The best Elia Suleiman’s movies
Today we present the best Elia Suleiman’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Elia Suleiman’s movies.
To Each His Own Cinema
6.8/10
A collective film of 33 shorts directed by different directors about their feeling about cinema.
7 Days in Havana
6/10
A young American boy is trying to break into the acting business, and goes to Cuba during a film festival.
It Must Be Heaven
7/10
Filmmaker Elia Suleiman travels to different cities and finds unexpected parallels to his homeland of Palestine.
The Time That Remains
7/10
An examination of the creation of the state of Israel in 1948 through to the present day. A semi-biographic film, in four chapters, about a family spanning from 1948 until recent times. Combined with intimate memories of each member, the film attempts to portray the daily life of those Palestinians who remained in their land and were labelled "Israeli-Arabs," living as a minority in their own homeland.
Crítico
7.3/10
Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.
Bamako
6.7/10
Melé is a bar singer, her husband Chaka is out of work and the couple is on the verge of breaking up... In the courtyard of the house they share with other families, a trial court has been set up. African civil society spokesmen have taken proceedings against the World Bank and the IMF whom they blame for Africa's woes... Amidst the pleas and the testimonies, life goes on in the courtyard. Chaka does not seem to be concerned by this novel Africa's desire to fight for its rights.
Divine Intervention
6.6/10
Santa Claus tries to outrun a gang of knife-wielding youth. It's one of several vignettes of Palestinian life in Israel - in a neighborhood in Nazareth and at Al-Ram checkpoint in East Jerusalem. Most of the stories are droll, some absurd, one is mythic and fanciful; few words are spoken. A man who goes through his mail methodically each morning has a heart attack. His son visits him in hospital. The son regularly meets a woman at Al-Ram; they sit in a car, hands caressing. Once, she defies Israeli guards at the checkpoint; later, Ninja-like, she takes on soldiers at a target range. A red balloon floats free overhead. Neighbors toss garbage over walls. Life goes on until it doesn't.
A Special Day
6.3/10
a film that premiered at the cannes film festival
Chronicle of a Disappearance
6.9/10
Chronicle of a Disappearance unfolds in a series of seemingly unconnected cinematic tableaux, each of them focused on incidents or characters which seldom reappear later in the film. Among the many unrelated scenes, there is a Palestinian actress struggling to find an apartment in West Jerusalem, the owner of the Holy Land souvenir shop preparing merchandise for incoming Japanese tourists, a group of old women gossiping about their relatives, and an Israeli police van which screeches to a halt so several heavily armed soldiers can get off the car and urinate.
Kusturica - Balkan's Bad Boy
7.5/10
A film director, an actor, a musician, an organizer of festivals, a husband, a father, a grand-father, a friend, a professor... This film is an unexpected meeting with one of the most fascinating European film directors: Emir Kusturica. This is a journey to memory and forgetfulness. Beyond success, money, dependencies and pride. A deeper look into the world of Kusturica and his Wooden city at Mokra Gora. A tale about the won battles, as well as the lost ones. About the everlasting curiosity in filmmaking.
The Gulf War... What Next?
7.8/10
The second Gulf War from 1990 to 1991 represents in the collective Arab memory a turning point in regards to the Arab nationalism’s self-perception as well as a moment of deep historical and existential insecurity. Five Arab directors discuss the events from their personal perspective.
Nelson Mandela: The Myth and Me
7/10
Khalo Matabane spent two years making the film, interviewing those who knew and loved Mandela, and also those who criticised him. Global thinkers, politicians and artists including the Dalai Lama, Henry Kissinger and Ariel Dorfman talk about the effect of his policies and his decision making. Their thoughts are weighed equally with ordinary South Africans like Charity Kondile, who refuses to forgive her son's apartheid operative murderer. Through these interviews, completed in the last months of Mandela's life, Matabane interrogates for himself the meaning of freedom, reconciliation and forgiveness. By doing so he challenges Mandela's enduring impact in today's world of conflict and inequality. Thought-provoking and reflective, Mandela, the Myth and Me is a moving film which frames Mandela from a fresh, deeply personal perspective. (Storyville)
The Arab Dream
In this autobiographical film the Palestinian filmmaker Elia Suleiman goes in search of his past and possible future in occupied Palestine. Wherever he looks, he feels surrounded by images and places that have a political significance. Can a landscape be free of meaning, is there any point in striving for an approach that transcends all ideology? Commissioned by the ARTE network as part of a series of films for the end of the millennium, this film is a travelogue through Jerusalem, Nazareth and Ramallah. The film is a meditation on quotidian injustices, and a formulation of an aesthetic and creative response to them.
Homage by Assassination
A Palestinian filmmaker is writing a script in his New York apartment during the first Gulf war. As much as he tries to shut himself off from the exterior world, images of past wars in the Middle East come back to haunt him.
