The best Tom Tykwer’s movies
Today we present the best Tom Tykwer’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Tom Tykwer’s movies.
Crítico
7.3/10
Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.
How I Learned to Love the Numbers
8.5/10
How I Learned to Love the Numbers is a New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep The Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.
Was heißt hier Ende? Der Filmkritiker Michael Althen
6.9/10
Documentary about German film critic Michael Althen.
On the Other Side of the Screen: 100 Years of Moviemento Cinema
You say you’re interested in film and you’ve never been to the Moviemento? You are hereby put on cineastic probation – at least until you watch Bernd Sobolla’s documentary.
Ernst Lubitsch in Berlin
6.5/10
Featuring interviews with daughter Nicola Lubitsch, film historians Enno Patalas and Jan-Christopher Horak and filmmaker Tom Tykwer (among others), Ernst Lubitsch in Berlin documents the life of the legendary filmmaker from his birth in 1892 to his departure for Hollywood in 1923. The documentary is sprinkled with excerpts from Lubitsch's rarely-seen early work (both as actor and director) and offers fascinating insights into the German film industry in the silent era.
