The best Jack Smith’s movies
If you love cinema, you will share this ranking of the best Jack Smith’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Jack Smith.
Silent Night, Bloody Night
5.2/10
On Christmas Eve 1950, Wilfred Butler dies in a burning accident outside his mansion in East Willard, Massachusetts. The residence is bequeathed to his grandson, Jeffrey. Twenty years later, lawyer John Carter arrives in East Willard on Christmas Eve with his assistant and mistress Ingrid, having been charged by Jeffrey (now registered as a patient in a mental asylum) to sell the house. The house, the town, even Jeffrey himself-- all hold dark secrets that will be brought to light.
Andy Warhol Screen Tests
The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.
Jack Smith and the Destruction of Atlantis
7.4/10
In this entrancing documentary on performance artist, photographer and underground filmmaker Jack Smith, photographs and rare clips of Smith's performances and films punctuate interviews with artists, critics, friends and foes to create an engaging portrait of the artist. Widely known for his banned queer erotica film Flaming Creatures, Smith was an innovator and firebrand who influenced artists such as Andy Warhol and John Waters.
Diaries, Notes, and Sketches
7.4/10
An epic portrait of the New York avant-garde art scene of the 60s.
Chumlum
6.3/10
Ron Rice's Chumlum is one of those films in which the conditions of its construction are integral to the experience of watching it. It is a record of a cadre of creative people having fun on camera, playing dress-up, dancing, flirting, lazing around.
Poem Posters
... with real-life portraits of Jayne Mansfield, Frak O'Hara, Ruth Ford, Ned Rorem, Virgil Thomson, Claes Oldenburg, Roy Lichtenstein, William Burroughs, Andy Warhol, Rudy Gernreich, Jonas Mekas and others.
Camp
5.6/10
Shot at Warhol's Silver Factory, Camp features a group of Superstars putting on a "summer camp" talent show complete with singing, dancing, jokes, poetry, and Gerard Malanga as master of ceremonies.
Blonde Cobra
2.9/10
A man fondles objects, looks at himself in the mirror, poses in different clothes, smiles and makes faces at the camera while his voice on the soundtrack speaks of his despair, makes impressionistic statements and little songs, quotes Greta Garbo and Maria Montez, tells the story of a lonely little boy and (in drag) tells the story of a woman (Madame Nescience) who dreams of herself as the Mother Superior of a convent of sexual perversion.
Birth of a Nation
7.1/10
Filmmaker Jonas Mekas films 160 underground film people over four decades.
The Queen of Sheba Meets the Atom Man
7/10
“New York plays itself, as Taylor Mead and Winifred Bryan regale in pas de deux among the trashcans and the towers. The Studiedly Goofy and the Monumentally Grand are joined in masterly pas de don’t [...] The awed couple do battle with the status quo and teach the world to dance on the head of a bin. Rice detects real dignity in Bryan and amazing grace in Mead as they essay solitary promenades through the parks, subways and streets of a wintery New York landscape. Photographed and directed by Ron Rice, edited and scored by Taylor Mead.” –Edward Leffingwell
Screen Test: Jack Smith
Part of Andy Warhol's Screen Tests series. Filmmaker and performance artist Jack Smith.
The Devil is Dead
A phantasmagoric exploration into the violence we house within ourselves.
The Illiac Passion
7.3/10
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound , finds the personalities of his characters to have a timeless universality.
Gerard Malanga's Film Notebooks
This compilation of Gerard Malanga's short films consists of a collection of extremely rare footage and film portraits providing candid and interesting glimpses of Bob Dylan, Salvador Dalí, Jane Fonda and The Velvet Underground among other 1960s icons and featuring original music by Angus MacLise, who was the first drummer to perform with The Velvet Underground.
The Invasion of Thunderbolt Pagoda
6.9/10
At the court of the Yellow Emperor, the Majoon Traveler & Lady Firefly appear in the Hall of Unconscious Magnetism.
Star Spangled to Death
7.4/10
An examination of the history of the U.S. through archival footage and contrasting views of society, incorporating audiovisual material ranging from political campaign films to animated cartoons to children’s phonograph records, featuring Al Jolson, Mickey Mouse, the young Jack Smith, and a half-dozen American presidents.
Filmmakers
5.5/10
Iimura creates a short self-portrait as well as brief portraits of five of his peers: Brakhage, Vanderbeek, Smith, Mekas and Warhol. In each portrait, Iimura attempts to copy the styles and traits of each artist (Vanderbeek's constantly moving camera; Mekas' experiments with film speed; Warhol's use of flashes of white against a black background), while briefly commenting on the images being shown. The film serves effectively as an introduction to the film styles of these artists.
Escape From Rented Island: The Lost Paradise of Jack Smith
In his essay film, Jerry Tartaglia, longtime archivist and restorer of the film estate of queer New York underground, experimental film, and performance legend Jack Smith, deals less with Smith’s life than with his work, analyzing Smith’s aesthetic idiosyncrasies in 21 thematic chapters. It's a film essay about the artist’s work, rather than a documentary about his life. An unmediated vision of Jack Smith, an invitation to join him in his lost paradise.
Song for Rent
During its 1969 showings at the Elgin Theater, No President was preceded by the color short filmed according to Smith’s direction by photographer Don Snyder (who also shot slides during the same session). Smith appeared as his red-wigged, plastic-jawed, alter ego Rose Courtyard, seated in a wheelchair amid the detritus of the Plaster Foundation. The film was accompanied by two rounds of Kate Smith singing “God Bless America”. Dressed in a red satin gown, clutching a bouquet of dead roses, Rose is finally moved to stand up and salute. The film was found in a can labeled “Song for Rent”, title of a 1971 mixed media production in which Smith appeared. (J. Hoberman)
Little Cobra Dance
Jack Smith descends a fire escape in a makeshift "Arabian" costume and improvises increasingly frenetic choreography.
