding a secret and the Marshal soon will be in a difficult situation.

A French fugitive arrives in Genoa, where he becomes entangled with an Italian woman and her daughter.

A chief police inspector investigates the disappearance of a 25-year-old, mentally retarded woman, the daughter of a lonely widower. After she turns up dead, the cops race to find the killers before the grieving father does

Set amongst the Italian peasantry of WW2, Caccia Tragica (Tragic Chase) is set in motion when a truck loaded with money targetted for farming projects is stolen by bandits. The local villagers set aside their petty political and personal differences, banding together to capture the outlaws and recover the loot. The story takes a romantic detour by concentrating on the romance between two young people caught in the middle between the pursuers and the pursued. At the time of its release, Caccia Tragica was perceived as a Communist tract (it was produced by the left-leaning National Association of Italian Partisans). This didn't prevent the film from winning an award at the 1947 Venice Film Festival, quite a coup for first-time director Giueseppe De Santis.

A neorealist tribute to the Italian resistance fighters of World War II.

At age 50, tax inspector Emerenziano decides to settle down and aims to the three Tettamanzi sisters, who, though not young or pretty by any means, have recently inherited a large amount of money.

Comedy directed by Mario Camerini.