The best Smita Patil’s drama movies
We present our ranking of the best Smita Patil’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Smita Patil.
Nishant
7.6/10
A man whose wife is abducted seeks to have the culprits prosecuted for their crime, but no one will help him. Meanwhile, the wife—abused and berated by her abductors—cannot bring herself to face her husband.
Dahleez
5.4/10
Dahleez is a 1986 Indian Bollywood film directed by Ravi Chopra and produced by B.R. Chopra. It stars Jackie Shroff, Raj Babbar, Meenakshi Sheshadri and Smita Patil in pivotal roles.
Aakrosh
7.9/10
Allegedly based on a true incident reported on page 7 of a local newspaper, the film was a scathing satire on the corruption in the judicial system and the victimization of the underprivileged by the able and the powerful.
Farishta
3.6/10
Rai Bahadur is a wealthy man who lives in a palatial home with his grand-daughter, Pinky, and grandson, Raju. One night Raju gets abducted and is sold to notorious and hideous-looking gangster Ustad, who forces crippled children to beg and steal for him. Raju also gets inducted in this gang, and is taught to steal at a very young age. Years later, Pinky recognizes Raju as her brother and takes him home to grandpa, who accepts him immediately and provides for him with joy. Then a few days later some silver items are stolen from his house, and Raju is missing. Rai Bahadur is shocked and reports this matter to the police, and continues his search for his missing grandson. Is Raju really his grandson? Did he actually steal the silver items?
Mirch Masala
7.7/10
The film opens with an arrogant subedar (local tax collector in colonial India) and his soldiers rampaging through a village. The subedar has an eye for women and soon spots Sonbai on the riverbank. Sonbai is an intelligent, beautiful and strong woman. Her confidence intrigues the subedar.
Manthan
7.6/10
A veterinarian, Dr. Rao, makes a visit to a village, where he intends to commence a co-operative society dairy for the betterment of the rural people. The film is set against the backdrop of the White Revolution of India (Operation Flood) which started in 1970. It was entirely crowdfunded by 500,000 farmers who donated Rs. 2 each.
Kondura
The film involves the life of a young man who comes to believe that he has been bestowed supernatural powers. As the story unfolds, this boon eventually leads to a tragedy.
Ardh Satya
8.1/10
A newly appointed police rookie deals with corruption, romance, and brutality.
Bhumika
7.4/10
A girl learns music from her courtesan grandmother and breaks into the burgeoning show business industry of 1930s Bombay, which eventually leads to decades of superstardom as well as romantic entanglements.
Tarang
7/10
Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production.
Bazaar
7.4/10
Bazaar is a 1982 Indian film directed by Sagar Sarhadi and starring Naseeruddin Shah, Farooq Shaikh, Smita Patil and Supriya Pathak.The film highlights the tragedy of young girls being sold by needy parents to affluent Indians in the Gulf.
Chidambaram
7.3/10
Chidambaram is based on a short story by noted Malayalam writer C V Shriraman. The film is a deeply symbolic exploration of the man-woman attraction leading to betrayal and eventually to the purgatory of guilt.
In Search of Famine
7.4/10
A young, idealistic director arrives in a village to make a picture set during the Great Bengal Famine. It’s a film that he hopes will reveal the problems and privations still current in rural India.
Charandas Chor
7.8/10
The film is derived from a classic folk tale, originally narrated by Vijaydan Detha, and interpreted as folk play by Habib Tanvir. The film charts the tumultuous life of a petty thief, Charandas (Lalu Ram). Curiously he is a man of principles – an honest thief with a strong sense of integrity and professional efficiency. He makes four vows to his Guru, that he would never eat in a gold plate, never lead a procession that is in his honour, never become a king and never marry a princess, thinking all of them are far out possibilities for him. Later, his guru adds a fifth one - never to tell a lie and sets him of on his life's journey which leads him to a kingdom..
The Deliverance
7.9/10
When a poor and out-caste village tanner goes to village priest to get the date of his daughter's marriage fixed, the priest in turn asks for labor without pay in exchange.
Anokha Rishta
7.2/10
Mary, an inmate of an orphanage run by nuns, is good at studies and is artistically talented, her education so far has been sponsored by a philanthropist. Her sponsor, a rich old man who she has never met but has only corresponded with through the nuns, passes away, laving her dreams of a college education in shambles. Mr. Robert Brown (Bob) who is now at the helm of affairs of his father's business agrees to continue her sponsorship. Bob is a confirmed bachelor and Mary is drawn to him by some mysterious force.
Threshold
7.4/10
After the passing of her husband, Mrs. Mahajan takes care of four institutions, and lives a comfortable lifestyle with her two sons - Dr. Mohan and his wife, Maya; and Advocate Subhash Mahajan, his wife, Savitri, and their daughter, Rani. Savitri is unhappy as she wants a career for herself. She finally gets a chance to prove her skills in social services when she gets a job offer as Superintendent of a Women's Reformatory Home in distant Sangamwadi. Although Rani and Subhash as well as the rest of the family oppose her going, she has made up her mind.
Dard Ka Rishta
7.1/10
Time is running out for Khushbu, Ravi Sharma(Sunil Dutt)'s daughter. Her leukemia can be cured only if someone's bone marrow matches her daughter so, he goes abroad and gets in touch with her former wife (Smita Patil).
Gaman
7.4/10
In order to improve their lifestyle, Lucknow based Ghulam Hussain decides to re-locate to Bombay, leaving his ailing mother and wife, Khairun, behind. He arrives in Bombay, and looks up his close friend, Lalulal Tiwari, who gets him a job cleaning taxis. Ghulam subsequently learns how to drive, and is hired to drive a taxi. Despite of his best efforts he is unable to save enough money to visit Lucknow. Lalulal has problems of his own, despite of being settled in Bombay for several years; having a sweetheart, Yashodra, he is unable to even rent a decent apartment, and lives in a shanty tenement, which is slated to be demolished by the Bombay Municipal Corporation. Will Lalulal and Ghulam be able to improve their lives or will they be caught up in just surviving on a day to day basis?
Waaris
6.8/10
