The best Amol Palekar’s movies

Geeta ends up with two suitors after her father goes to bring home a prospective groom and mistakenly picks up the wrong man.

Hearts collide when the conniving Jaggan (Prem Chopra) convinces Kishan (Amol Palekar) that his wife, Shanti (Rakhee Gulzar), is having an affair with his brother Shambhu (Rajesh Khanna). Of course, all this is done so that Kishan will marry Jaggan's cousin Tulsi (Rekha) according to Jaggan's master plan … even though Tulsi would much rather marry Shambhu. Confused? Don't worry. So are these weary lovers!

A girl learns music from her courtesan grandmother and breaks into the burgeoning show business industry of 1930s Bombay, which eventually leads to decades of superstardom as well as romantic entanglements.

This movie proves that speaking truth is not always the right thing to do!!! As the title suggests that the movie is about a female (Rekha) who is a liar, and it is this female who shows how much lying can be a worthy quality. Nice movie with some good comedy. As in all Hrishikesh Mukherjee, the setting is a simple middle class family with ordinary existence. It is totally wonderful to see how Hrishikesh Mukherjee finds stories amongst all of us. Truly a mastermind.

Sparkling comedy about a meddling friend whose attempt to rekindle the spark in his friend's relationship with his wife of seven years leads to complications to their lives, and to the lives of his secretary and her boyfriend he has not 'scripted' ... Splendid performances by Amol Palekar, Deepti Naval, Parveen Babi and Farooq Shaikh, a perfectly pitched script, witty dialogue and a plethora of aptly placed film references make this a film one can watch over and over and never fail to laugh out loud.

Olangal is a 1982 Indian film in Malayalam, directed by Balu Mahendra.[2] The film's plot is inspired from novel Man, Woman and Child by Erich Segal.

Kanneshwara Rama (Kannada: ಕನ್ನೇಶ್ವರ ರಾಮ; English: The Legendary Outlaw) is a 1977 Kannada political drama film directed by M. S. Sathyu and produced by the Sharadha Movie Productions banner. The film is based on the novel Kannayya Rama written by the acclaimed writer S. K. Nadig. The story is set in the 1920s during which a young rebellious youth named Kanneshwara Rama opposes to the unjust orders given by the village head and becomes outlawed from the village.[1] The film stars Ananth Nag as the protagonist along with Shabana Azmi, Amol Palekar, Dheerendra Gopal, Venkatesh in the key supporting roles. The film's score and songs were composed by B. V. Karanth who's also enacted as the dacoit cheiftan. The film, upon release, was critically acclaimed and was screened at various film festivals across India and abroad.

Mr. Shrivastav abandons his family for a life of hermitage. His family struggles to carry on financially in his absence, with two daughters: Sangeeta and Geeta forced to carry the burden of employment, while their brother Ashok gambles their earnings away.

On a train bound for Bombay, three friends become prime suspects in a murder. On the run, they have to prove their innocence and catch the real killer.

Khamosh is 1985 Indian thriller directed and produced by Vidhu Vinod Chopra. The film starred Bollywood actors such as Naseerudin Shah, Shabana Azmi, Amol Palekar, Soni Razdan and Pankaj Kapoor. It, however, did not do well at the box office. The film became notable for actors Amol Palekar, Soni Razdan and Shabana Azmi portraying fictional versions of themselves. It is a suspense movie, wherein the murderer is among the group of people living together in a hotel, and the actual murderer is well hidden in the plot until the very end.

A rich and wealthy couple, Shankarlal and Parvati are appalled at the problems of the world, especially in households, so they decide to try and make things right.

Two hapless petty thieves find themselves embroiled in a kidnapping when they decide to break into a house on the very same night that two dim-witted kidnappers plan to abduct the child who lives there.

A political and social satire on middle-class society's hypocrisy. A group of teachers plan to stage a play in a village. When a cast-member does not show up, a local stagehand is asked to replace him. An improvised, free-flowing 'rehearsal' is arranged and a mock trial is staged to help the novice understand court procedures. A (mock) charge of infanticide is levelled against Miss Benare, another cast-member. Suddenly the pretend-play turns into an accusatory game when it emerges from the trial that Miss Benare is carrying an out-of-wedlock child from her failed illicit relationship with Professor Damle, the missing cast-member.

On the trail of an underworld contract killer, a dedicated police officer is thrust into a battle between good vs evil.

Wealthy Mr. Singh would like to see his daughter get married but she hates wealthy men. So he finds several poor men: Ajay Srivastav, who is already married and also has 3 daughters; Yeshwant Bhosle, a TV repairman who ends up being a multi-millionaire after his invention is marketed; Viju Guide, a Hyderabad-based Tourist Guide, who finds buried treasure and also ends up a multi-millionaire; and Prakash, a motor mechanic who ends up being the only son of wealthy builder. Finally Nisha meets her ideal match in Rukhtapur-based Suraj Singh, a wedding singer/dancer, and gets married to him. But is Suraj Singh who he really claims to be?