The best Simona Cavallari’s movies

Very rare Italian horror anthology from 1994, starring amongst many others, Asia Argento. This Italian movie is an anthology based with no linking material, only that all of the stories have a horror/suspense/surreal theme. The stories are diverse, ranging from routine stories with twist-endings to social satire. The directing styles are equally as eclectic - compare the frenetic Peter Jackson-style opening segment, Our Guys Are Coming to the surrealistic, dreamlike qualities of Outlook.

Mario (Placido), an Italian American who manages a pizzeria in NYC, is charged with an assassination of a judge in Palermo. He leaves the States, comes back to Sicily and recruit Michele, his younger brother, for some help. Michele is a good guy not involved with the Mafia, that is trying to build his life on honesty and hard-working. Michele needs some money to give freedom to a prostitute he is in love, and Mario promise his help in change of an hands to set up his trap for the judge. Anyway Michele isn't made with the same "pasta" of Mario, he couldn't never be a real Mafioso and this causes many between the two brother and the Mafia. There is only a way for Mario to save his brother. A way that Mafia could like.

In 17th century France, a theater troupe is allowed by its patron to go to Paris to produce an erotic play. The head of the troupe dreams of fame while his wife, the leading actress, and a new leading girl fall for each other.

This European existential drama utilizes complex symbols inspired by abstract psychological theories to explore the effects and reasons behind a young classical actor's decision to stop talking. No one knows why Massimo has vowed to stop talking. Other than speaking dialog from classical plays, Massimo refuses to say a single word. His father, a classic-literature professor believes it reflects to a disappointing love affair. His new girlfriend thinks Massimo is rebelling against his mother, a poet. A director learns of Massimo and commissions his mother to write a play about him. Though Massimo plays himself in the play, and does speak, he returns to silence when the play is finished.