The best Tian Yuan’s movies
Today we present the best Tian Yuan’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Tian Yuan’s movies.
Pegasus
6.3/10
Zhang Chi, a hubris and dominating six-time racing champion, falls from grace following a crisis. After a five-year suspension from the motorsport, the now single-father to a six-year-old boy throws down the gauntlet once again.
Butterfly
6.7/10
Flavia is a thirtysomething married teacher. She has suppressed the memory of her adolescent lesbian fling with Jin and is stuck in a stifling marriage. A chance encounter in a supermarket with the playful and seductive singer Yip reawakens dormant feelings and she begins to think back on her teenage affair with Jin.
First Time
6.5/10
Sonq Shiqiao (Angelababy), 22, lives with her devoted mother, widowed shop owner Zheng Qing (Jiang Shan). Shiqiao, who always dreamed of being a ballet dancer, cannot exert herself physically as she suffers from form of myasthenia, a neuromuscular disease, that her father died of; the medication she takes also causes memory lapses. One day, at a charity fair, she bumps into Gong Ning (Mark Chao), a former high-school friend she always liked, and the two end up dating, despite the initial disapproval of her mother. Gong Ning dropped out of university to spend more time with a rock band he leads; also, his girlfriend, dancer Peng Wei (Cindy Yen), has dumped him because of his inability to focus his life. However, for Shiqiao, Gong Ning is the perfect partner.
The Golden Era
6.4/10
The story of writer Xiao Hong comes alive through memories of her great love affair, literary influence and escape from China during World War II.
In Love We Trust
7/10
A divorced couple learns that the only way to possibly save their daughter, who is suffering from blood cancer, is to have another child. The problem is they've both already remarried.
Freeze-Frame
5.6/10
Fei is on a top secret mission from Shanghai to the UK in order to honour a promise. Not afraid to bend the rules, Fei runs into unexpected troubles that require her to secretly chase Jack, the handsome stranger she met on the plane.
Kill Octopus Paul
The film was originally named as “Ran Qing Shi Jie Bei” (The Legend of World Cup), but director Xiao Jiang changed the name when the famous octopus in Germany named Paul became a global sensation when he correctly predicted the outcome of all Germany games in the recent football World Cup as well as the result of the World Cup final. “We planned several topics to shoot about, like black horses, prediction results, gambling, misjudges, terrorism and football hooligans. And we chose to shoot the prediction results when the amazing prophet Paul appeared,” said Xiao Jiang. Xiao Jiang said they have sent invitations to the aquarium in Germany inviting Paul to attend the film premiere in China. The octopus appearing in this film is an ‘actor’ who looks similar to Paul.
Our Ten Years
5.7/10
Throughout ten years of a key era in Chinese and Hong Kong history, a girl becomes fixated on a fellow commuter who she observes regularly. While the two never speak to one another, the girl captures her appearance and life changes during the years through various means such as photos and drawings.
Young and Clueless
Bends
6/10
Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)
160 Years Old
A father who cannot cure his own stubborn illness, a professor mother who struggles with existential questions, a son who is confused and precocious, a giant tortoise that suddenly leaves, and a sentimental grandfather who passed away. The uncle cannot finish reading THE OLD MAN AND THE SEA. The aunt won't get married. The grandfather is his own daughter's enemy. The uncle does not want to return from the Philippines. And an unborn child. Summer goes, and autumn comes. Things remain, but people change.
Anchor Baby
6.2/10
Curse of Lola
4.8/10
When the leading dancer of Lola is murdered in her dressing room on the very night of the premiere, terror looms over the dance troupe. With the murderer still at large, the coveted role of Lola passes to Tian, a talented but introverted dancer with a traumatic childhood. Suspicion fanned by jealousy soon leads to hostility and rejection from fellow dancers, while figments of childhood memories start haunting her every dream. Tian can only seek solace in the arms of her gaffer boyfriend Zhen. As the murderer strikes again, Tian begins to realize that all the slayings are somehow related to her. No sooner is she inextricably sucked into the curse of the role than she starts suspecting Zhen may actually be harboring a horrifying secret behind these murders and the troupe itself.
Spicy Hot in Love
Love can be bitter, sweet, or spicy. The film revolves around three couples from Beijing, Hangzhou and Chongqing.
Brothers
4.7/10
During a dangerous rescue mission, Commander Tiejin and his troupe are locked in heated battle when he stops dead seeing none other than the brother he lost five years before, now fighting alongside the enemy.
