The best Sonia Bergamasco’s drama movies
If you love cinema, you will share this ranking of the best Sonia Bergamasco’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Sonia Bergamasco.
The Best of Youth
8.5/10
Spanning nearly four decades, from 1966 to 2003, this generational epic follows the different life paths of two Italian brothers from a middle-class family through some of the most significant events of recent Italian history.
Wild Blood
6.2/10
The story of two renowned actors of Fascist cinema, Luisa Ferida and Osvaldo Valenti, who were supporters of the regime until the very end. Accused of collaborationism and torture, they were summarily executed by Partisans during the Liberation.
Me and You
6.5/10
An introverted teenager tells his parents he is going on a ski trip, but instead spends his time alone in a basement.
Giulia Doesn't Date at Night
6.5/10
Guido, an acclaimed author, leads an idyllic life with his beautiful wife and teenage daughter. But despite his seemingly perfect existence, Guido's restless search for inspiration leads him into the arms of Giulia, a charming and mysterious swim instructor, who is hiding a secret from her past.
Il mnemonista
6.7/10
Maledimiele
6.4/10
Maledimiele tells the story of Sara, a teenage girl who sinks – slowly but inevitably – into the abyss of anorexia.
All Human Rights for All
5.7/10
Collective film for the 60th anniversary of the Universal Declaration of Human Rights, with 30 directors each helming a segment about one of the 30 articles of the Declaration.
Niente è come sembra
5.6/10
Inspector Montalbano
Detective Montalbano solves crimes in Sicily.
Voce dei Canti
On the occasion of the bicentenary of the birth, Carmelo Bene returns to the verses of the poet from Recanati. In this film the most beautiful poems by Giacomo Leopardi (La Ginestra, Il Canto Notturno, Le Ricordanze, A Silvia, L'Infinito ...), but also some passages from the Moral Operettas, as well as the unfinished Project for a hymn at Ahrimane, follow one another with deep and moving simplicity, with a quiet immediacy that causes the void of every other voice: therefore the listenere is ensnared in the pauses, bewitched by the unexpected descents of silence. The voice assumes a dark and ancestral tone in which the words seem to find their original nuances.
Pinocchio, ovvero lo spettacolo della Provvidenza
7.6/10
