The best Sonia Bergamasco’s movies
If you love cinema, you will share this ranking of the best Sonia Bergamasco’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Sonia Bergamasco.
The Best of Youth
8.5/10
Spanning nearly four decades, from 1966 to 2003, this generational epic follows the different life paths of two Italian brothers from a middle-class family through some of the most significant events of recent Italian history.
Like a Cat on a Highway
6.2/10
The story of an encounter between a bourgeois man and a poor woman, because their teenage children fall in love.
Where Am I Going?
6.6/10
Checco is 39 and lived his entire life with his parents. He loves his job where he does nothing the whole day, until something happens that will change his behavior and his life forever...
Me and You
6.5/10
An introverted teenager tells his parents he is going on a ski trip, but instead spends his time alone in a basement.
Wild Blood
6.2/10
The story of two renowned actors of Fascist cinema, Luisa Ferida and Osvaldo Valenti, who were supporters of the regime until the very end. Accused of collaborationism and torture, they were summarily executed by Partisans during the Liberation.
Come un gatto in tangenziale - Ritorno a Coccia di Morto
Three years after her relationship with Giovanni, Monica is in prison and has to ask his ex for help.
Maledimiele
6.3/10
Maledimiele tells the story of Sara, a teenage girl who sinks – slowly but inevitably – into the abyss of anorexia.
Woman of My Life
5.6/10
Longtime Italian cinema star Stefania Sandrelli (The First Beautiful Thing) is Alba, the mother of two very different adult sons. While Giorgio is a playboy who constantly cheats on his wife, Leonardo (Luca Argentero, Eat Pray Love) is always unlucky in love. When Leonardo finally meets the woman of his dreams, Sara, he brings her home to meet the family, but it appears this is not the first time that Sara has met Giorgio. Directed by Luca Lucini and stars Luca Argentero, Alessandro Gassman and Stefania Sandrelli.
Giulia Doesn't Date at Night
6.5/10
Guido, an acclaimed author, leads an idyllic life with his beautiful wife and teenage daughter. But despite his seemingly perfect existence, Guido's restless search for inspiration leads him into the arms of Giulia, a charming and mysterious swim instructor, who is hiding a secret from her past.
Evviva Giuseppe
The life and work of Giuseppe Bertolucci, as told by his father and brother, friends and colleagues.
Bakhita
7.4/10
Born in a village in Sudan, kidnapped by slavers, often beaten and abused, and later sold to Federico Marin, a Venetian merchant, Bakhita then came to Italy and became the nanny servant of Federico's daughter, Aurora, who had lost her mother at birth. She is treated as an outcast by the peasants and the other servants due to her black skin and African background, but Bakhita is kind and generous to others. Bakhita gradually comes closer to God with the help of the kind village priest, and embraces the Catholic faith. She requests to join the order of Canossian sisters, but Marin doesn't want to give her up as his servant, treating her almost as his property. This leads to a moving court case that raised an uproar which impacts Bakhita's freedom and ultimate decision to become a nun. Pope John Paul II declared her a saint in the year 2000.
Make a Fake
5.8/10
All Human Rights for All
5.7/10
Collective film for the 60th anniversary of the Universal Declaration of Human Rights, with 30 directors each helming a segment about one of the 30 articles of the Declaration.
Riccardo va all'inferno
5.7/10
Red Chairs - Parma and the Cinema
5.9/10
The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.
Agalma
8.3/10
A whirlwind of activity sweeps us into the daily routine at the Archaeological Museum of Naples.
Probably Love
5.9/10
Musikanten
4.5/10
Il mnemonista
6.7/10
La straniera
6.4/10
