The best Stephanie Che’s drama movies

A blind detective, former cop, teams up with a policewoman who admires him to solve the disappearance of a girl friend of hers, years ago. Besides, he helps her to improve her skills as an investigator.

Flavia is a thirtysomething married teacher. She has suppressed the memory of her adolescent lesbian fling with Jin and is stuck in a stifling marriage. A chance encounter in a supermarket with the playful and seductive singer Yip reawakens dormant feelings and she begins to think back on her teenage affair with Jin.

A takedown of capitalist corruption and greed that's savvily packaged as a song-and-dance extravaganza.

Jimmy Tong (Leslie Cheung) is an expert blackmailer and thief who specialises in white-collar crimes. With his side-kick (Vincent Kok), Jimmy steals a personal diary belonging to a Yakuza leader Ken Sato (Masaya Kato) intending to use its details as a platform for blackmailing and to extort money. Sato agreed to the uneasy deal and made preparations to pay Jimmy his exorbitant demands only for Sato's girlfriend Jenny (Faye Wong) to betray him and make off with the money to Okinawa.

Love intertwines at the wrong time. Sei and Ling, former masseuses in Macau, in retrospect, had the best time together. Decades after, Sei learns that her late best friend has kept a secret she never knew...

Based on the life of screenwriter Yuen Kai-Chi, the movie tells the story of an acclaimed film writer who's got the World on a string. Tragically, his life changes when he gets in a car accident and loses a leg. However, every cloud has a silver lining and he ends up falling in love with his nurse Cindy. Using love as the binding tie, the two face life's obstacles as if it were a three-legged race: two people working together with three legs.

After his mother's death, Chan Kai-yuk feels so alone that he leaves Guangzhou for Hong Kong to look up the father who abandoned him and his mom. But Yuk's hopes are dashed on finding his dad has a new family and considers him a burden. Alone and homeless, Yuk is taken in by Auntie Fen, a middle-aged recluse who leads a solitary existence. At first, their different habits and personalities lead to numerous squabbles, intensified by Yuk's self-centeredness and Fen's odd temperament. As time goes on, Yuk learns Fen is in the early stages of Alzheimer's. The discovery unexpectedly serves as a catalyst for the young man's growth as a caring friend. For the first time in her life, Fen feels truly blessed. But it is a situation rife with irony due to the nature of her disease and the accelerating elusiveness of feelings and memories.

Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)