The best Pietro Genuardi’s movies

A cemetery man has the unusual problem of the dead rising from the grave. Himself and his assistant must end these creatures' lives again after they are reborn. Everything is going well until "She" comes along and stirs things up a bit.

The story of a gang of French female robbers disguised as men, who operated in the Avignon area in the mid-1980s.

A feature-length documentary about the life and career of Italian director Luigi Cozzi and his obsession with Science Fiction and Fantasy.

Carlo, a police officer, after intercepting a call conducts a drug bust at a private party at the upper class apartment of Rosanna Clerici and she is arrested. Just as the police and party guests are leaving, Giulio, Rosanna's six-year-old son, comes out of his room and asks Carlo where his mother is. Seeing that Carlo is the person responsible for his mother's arrest, Giulio tags along with him until his mother is freed. Carlo does everything possible to have Social Services or somebody look after the kid but is told by the Courts that he is the best candidate for his custody until a better one is found. Even though Giulio manages to turn Carlo's life inside out he ends up getting to like the kid and falling for the kid's mother, Rosanna, while she is in prison. It ends with Rosanna being released from prison and the three of them going out for dinner.

A female rock band acquires an infamous composition by Niccolò Paganini that was used in satanic rituals. When the band decides to record the song and film a video in Paganini's old mansion, the spirit of the deceased composer is summoned and the band unlocks a portal to Hell.

Very rare Italian horror anthology from 1994, starring amongst many others, Asia Argento. This Italian movie is an anthology based with no linking material, only that all of the stories have a horror/suspense/surreal theme. The stories are diverse, ranging from routine stories with twist-endings to social satire. The directing styles are equally as eclectic - compare the frenetic Peter Jackson-style opening segment, Our Guys Are Coming to the surrealistic, dreamlike qualities of Outlook.

Follows three young millennials as they form a wholehearted ménage à trois, each of them going through a moment of transition: Fun-loving Marcello from under the thumb of his Italian soap star father, soulful French-Iranian actor Nassim toward a more fulfilling career, and artist Christine through the grief following the death of her grandfather. The trio finds joy together by joining political protests, making art, and falling deeper into their unconventional love, until Marcello must return to Italy.

Rimini, 1991. For more than a year, the uno bianca gang - they always use a white Fiat Uno - has plagued the area. Their crimes are violent, sometimes killing carabineri, and there's no particular pattern: a bank one day, a petrol station the next, extortion of a small business the next. Are they terrorists? A foreign gang? Tied to the Mafia? After a particularly bloody shootout, two detectives are assigned to start fresh: they go through the notebooks of previous investigators and they interview a few witnesses again. They find a pattern in the crimes and predict the next assault, but the special task force in Bologna is dismissive. Can they carry on alone; how far will they get?

1849 - Ciceruacchio declares the Independent Republic of Rome, but the French and the Austrians try to bring back the Pope to Rome.

Continuation of "I miei primi 40 anni" The sentimental and erotic adventures drawn from the true story of Marina Ripa di Meana continue.