The best Tally Brown’s movies
If you love cinema, you will share this ranking of the best Tally Brown’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Tally Brown.
Silent Night, Bloody Night
5.2/10
On Christmas Eve 1950, Wilfred Butler dies in a burning accident outside his mansion in East Willard, Massachusetts. The residence is bequeathed to his grandson, Jeffrey. Twenty years later, lawyer John Carter arrives in East Willard on Christmas Eve with his assistant and mistress Ingrid, having been charged by Jeffrey (now registered as a patient in a mental asylum) to sell the house. The house, the town, even Jeffrey himself-- all hold dark secrets that will be brought to light.
Brand X
6.3/10
In 1969, Taylor Mead complained to his friend artist Wynn Chamberlain that Andy Warhol had never paid him for any of the work he had done for him and Wynn said he would make a film especially for Taylor. Inspired by the banality of 1960's television, Chamberlain wrote and directed Brand X, an 87 minute series of faux television shows spoofing the politics and mass media of the day, complete with commercials for Sex, Sweat, Computer Dating and Peanut Butter. BRAND X follows Taylor Mead through a day in a wacky television studio as he portrays an exercise guru, a talk show host, a veteran returning from the American Civil War, a hospital patient in a soap opera, the President of the United States and a televangelist giving the Nightly Sermon. BRAND X satirizes President Nixon, the Vietnam War, sex, drugs, computers, money and race relations.
Camp
5.6/10
Shot at Warhol's Silver Factory, Camp features a group of Superstars putting on a "summer camp" talent show complete with singing, dancing, jokes, poetry, and Gerard Malanga as master of ceremonies.
1 Berlin-Harlem
6.6/10
A in West-Berlin stationed African-American GI retires from the US Army to live with his (white) girlfriend, who has a baby with another Black man. After a row with her family she deserts him as well. Despite him finding a job and a new place to live, he keeps running into racism, that also manifests itself in sexual intimidation. (from: http://www.lotharlambert.com/1-berlin-harlem.html)
No President
6.4/10
Smith's third feature film was originally titled "The Kidnapping of Wendell Willkie by the Love Bandit," in reaction to the 1968 Presidential Campaign. Willkie was a liberal Republican who ran against FDR in the 1940's. It mixes B&W footage of Smith's creatures with old campaign footage of Willkie. The climax of the work appears to be the "auctioning" of the presidential candidate at the convention. - Flicker
The Illiac Passion
7.3/10
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound , finds the personalities of his characters to have a timeless universality.
****
6.2/10
Photographed entirely in color, Four Stars was projected in its complete length of nearly 25 hours (allowing for projection overlap of the 35-minute reels) only once, at the Film-Makers' Cinematheque in the basement of the now-demolished Wurlitzer Building at 125 West 41st Street in New York City. The imagery in the film is dense, wearying and beautiful, but ultimately hard to decipher, for, in contrast to his earlier, and more famous film Chelsea Girls, made in 1966, Warhol directed that two reels be screened simultaneously on top of each other on a single screen, rather than side-by-side.
Escape From Rented Island: The Lost Paradise of Jack Smith
In his essay film, Jerry Tartaglia, longtime archivist and restorer of the film estate of queer New York underground, experimental film, and performance legend Jack Smith, deals less with Smith’s life than with his work, analyzing Smith’s aesthetic idiosyncrasies in 21 thematic chapters. It's a film essay about the artist’s work, rather than a documentary about his life. An unmediated vision of Jack Smith, an invitation to join him in his lost paradise.
Tally Brown, New York
7.6/10
Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim. The film is about the singing and acting career of Tally Brown, a classically trained opera and blues singer who was a star of underground films in New York City and a denizen of its underworld in the late 1960s. In this documentary, Praunheim relies on extensive interviews with Brown, as she recounts her collaboration with Andy Warhol, Taylor Mead and others, as well as her friendships with Holly Woodlawn, and Divine. Brown opens the film with a cover of David Bowie's "Heroes" and concludes with "Rock 'n' Roll Suicide." The film captures not only Tally Brown’s career but also a particular New York milieu in the 1970s. (Wikipedia)
